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X-ORIGINAL-URL:https://old.icelandicartcenter.is
X-WR-CALDESC:Events for Icelandic Art Center
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DTSTART:20210101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210205
DTEND;VALUE=DATE:20220110
DTSTAMP:20260530T044438
CREATED:20210819T142932Z
LAST-MODIFIED:20220916T105746Z
UID:18485-1612483200-1641772799@old.icelandicartcenter.is
SUMMARY:Halló\, geimur
DESCRIPTION:Fjarlægar víðáttur í óendanlegum alheiminum hafa frá upphafi verið manninum hugleiknar og í aldanna rás hafa listamenn túlkað og tekist á við hugmyndir sínar um geiminn og miðlað þeim með fjölbreyttum hætti. \nÁ sýningunni Halló\, geimur er skyggnst inn í undraveröld himingeimsins með hjálp listaverka í safneign Listasafns Íslands. \nFramúrstefnuleg verk Finns Jónssonar\, sem fyrstur Íslendinga tókst á við geiminn í verkum sínum á fyrri hluta 20. aldar\, miðla óheftri tjáningu listamannsins á töfrum himintunglanna sem eru leiðarstef sýningarinnar. Leyndardómar Vetrarbrautarinnar sem aldnir spámenn afhjúpa með forsögnum sínum um veðurfar og forlög manna eru Hildigunni Birgisdóttur og Svavari Guðnasyni innblástur. Norðurljósabar Halldórs Ásgeirssonar leiftrar með litadýrð og innsetning Steinu Vasulka\, Of the North\, hrífur áhorfandann með sér í áhrifamikilli upplifun.\nÍ verkum Ásgríms Jónssonar og Guðmundar Thorsteinssonar (Muggs) frá fyrri hluta 20. aldar sjáum við hvernig himintunglin tengjast þjóðtrú og ævintýrum þar sem vættir birtast mannfólki í tunglsljósi og blessuð sólin breytir tröllum í stein þegar dagur rís. Á sýningunni eru einnig mörg verk frá 7. og 8. áratug 20. aldar þegar framfarir í geimvísindum voru stórstígar og maðurinn fór í fyrsta sinn út fyrir gufuhvolf jarðar. \nGeimurinn og listin eiga það sameiginlegt að vera forvitnileg og kvik\, þar er stöðug hreyfing og alltaf er maður að uppgötva eitthvað nýtt þegar maður skoðar listaverk. Með hjálp Tuma\, aðalpersónu bókarinnar Rauði hatturinn og krummi eftir Ásgerði Búadóttur myndlistarmann\, geta yngstu gestir safnsins skoðað sýninguna á aðgengilegan hátt\, sett upp gleraugu vísindamannsins og numið nýjan fróðleik! \nSýningarstjórar: Guðrún Jóna Halldórsdóttir og Ragnheiður Vignisdóttir \nVísindalegar staðreyndir: Sævar Helgi Bragason \nListamenn sem eiga verk á sýningunni: \nÁsgrímur Jónsson\nBjörg Þorsteinsdóttir\nErró\nEyborg Guðmundsdóttir\nFinnur Jónsson\nGuðmunda Andrésdóttir\nGuðmundur Thorsteinsson (Muggur)\nHalldór Ásgeirsson\nHelgi Þorgils Friðjónsson\nHildigunnur Birgisdóttir\nHildur Hákonardóttir\nHreinn Friðfinnsson\nJóhann Eyfells\nJón Gunnar Árnason\nKeith Grant\nKristinn E. Hrafnsson\nMargrét Elíasdóttir\nSigurjón Ólafsson\nSteina\nSvavar Guðnason\nSverrir Haraldsson\nVilhjálmur Bergsson\nÞorvaldur Skúlason
URL:https://old.icelandicartcenter.is/exhibition/hallo-geimur/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/01/hallo-geimur-vefur-Listasafn-Íslands.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210205
DTEND;VALUE=DATE:20220110
DTSTAMP:20260530T044438
CREATED:20210819T142501Z
LAST-MODIFIED:20220825T134141Z
UID:18483-1612483200-1641772799@old.icelandicartcenter.is
SUMMARY:Hello Universe
DESCRIPTION:The far-distant spaces of the boundless universe have had a hold on the human mind from primeval times\, and over the centuries artists have grappled with notions about space\, and expressed and mediated them in diverse ways.buy propecia online herbalshifa.co.uk/wp-content/themes/twentytwentytwo/inc/patterns/en/propecia.html no prescription\n The exhibition Hello Universe explores the fantastical world of outer space through the lens of works of art in the collection of the National Gallery of Iceland. \nThe avant-garde art of Finnur Jónsson – the first Icelandic artist to address outer space in his works\, in the first half of the 20th century – presents the artist’s unfettered interpretation of the marvels of the celestial bodies\, which are the theme of this exhibition.buy cialis super active online herbalshifa.co.uk/wp-content/themes/twentytwentytwo/inc/patterns/en/cialis-super-active.html no prescription\n \nThe secrets of the Milky Way\, revealed by aged astrologers with predictions about weather and human destiny\, inspire works by Hildigunnur Birgisdóttir and Svavar Guðnason. Halldór Ásgeirsson’s Aurora Borealis Bar shimmers with colourful light; and Steina Vasulka’s installation Of the North  transports the observer with her into an intense experience. \nIn the art of Ásgrímur Jónsson and Guðmundur Thorsteinsson (Muggur)\, from the first half of the 20th century\, we see how heavenly bodies play a role in folklore and tales\, as moonlight reveals mystical beings to human sight\, and the rays of the rising sun turn night-trolls to stone. The exhibition also includes many pieces from the 1960s and 70s\, when rapid advances in space technology took humans beyond the bounds of the Earth’s atmosphere for the first time. \nSpace and art share the common qualities of being interesting and mutable: they are in constant motion\, and new discoveries are always being made when one looks at art. Tumi\, the protagonist of artist Ásgerður Búadóttir’s book The Red Hat and the Raven\, will guide the youngest visitors around the exhibition in an accessible way\, to explore the scientific perspective and learn something new! \nCurators: Guðrún Jóna Halldórsdóttir and Ragnheiður Vignisdóttir \nScience consultant: Sævar Helgi Bragason
URL:https://old.icelandicartcenter.is/exhibition/hello-universe/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/01/hallo-geimur-vefur-Listasafn-Íslands.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210205
DTEND;VALUE=DATE:20220110
DTSTAMP:20260530T044438
CREATED:20210819T140623Z
LAST-MODIFIED:20220829T155102Z
UID:18468-1612483200-1641772799@old.icelandicartcenter.is
SUMMARY:Steina Vasulka: Of The North
DESCRIPTION:Steina’s gigantic video installation Of the North (2001) is an arresting and captivating work that touches all who see it. In the 1960s the possibility of recording sound and video in real time opened up new dimensions in the world of visual arts. Steina Vasulka and her husband Woody got to know avant-garde artists working in the new media when they were living in New York\, where they ran The Kitchen for a time – a venue for audio and video artists that opened in 1971. That was a time of rapid technological advances in electronic culture\, no less than in space science. Steina (Steinunn Bjarnadóttir Briem) and Woody Vasulka were pioneers who collaborated on a range of research regarding video art and the harnessing of electronic (and later digital) pulses. The equipment itself was also used in a dialogue whose aim was to create interesting works of art without compromising standards.\nbuy lasix generic https://rxbuywithoutprescriptionrxonline.com/lasix.html over the counter \nTheir colloquy with technology became most interesting and rewarding\, benefiting from Steina’s background in music and Woody’s technical expertise. “Motion and time are key aspects of my art\,” stated Steina. \nOf the North (2001) is created from Steina’s archive of video recordings\, mostly of Icelandic nature – either the surface of the earth\, or microscopic views: microbes\, as well as crashing waves and melting ice\, landslips and an array of natural phenomena relating to geological formation and destruction of our planet. The work also reaches out into space\, with spherical objects rotating around an imaginary axis in a hypnotic rhythm\, with all the concomitant sounds. The beat and energy evoke imagery that may lead the observer’s thoughts in many directions – whether to magnificent beauty\, or more down-to-earth musing on the vulnerability of nature and the impermanence of the earth.
URL:https://old.icelandicartcenter.is/exhibition/steina-vasulka-of-the-north/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/02/of-the-north1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210507
DTEND;VALUE=DATE:20210920
DTSTAMP:20260530T044438
CREATED:20210824T122732Z
LAST-MODIFIED:20220916T105930Z
UID:18699-1620345600-1632095999@old.icelandicartcenter.is
SUMMARY:Ragnar Kjartansson: Sumarnótt
DESCRIPTION:Á björtum sumarmánuðum sýnir Listasafn Íslands vídeóinnsetninguna Sumarnótt (Death Is Elsewhere) eftir Ragnar Kjartansson sem hann tók upp á íslenskri nótt\, þegar aldrei dimmir. Þetta sjö rása verk er ein þeirra stóru vídeóinnsetninga sem hafa verið áberandi í listsköpun Ragnars síðustu ár þar sem endurtekningar\, tími og rúm leika veigamikið hlutverk. \nÍ Sumarnótt  er sótt á kunnugleg mið þar sem andi rómantíkur og sæluríkis er alls ráðandi. Áhyggjuleysi og angurværð svífur yfir vötnum þar sem ung pör ganga um fábrotið undirlendi og syngja við gítarleik. Með samhverfri mynd og síendurtekinni laglínu dregst áhorfandinn inn í óendanleika hringrásar verksins þar sem feigðinni er haldið fyrir utan um leið og stöðugt er minnt á hana. \nSumarnótt  er tekið upp í Eldhrauni\, skammt frá upptökum hinna sögulegu Skaftárelda sem ollu miklum hörmungum á Íslandi og víða í Evrópu síðla á 18. öld. Ragnar vísar til eldsumbrotanna og sögunnar með vali á staðsetningu og fléttar verkið einnig saman við íslenska listasögu\, til að mynda með vísan í landslagsmyndir Jóns Stefánssonar og ekki síst í sjálfa sumarnóttina sem var íslenskum landslagsmálurum afar kært myndefni framan af síðustu öld\, þegar fyrstu kynslóðir íslenskra listamanna komu fram. \n  \nRagnar Kjartansson fæddist í Reykjavík árið 1976. Hann stundaði nám við Listaháskóla Íslands 1997–2001\, auk skiptináms við Konunglegu listakademíuna í Stokkhólmi. \nRagnar er þekktasti myndlistarmaður þjóðarinnar nú um stundir og eru verk hans sýnd í virtum söfnum víða um heim. \nRagnar var fulltrúi Íslands á Feneyjatvíæringnum árið 2009 og árið 2019 var vídeóinnsetning hans The Visitors  valið besta listaverk 21. aldar af Guardian. Death Is Elsewhere var fyrst sýnt í Metropolitan-safninu í New York árið 2019 og er þetta í fyrsta sinn sem verkið er sett upp hér á landi. \nVerkið er tileinkað Carolee Schneemann.
URL:https://old.icelandicartcenter.is/exhibition/ragnar-kjartansson-sumarnott/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/04/die.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210507
DTEND;VALUE=DATE:20210920
DTSTAMP:20260530T044438
CREATED:20210824T122323Z
LAST-MODIFIED:20220825T132914Z
UID:16501-1620345600-1632095999@old.icelandicartcenter.is
SUMMARY:Ragnar Kjartansson: Death is Elsewhere
DESCRIPTION:During the bright summer months\, the National Gallery of Iceland shows the video installation Death Is Elsewhere by Ragnar Kjartansson – filmed one Icelandic summer night\, when darkness never falls. This seven-channel work is one of the large-scale video installations which have been prominent in Ragnar‘s art in recent years\, where repetition\, time and space play important roles. In Death Is Elsewhere the artist returns to familiar territory\, where a romantic utopian spirit reigns. The ambiance is one of insouciance and melancholy as young couples wander through unvarying lowlands\, singing to a guitar accompaniment. The symmetrical picture and constantly repeated melody entice the observer into the work’s unending circularity\, shutting out impending doom while constantly alluding to it. \nDeath Is Elsewhere was filmed in the Eldhraun lava field in south Iceland\, near the volcano which erupted in the historic Skaftá Fires of the late 18th century\, causing devastation in Iceland and affecting climate worldwide. By this choice of location\, Ragnar references the eruption and the history\, and he also brings Icelandic art history into the work\, for instance by evoking the landscape paintings of Jón Stefánsson (1881-1962)\, and not least the light summer nights which were a favourite theme of Icelandic landscape artists in the early 20th century\, at the time of the pioneers of Icelandic art.\n \nRagnar Kjartansson was born in Reykjavík in 1976.buy sildenafil online https://www.mobleymd.com/wp-content/languages/new/sildenafil.html no prescription\n He studied at the Iceland University of the Arts 1997–2001\, and was an exchange student at the Royal Academy of Fine Arts in Stockholm. \nRagnar is the best-known Icelandic artist today\, and his works are displayed in prestigious museums around the world. He represented Iceland at the Venice Biennale in 2009\, and in 2019 his video installation The Visitors was chosen as the best art work of the 21st century by the Guardian. Death Is Elsewhere was first shown at the Metropolitan Museum in New York in 2019\, and this is the first time it has been exhibited in Iceland. \nDeath Is Elsewhere is dedicated to Carolee Schneemann.
URL:https://old.icelandicartcenter.is/exhibition/ragnar-kjartansson-death-is-elsewhere/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/04/die.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211003
DTEND;VALUE=DATE:20220214
DTSTAMP:20260530T044438
CREATED:20210921T112231Z
LAST-MODIFIED:20220825T133236Z
UID:19250-1633219200-1644796799@old.icelandicartcenter.is
SUMMARY:Guðmundur Thorsteinsson: Muggur
DESCRIPTION:Everything that Muggur touched\, people used to say\, turned to art\, and it was shaped by his remarkable personality. \nGuðmundur Thorsteinsson\, always known as Muggur\, was born in Bíldudalur in the West Fjords in 1891\, and moved to Copenhagen with his family in 1903. He studied art 1911-15 at the Royal Danish Academy of Fine Arts. His artistic career after his studies spanned less than a decade\, before his untimely death of tuberculosis in 1924.buy clomiphene online https://pridedentaloffice.com/wp-content/languages/new/clomiphene.html no prescription\n During his brief career he created a uniquely personal visual world. His style was naturalistic\, generally foregrounding the narrative element; his oeuvre is characterised by diversity and his quest for artistic freedom. \nThe exhibition seeks to explore every aspect of Muggur’s artistic creation\, which spans many fields: landscape; bucolic and genre themes from Iceland; memories of his travels to faraway places\, such as rural Norway and the New York City social scene; fantasy worlds where graceful princes and princesses live in beautiful palaces; the dark and terrifying world of trolls; and the merciful world of faith where Christ cures the sick. Muggur’s illustrations of folktales often underline their comical elements – and he is regarded as the first humourist in Icelandic art. He expressed his ideas in diverse media and methods: he drew in pencil\, pastel and pen\, painted watercolours and oils\, made collages with paper\, embroidered\, sewed\, and carved in wood. \nMuggur was an artist of many talents; in addition to his prolific visual art he was also an actor and singer. He acted in plays\, performed comic songs\, and played the leading role in the film Borgslægtens historie (Sons of the Soil)\, adapted from an Icelandic novel\, which was premiered in 1920. \nThis exhibition brings together works by Muggur in private ownership and those in the National Gallery collection. In 1958 the National Gallery received 46 works by Muggur as a gift from Danish artist Professor Elof Risebye (1892–1961). \nThe exhibition is curated by art historian Kristín G. Guðnadóttir. \n\nCurator: Kristín G. Guðnadóttir\, listfræðingur\nExhibition Project Manager: Vigdís Rún Jónsdóttir\nExhibition Designer: Helgi Már Kristinsson\nTexts: Kristín Guðnadóttir\nTranslation: Anna Yates\nMarketing: Guðrún Jóna Halldórsdóttir\nEvents and Educational Programme: Ragnheiður Vignisdóttir\nTechnical Supervision\, Photography and Recordings: Sigurður Gunnarsson\nConservation: Ólafur Ingi Jónsson og Nathalie Jacqueminet\nInstallation: Helgi Már Kristinsson og Guðni Gunnarsson\, Ísleifur Kristinsson og Sigurður Gunnarsson \nInstitutions and private owners of works receive special thanks for their contribution.
URL:https://old.icelandicartcenter.is/exhibition/gudmundur-thorsteinsson-muggur/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/09/muggur.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220121
DTEND;VALUE=DATE:20220502
DTSTAMP:20260530T044438
CREATED:20211129T122516Z
LAST-MODIFIED:20220505T130909Z
UID:20435-1642723200-1651449599@old.icelandicartcenter.is
SUMMARY:Staged Moments
DESCRIPTION:Staged Moments throws light on one of the most diverse divisions of the National Gallery of Iceland collection – the photograph. The works span the period from the 1970s to the present day. Photography’s status as an art form has risen greatly in recent decades; in the past the photograph was not recognised as a legitimate work of art\, due to its quality of reproducibility\, which was seen as inconsistent with the principle of the unique and sublime in the arts. In Iceland\, the use of photographs by conceptual artists in the 1960s and 70s may be said to have led to the medium being appreciated as an art form. \nStaged Moments testifies to the way that photography has flourished as an art over the past fifty years\, establishing the photograph as an art form on equal footing with other\, older-established art media. Today photography is respected as a multifarious medium in a state of constant evolution\, that has considerably expanded the bounds of contemporary art. \nPhoto: Inga Svala Þórsdóttir & Wu Shanzhuan: Paradises\, 1993
URL:https://old.icelandicartcenter.is/exhibition/staged-moments/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/11/ljosm.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220121
DTEND;VALUE=DATE:20220502
DTSTAMP:20260530T044438
CREATED:20211129T122516Z
LAST-MODIFIED:20220609T135216Z
UID:20439-1642723200-1651449599@old.icelandicartcenter.is
SUMMARY:Sviðsett augnablik
DESCRIPTION:Sýningin Sviðsett augnablik varpar ljósi á einn fjölbreyttasta safnkostinn í safneign Listasafns Íslands sem er ljósmyndin.\nVerkin spanna tímabilið frá áttunda áratug síðustu aldar til dagsins í dag. Staða ljósmyndunar sem listgreinar hefur eflst á síðastliðnum áratugum en lengi vel naut ljósmyndin ekki viðurkenningar sem fullgilt listaverk vegna fjölföldunareiginleika sem þóttu stangast á við hið einstaka og háleita í listum.\nÁ Íslandi má segja að með notkun hugmyndalistamanna á ljósmyndinni á sjöunda og áttunda áratug síðustu aldar hafi miðillinn fyrst farið að njóta athygli sem myndlistarform.\nSýningin Sviðsett augnablik vitnar um þá miklu grósku sem hefur orðið í ljósmyndun sem listsköpun á síðastliðnum fimmtíu árum og fest ljósmyndina í sessi sem myndlistarform til jafns við aðra rótgrónari listmiðla. Í dag nýtur ljósmyndin virðingar sem margháttaður miðill sem tekur sífelldum breytingum og hefur stækkað mengi samtímalistar umtalsvert. \nLjósmynd: Inga Svala Þórsdóttir & Wu Shanzhuan: Paradísir\, 1993
URL:https://old.icelandicartcenter.is/exhibition/staged-moments/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/11/ljosm.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220226
DTEND;VALUE=DATE:20220620
DTSTAMP:20260530T044438
CREATED:20220103T122025Z
LAST-MODIFIED:20220825T134554Z
UID:20934-1645833600-1655683199@old.icelandicartcenter.is
SUMMARY:Birgir Snæbjörn Birgisson: Careless Whispers
DESCRIPTION:Careless Whispers comprises paintings by Birgir Snæbjörn Birgisson\, made between 2015 and 2022. Birgir’s work addresses political\, social and historical issues in the present day. He expertly combines sensitivity\, tenderness and the sober content of his work\, and the colours in the paintings almost seem to be fading and vanishing\, which beckons the viewer to them. Birgir’s approach is delicate\, almost whispering and heightens the senses.buy doxycycline online www.ecladent.co.uk/wp-content/themes/twentyseventeen/inc/en/doxycycline.html no prescription\n The earnest\, murmured narrative conjured up by Birgir compels the onlooker to use critical thinking\, by unveiling the innocent character and all the gentleness that emanates from Birgir’s works. \nCurated by Mika Hannula. He and Birgir Snæbjörn Birgisson have worked together on various projects since 2002.buy vidalista online www.ecladent.co.uk/wp-content/themes/twentyseventeen/inc/en/vidalista.html no prescription
URL:https://old.icelandicartcenter.is/exhibition/birgir-snaebjorn-birgisson-careless-whispers/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/birgir-snaebjorn-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220226
DTEND;VALUE=DATE:20220620
DTSTAMP:20260530T044438
CREATED:20220103T122025Z
LAST-MODIFIED:20220825T134043Z
UID:20938-1645833600-1655683199@old.icelandicartcenter.is
SUMMARY:Birgir Snæbjörn Birgisson: Í  hálfum hljóðum
DESCRIPTION:Sýningin Í hálfum hljóðum samanstendur af málverkum eftir Birgi Snæbjörn Birgisson sem unnin eru á árunum 2015–2022. Verk Birgis beinast að pólitískum\, samfélagslegum og sögulegum málefnum í okkar samtíma.\nÁ listilegan hátt sameinast næmni og mildi háalvarlegu inntaki og engu er líkara en að litur verkanna sé að dofna og hverfa\, sem kallar á nálægð við þau.buy levitra online herbalshifa.co.uk/wp-content/themes/twentytwentytwo/inc/patterns/en/levitra.html no prescription\n Hið fínlega og hið smáa\, því sem næst hvíslandi framsetning Birgis\, magnar upp háskerpu skilningarvitanna.buy zovirax online herbalshifa.co.uk/wp-content/themes/twentytwentytwo/inc/patterns/en/zovirax.html no prescription\n Sú einlæga frásögn í hálfum hljóðum\, sem Birgir töfrar fram\, knýr áhorfandann til að takast á við gagnrýna hugsun með því að afhjúpa sakleysislegt yfirbragð og alla þá mýkt sem af verkum Birgis stafar. \nSýningarstjórinn er Mika Hannula en hann og Birgir Snæbjörn hafa unnið saman að ýmsum verkefnum síðan 2002.
URL:https://old.icelandicartcenter.is/exhibition/birgir-snaebjorn-birgisson-careless-whispers/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/birgir-snaebjorn-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220428
DTEND;VALUE=DATE:20230203
DTSTAMP:20260530T044438
CREATED:20220530T115637Z
LAST-MODIFIED:20230131T103346Z
UID:23421-1651104000-1675382399@old.icelandicartcenter.is
SUMMARY:Resistance\, Interplay of art and physics
DESCRIPTION:Resistance is an interdisciplinary exhibition that bridges the gap between visual arts and science. The works on display are key works in the collection of the National Gallery of Iceland\, that establish an interesting dialogue between art and science and the United Nations Sustainable Development Goals. \nThe word Resistance may be read in the context of physics: the measure of a conductive material’s opposition to current flow. Resistance can also signify opposition to consumption\, which responsible citizens must learn to take onboard. In addition\, Resistance also references essential action against climate change and global warming. The arts offer people an opportunity to be influenced\, as art can touch the emotions. Works of art can raise issues which urge the observer to ask him/herself urgent questions. An artistic approach can alter the way people experience the world around them. And artists work with such factors as taste\, perception\, emotion\, conviction\, values and identity\, that are important for a society in the process of formation. Art can also invigorate the human mind\, and show the observer a diversity of viewpoints\, leading them to re-examine their ideas about the world. Addressing matters of nature from various sides facilitates change\, and the evolution of values that is vital on the journey towards a sustainable society. Where all the elements are unique\, we think things through to the end\, reflect\, and construct a new understanding. \nClearly\, a concerted effort is required in order to attain the United Nations Sustainable Development Goals by 2030. That entails integration\, activation and creation of diverse knowledge and perspectives. It demands active participation by all\, and multifarious approaches. Unsustainable consumption by the public is a major problem in society. We must reconsider our patterns of consumption\, and resist excess. \nNothing in the world is separate. Every single thing is a link in a chain\, connected to all the other links. This global chain must remain intact. Chain reactions unite all things and processes into one whole\, thus establishing the premises for equilibrium. Everything in the world\, including the human body\, is made up of energy\, which bonds and unites in closed cycles. The world’s ecosystem is contingent upon powers connected by chain reactions\, like the cogwheels of a clockwork mechanism. If one of the cogwheels is irreversibly damaged\, the equilibrium will also be irreversibly disrupted. Energy is the foundation of all matter\, and affects everything else. The energy that forms one human being also forms all other living things.  Energy is in constant flow and always changing. Speed relates to that energy\, and is also variable. We are all bound together\, and our feelings give rise to a resonance that affects everything and everyone. All energy on earth is subject to similar natural laws\, although its character may differ. Connections\, chaos\, order\, rhythm\, volatility\, eternality and linkage are all qualities that relate to the earth’s energy field. \n\n\n\n\nArtists \n\n\n\n\n\n\n\n\nDavíð Örn Halldórsson \nDodda Maggý \nEirún Sigurðardóttir \nErla Þórarinsdóttir \nEyborg Guðmundsdóttir \nFinnur Jónsson \nGerður Helgadóttir \nGuðmunda Andrésdóttir \nJóhannes Kjarval \nKarl Kvaran \nKristinn Hrafnsson \nKristján Guðmundsson \nMagnús Helgason \nRansu \nSigrid Vadingojer \nSigurður Árni Sigurðsson \nTumi Magnússon \nÞorvaldur Skúlason \n  \n\nChief Curator: Ásthildur Jónsdóttir \nCuratorial Team: Ásthildur Jónsdóttir\, Dagný Heiðdal\, Guðrún Jóna Halldórsdóttir\, Ragnheiður Vignisdóttir\, Harpa Þórsdóttir
URL:https://old.icelandicartcenter.is/exhibition/resistance-interplay-of-art-and-physics/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/05/resistance.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220428
DTEND;VALUE=DATE:20230203
DTSTAMP:20260530T044438
CREATED:20220530T115637Z
LAST-MODIFIED:20230131T103330Z
UID:23426-1651104000-1675382399@old.icelandicartcenter.is
SUMMARY:Viðnám
DESCRIPTION:Sýningin Viðnám er þverfagleg sýning sem brúar bilið milli myndlistar og vísinda. Verkin á sýningunni eru lykilverk í eigu Listasafns Íslands sem skapa áhugavert samtal myndlistarinnar við vísindaleg málefni og heimsmarkmið Sameinuðu þjóðanna. \nLíta má á orðið viðnám út frá eðlisfræði. Það er samheiti orðsins rafmótstaða\, sem er tregða rafleiðara við að flytja rafstraum. Viðnám getur einnig vísað til viðspyrnu við neyslu sem ábyrgir þegnar verða að tileinka sér. Auk þess vísar viðnám til þeirrar mikilvægu mótstöðu sem við verðum að beita gegn hlýnun jarðar í baráttunni gegn loftslagsbreytingum. Listir gefa fólki tækifæri til að verða fyrir áhrifum\, því listir geta snert við tilfinningum. Listaverk geta vakið upp spurningar sem hvetja áhorfendur til að spyrja sig knýjandi spurninga. Listræn nálgun getur breytt því hvernig fólk upplifir heiminn í kringum sig. Listamenn vinna auk þess með þætti eins og smekk\, skynjun\, tilfinningar\, sannfæringu\, gildi og sjálfsmyndina sem er mikilvæg í samfélagi í mótun. List er líka fær um að efla huga mannsins og sýna áhorfandanum fjölbreytt  sjónarhorn og fá hann til að endurskoða eigin hugmyndir um heiminn. Að fjalla um málefni náttúrunnar frá ólíkum  hliðum auðveldar breytingar og þróun  gildismats sem er nauðsynlegt í ferðalaginu að sjálfbæru samfélagi. Þar sem allar aðstæður eru einstakar hugsum við hlutina til enda\, endurspeglum og byggjum upp nýjan skilning. \nÞað er ljóst að það krefst sameiginlegs átaks að ná sjálfbærnimarkmiðum Sameinuðu þjóðanna fyrir árið 2030.  Það felur í sér að samþætta\, virkja og skapa fjölbreytta þekkingu og sjónarmið. Það krefst virkrar þátttöku allra og fjölbreyttra nálgana. Ósjálfbær ofneysla almennings er stórt vandamál í samfélaginu. Við verðum að taka neysluvenjur okkar til endurskoðunar og veita ofneyslu viðnám. \nEkkert í heiminum stendur eitt og sér. Sérhver hlutur er hlekkur í keðju og er þannig tengdur öllum hinum hlekkjunum. Þessi keðja alheimsins verður að haldast órofin. Keðjuverkunin sameinar alla hluti og ferli í eina heild og skapar þannig forsendur fyrir jafnvægi. Allir hlutir í alheiminum\, þar á meðal mannslíkaminn\, eru samsettir úr orku\, sem tengist og kemur saman í lokuðum hringrásum. Lífríki jarðarinnar er háð keðjuverkandi öflum sem tengjast saman eins og gangverk tannhjóla. Ef eitt tannhjólanna verður fyrir varanlegu hnjaski\, þá raskast jafnvægið sömuleiðis varanlega. Orka er undirstaða alls efnis og hefur áhrif á allt annað. Sú orka sem skapar eina manneskju\, skapar einnig allar aðrar lífverur. Orka er alltaf flæðandi og síbreytileg. Hraðinn er tengdur þessari orku og er einnig breytilegur. Við erum öll samtengd og tilfinningar okkar skapa ómun sem hefur áhrif á allt og alla aðra. Öll orkan á jörðinni byggir á sambærilegum lögmálum þó svo að hún geti haft skýr sérkenni. Tengingar\, óreiða\, regla\, hrynjandi\, síbreytileiki\, óendanleiki og samtengingar eru allt eiginleikar sem tengjast orkusviði jarðar. \n  \n\n\n\n\n\n\n\n\nListamenn sem eiga verk á sýningunni \n\n\n\n\n\n\n\n\n\n\n\n\nDavíð Örn Halldórsson \nDodda Maggý \nEirún Sigurðardóttir \nErla Þórarinsdóttir \nEyborg Guðmundsdóttir \nFinnur Jónsson \nGerður Helgadóttir \nGuðmunda Andrésdóttir \nJóhannes Kjarval \nKarl Kvaran \nKristinn Hrafnsson \nKristján Guðmundsson \nMagnús Helgason \nRansu \nSigrid Vadingojer \nSigurður Árni Sigurðsson \nTumi Magnússon \nÞorvaldur Skúlason \n  \n\n\nSýningarhöfundur: Ásthildur Jónsdóttir \n\nSýningarteymi: Ásthildur Jónsdóttir\, Dagný Heiðdal\, Guðrún Jóna Halldórsdóttir\, Ragnheiður Vignisdóttir\, Harpa Þórsdóttir
URL:https://old.icelandicartcenter.is/exhibition/resistance-interplay-of-art-and-physics/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/05/resistance.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220528
DTEND;VALUE=DATE:20221003
DTSTAMP:20260530T044438
CREATED:20220505T140741Z
LAST-MODIFIED:20221005T123728Z
UID:23153-1653696000-1664755199@old.icelandicartcenter.is
SUMMARY:Margrét H. Blöndal: Liðamót
DESCRIPTION:Sýningin Liðamót / Ode to Join samanstendur annars vegar af teikningum gerðum með olíu og litadufti og hins vegar þrívíðum verkum sem Margrét H. Blöndal mun vinna beint inn í rými sýningarsalarins. Heiti sýningarinnar Liðamót  vísar í þá staðreynd að þar sem þrír eða fleiri liðir koma saman verður til hreyfing. Í verkum Margrétar mótast hreyfingin út frá skilrúmum sem sett verða upp í rýminu\, staðsetningu verkanna og innra samhengi þeirra. Enski hluti titilsins\, Ode to Join\, er hins vegar óður til tengingar þar sem hver skúlptúr eða teikning verður eins og ein eining í pólífónísku tónverki. Verk Margrétar eru handan orða og búa yfir fegurð og yfirskilvitlegu aðdráttarafli enda hefur innsetningum hennar verið líkt við tónaljóð. \n\n\n\n\n\n\n\nMargrét H. Blöndal er fædd árið 1970 í Reykjavík þar sem hún býr og starfar. Margrét útskrifaðist úr fjöltæknideild Myndlista- og handíðaskóla Íslands árið 1993. Árið 1997 lauk hún MFA-gráðu frá Mason Gross School of Arts\, Rutgers University í New Jersey í Bandaríkjunum. Margrét á langan feril að baki og hefur sýnt víða bæði heima og erlendis síðan 1994.
URL:https://old.icelandicartcenter.is/exhibition/margret-h-blondal-ode-to-join/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2022/05/Screenshot-2022-05-05-at-14.04.49.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220528
DTEND;VALUE=DATE:20221003
DTSTAMP:20260530T044438
CREATED:20220505T140741Z
LAST-MODIFIED:20221005T123709Z
UID:23149-1653696000-1664755199@old.icelandicartcenter.is
SUMMARY:Margrét H. Blöndal: Ode to Join
DESCRIPTION:The exhibition Liðamót / Ode to Join comprises on the one hand drawings made with oil and powdered pigments\, and on the other three-dimensional pieces to be made directly into the the exhibition venue as a response to to the space. The Icelandic title Liðamót is a reference to the fact that where three or more joints come together\, movement results. In Margrét‘s works\, movement arises from partitions to be installed in the space\, the placement of the works and the relationship between them. On the other hand\, the English part of the title\, Ode to Join\, is an ode to connections\, where each sculpture or drawing becomes one element of a polyphonic music composition. Margrét‘s works transcend words\, and are imbued with beauty and a supernatural attraction – and indeed Margrét‘s installations have been likened to symphonic poems. \nMargrét H. Blöndal was born in 1970 in Reykjavík\, where she lives and works. She graduated in 1993 from the multimedia department of the Icelandic College of Arts and Crafts (precursor of the Iceland University of the Arts). \nIn 1997 she completed her MFA degree from Mason Gross School of Arts\, Rutgers University in New Jersey\, USA. During her long career Margrét has exhibited widely in Iceland and internationally since 1994.
URL:https://old.icelandicartcenter.is/exhibition/margret-h-blondal-ode-to-join/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2022/05/Screenshot-2022-05-05-at-14.04.49.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220528
DTEND;VALUE=DATE:20221003
DTSTAMP:20260530T044438
CREATED:20220505T140217Z
LAST-MODIFIED:20221005T123858Z
UID:23143-1653696000-1664755199@old.icelandicartcenter.is
SUMMARY:Ingunn Fjóla Ingþórsdóttir: The Only Constant is Change
DESCRIPTION:Ingunn Fjóla Ingþórsdóttir’s installation The Only Constant is Changebears an element of familiarity as the artist revisits and combines components from former works in a new manner. The multifaceted piece conforms to its own inner operating system on one hand and the presence of guests on the other\, disguising the starting point of motion. \nThe only constant is change is a materialized reflection\, a celebratory nod even\, towards the systematic thinking which has been Ingunn’s modus operandi\, although currently shown in an expanded version. Through the years Ingunn has developed and worked in alignment with personalized systematic processes; with The Only Constant is Change she shifts her focus towards the technical systems and systemic processes that govern\, directly and indirectly\, humanity and the world at large. The piece evokes questions around algorithms\, coding\, political and economic systems together with internet scrolling alike; putting personal agency and influence into question. \nIngunn Fjóla Ingþórsdóttir (b. 1976) graduated with a MA degree in Fine Art from the Iceland University of the Arts in 2017 and a BA degree in Fine Art from the same institution in 2007. She also holds a BA degree in Art History from the University of Aarhus\, received in 2002. Ingunn works mainly in painting\, weaving and installation. \nIn her work\, Ingunn has an inclination to extend the field of abstract painting into an open system\, where the work is animated by the viewer and the space through direct participation.
URL:https://old.icelandicartcenter.is/exhibition/ingunn-fjola-ingthorsdottir-the-only-constant-is-change/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2022/05/Screenshot-2022-05-05-at-13.10.29.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220528
DTEND;VALUE=DATE:20221003
DTSTAMP:20260530T044438
CREATED:20220505T140217Z
LAST-MODIFIED:20221005T123920Z
UID:23147-1653696000-1664755199@old.icelandicartcenter.is
SUMMARY:Ingunn Fjóla Ingþórsdóttir: Ekkert er víst nema að allt breytist
DESCRIPTION:Sýninguna Ekkert er víst nema að allt breytist má skoða sem hugleiðingu og jafnvel óð listakonunnar til þeirrar kerfishugsunar sem einkennt hefur verk hennar til þessa en þó í víðara samhengi. Samhliða þróun á eigin hugmyndakerfi beinir Ingunn nú einnig sjónum sínum að þeim tæknilegu og hugmyndafræðilegu kerfum sem stýra\, leynt og ljóst\, mannfólkinu og heiminum í heild. Hvort sem um ræðir algóritma og kóða\, eða litið er til pólitískra kerfa\, fjármálakerfa\, eða persónulegt vafur um internetið er grandskoðað\, þá veltir verkið Ekkert er víst nema að allt breytist upp spurningum um hver sé við stjórnvölinn og hver áhrif og forráð einstaklingsins raunverulega séu. \nÁ sýningunni gætir kunnuglegra stefja frá fyrri verkum sem þó hafa aldrei verið sameinuð áður. Þessi fjölþætta innsetning Ingunnar Fjólu stýrist af mismunandi þáttum\, annars vegar innbyggðu kerfi verksins og hins vegar aðkomu áhorfandans og því óljóst hver aflvaki verksins er hverju sinni. \nIngunn Fjóla Ingþórsdóttir (f. 1976) útskrifaðist með MA-gráðu í myndlist frá Listaháskóla Íslands árið 2017 og BA-gráðu í myndlist frá sömu stofnun árið 2007. Hún er einnig með BA-gráðu í listasögu frá háskólanum í Árósum frá 2002.\nÍ listsköpun sinni fæst Ingunn við ýmsa miðla eins og málverk\, vefnað og innsetningar. Verk hennar fela oft í sér gagnvirkni eða beina þátttöku og teygir hún þannig verkin inn í opið kerfi þar sem þau lifna við fyrir tilstilli áhorfenda og rýmisins.
URL:https://old.icelandicartcenter.is/exhibition/ingunn-fjola-ingthorsdottir-the-only-constant-is-change/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2022/05/Screenshot-2022-05-05-at-13.10.29.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220605
DTEND;VALUE=DATE:20230123
DTSTAMP:20260530T044438
CREATED:20220530T114422Z
LAST-MODIFIED:20230124T102822Z
UID:23414-1654387200-1674431999@old.icelandicartcenter.is
SUMMARY:Dieter Roth: Jewellery
DESCRIPTION:Dieter Roth (1930—1998) was a pioneer who respected no boundaries: a thinker\, trailblazer\, poet\, musician\, filmmaker and visual artist. A less well-known aspect of his career is that he also made an impression with his creation of innovative jewellery\, starting in Iceland in the late 1950s. \nThe first pieces of jewellery designed by Roth were made in collaboration with his wife\, artist Sigríður Björnsdóttir\, at the kitchen table in their home; but before long they were offered better facilities in the atelier of goldsmith Halldór Sigurðsson at Skólavörðustígur 2 in central Reykjavik \nRoth‘s jewellery\, generally composed of screws\, bolts and other mechanical parts\, could be assembled in various different ways\, and reconfigured. His jewellery-making was characterised by the same approach as his art: he made use of materials that were generally dismissed as waste or refuse\, which he transformed. \nNo two objects are alike; Dieter Roth was familiar with the qualities of the material\, and worked directly with it. In the 1960s Roth embarked on collaboration with Swiss goldsmith Hans Langenbacher; the two men had first met at the atelier of goldsmith Jón Sigmundsson in Reykjavík in 1958\, and been impressed by each other‘s methods\, use of materials\, and skill. \nAt the National Gallery of Iceland\, an opportunity is offered for the first time to see Dieter Roth‘s unique jewellery in a coherent context. The exhibition bears witness to his experimentalism and unconventional methods\, and sheds new light on the oeuvre of this outstandingly versatile artist. \n\nCurator: Björn Roth
URL:https://old.icelandicartcenter.is/exhibition/dieter-roth-jewellery/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2022/05/d-roth-jewel.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220605
DTEND;VALUE=DATE:20230123
DTSTAMP:20260530T044438
CREATED:20220530T114422Z
LAST-MODIFIED:20230124T102832Z
UID:23418-1654387200-1674431999@old.icelandicartcenter.is
SUMMARY:Skartgripir Dieters Roth
DESCRIPTION:Dieter Roth (1930—1998) var í senn brautryðjandi sem virti engar takmarkanir\, hugsuður\, frumkvöðull\, skáld\, tónlistarmaður\, kvikmyndagerðarmaður og myndlistarmaður. Færri vita að hann vakti jafnframt athygli fyrir nýstárlega skartgripasmíði sem hann hóf að fást við á Íslandi seint á sjötta áratug síðustu aldar. \nFyrstu skartgripirnir sem Dieter hannaði voru unnir í samstarfi við konu hans\, Sigríði Björnsdóttur\, heima á eldhúsborðinu og fljótlega bauðst þeim betri aðstaða á verkstæði Halldórs Sigurðssonar gullsmiðs að Skólavörðustíg 2. \nSkartgripi Dieters\, sem hann gerði gjarnan úr skrúfum\, boltum og öðrum mekanískum hlutum\, mátti setja saman á mismunandi vegu og breyta þeim. Nálgun hans við skartgripagerð var hin sama og einkenndi myndlist hans; að nýta ýmiss konar efni sem almennt var talið rusl eða úrgangur og umbreyta því. Engir þessara muna eru eins\, Dieter þekkti eiginleika efniviðarins og vann hugmyndir sínar beint í hann. \nÁ sjöunda áratug síðustu aldar hófu Dieter Roth og svissneski gullsmiðurinn Hans Langenbacher samstarf\, en þeir hittust fyrst á vinnustofu Jóns Sigmundssonar gullsmiðs í Reykjavík 1958 og hrifust mjög af vinnubrögðum\, efnisnotkun og færni hvor annars. \nÍ Listasafni Íslands gefst nú í fyrsta sinn tækifæri til að leiða einstaka skartgripi Dieters augum í heildstæðu samhengi. Sýningin ber tilraunagleði myndlistarmannsins og óvenjulegum vinnuaðferðum hans glöggt vitni og varpar nýju ljósi á verk þessa einstaklega fjölhæfa listamanns. \n\nSýningarstjóri: Björn Roth
URL:https://old.icelandicartcenter.is/exhibition/dieter-roth-jewellery/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2022/05/d-roth-jewel.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220702
DTEND;VALUE=DATE:20221003
DTSTAMP:20260530T044438
CREATED:20220929T120838Z
LAST-MODIFIED:20220929T121020Z
UID:26687-1656720000-1664755199@old.icelandicartcenter.is
SUMMARY:Nokkur nýleg verk
DESCRIPTION:Listasafn Íslands er þjóðlistasafn okkar Íslendinga og eitt af hlutverkum þess er að safna myndlist með það að markmiði að endurspegla sem best strauma og stefnur í íslenskri og alþjóðlegri myndlist á hverjum tímaeins og segir í lögum um safnið. Safneignin er yfirgripsmikil og fjölbreytt. Elstu verkin eru frá 16. öld og þau yngstu innan við ársgömul en kjarni safneignarinnar er íslensk myndlist frá aldamótunum 1900 til dagsins í dag. \nÁ sýningunni Nokkur nýleg verk má sjá úrval verka sem keypt hafa verið af innkaupanefnd Listasafns Íslands eða safnið hefur fengið að gjöf á undanförnum fjórum árum. \nNokkur nýleg verk hafa verið valin saman þar sem finna má kerfi og endurtekningar sem leiðarstef í verkum ellefu listamanna og eru þau unnin í ýmsa miðla. \n  \nListamenn: Anna Júlía Friðbjörnsdóttir\,  Bjarni H. Þórarinsson\, Fritz Hendrik Berndsen\, Guðjón Ketilsson\, Gunnhildur Hauksdóttir\, Hildur Bjarnadóttir\, Sigurður Guðjónsson\, Sigurður Atli Sigurðsson\, Sölvi Sólon Íslandus Helgason\, Valgerður Guðlaugsdóttir\, Örn Alexander Ámundason. \nSýningarstjóri: Vigdís Rún Jónsdóttir
URL:https://old.icelandicartcenter.is/exhibition/nokkur-nyleg-verk/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/webp:https://old.icelandicartcenter.is/wp-content/uploads/2022/09/image3.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220702
DTEND;VALUE=DATE:20221003
DTSTAMP:20260530T044438
CREATED:20220929T115919Z
LAST-MODIFIED:20221006T161106Z
UID:26683-1656720000-1664755199@old.icelandicartcenter.is
SUMMARY:Some New Works
DESCRIPTION:One of the roles of the National Gallery of Iceland is to collect art\, with the objective of reflecting as well as possible trends and movements in Icelandic and international art at any time\, as stated in the National Gallery of Iceland Act. The museum’s collections are extensive and diverse. The oldest works in the collection date from the 16th century\, while the most recent are less than one year old; the nucleus of the collection consists of Icelandic art from around 1900 to the present day. Today the collection numbers over 15\,000 works\, and more are added each year. \nThe exhibition Some New Works displays a selection of works which have been purchased by the gallery’s Acquisitions Board or presented to the gallery in recent years. The Exhibition have been curated to highlight systems and repetitions in the work of eleven artists\, which have been made in a range of different media. \nArtists: Anna Júlía Friðbjörnsdóttir\,  Bjarni H. Þórarinsson\, Fritz Hendrik Berndsen\, Guðjón Ketilsson\, Gunnhildur Hauksdóttir\, Hildur Bjarnadóttir\, Sigurður Guðjónsson\, Sigurður Atli Sigurðsson\, Sölvi Sólon Íslandus Helgason\, Valgerður Guðlaugsdóttir\, Örn Alexander Ámundason. \nCurator: Vigdís Rún Jónsdóttir
URL:https://old.icelandicartcenter.is/exhibition/some-new-works/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/webp:https://old.icelandicartcenter.is/wp-content/uploads/2022/09/image3.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221015
DTEND;VALUE=DATE:20230213
DTSTAMP:20260530T044438
CREATED:20220908T151608Z
LAST-MODIFIED:20230213T101959Z
UID:25858-1665792000-1676246399@old.icelandicartcenter.is
SUMMARY:Zanele Muholi
DESCRIPTION:Hér er á ferðinni stórsýning á verkum eins athyglisverðasta samtímaljósmyndara og aktívista í heiminum í dag\, Zanele Muholi (f. 1972) frá Suður-Afríku. Áhrifamiklar myndir Muholi varpa ljósi á sögu og réttindabaráttu svarts hinsegin fólks í heimalandi listamannsins. Þar gefur Muholi þeim rödd sem daglega þurfa að berjast til að öðlast viðurkenningu samfélagsins á sjálfsmynd sinni. \nYfir hundrað ljósmyndir auk videoverka gefa innsýn í líf og samfélög jaðarsetts fólks\, þar sem einlæg túlkun Muholi dregur sérstaklega fram þætti um kynja- og sjálfsmyndarpólitík\, bönn\, hatursglæpi og ofbeldi en einnig um stolt\, mótstöðu\, einingu og ást. \n\nSýningarstjórar: Harpa Þórsdóttir\, Vigdís Rún Jónsdóttir og Yasufumi Nakamori
URL:https://old.icelandicartcenter.is/exhibition/zanele-muholi/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/09/bada558f46cc2ce070b6f2b926fca7dc_0.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221015
DTEND;VALUE=DATE:20230213
DTSTAMP:20260530T044438
CREATED:20220906T162344Z
LAST-MODIFIED:20230213T093139Z
UID:25701-1665792000-1676246399@old.icelandicartcenter.is
SUMMARY:Zanele Muholi
DESCRIPTION:The National Gallery of Iceland presents this major survey of the work of internationally-recognised South African photographer and visual activist Zanele Muholi (b. 1972). Muholi‘s powerful images capture the struggle for the rights of black lesbian\, gay\, bisexual\, trans\, queer and intersex people in the artist‘s home country. Muholi gives a voice to those who have to battle on a daily basis for recognition of their identity. \nMore than 100 photographs\, together with video works\, provide insight into these marginalised communities: Muholi‘s sincere view focusses especially on identity politics\, prohibitions\, hate crime and rape\, but also on pride\, resistance\, unity and love. \nCurators: Harpa Þórsdóttir\, Vigdís Rún Jónsdóttir\, Yasufumi Nakamori
URL:https://old.icelandicartcenter.is/exhibition/zanele-muholi/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/09/bada558f46cc2ce070b6f2b926fca7dc_0.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230203
DTEND;VALUE=DATE:20230605
DTSTAMP:20260530T044438
CREATED:20230131T151311Z
LAST-MODIFIED:20230608T154714Z
UID:29157-1675382400-1685923199@old.icelandicartcenter.is
SUMMARY:Forty Years of The Corridor
DESCRIPTION:The Corridor is an artist-run exhibition space founded by artist Helgi Þorgils Friðjónsson in 1979\, and it is probably Iceland’s longest-running privately-operated gallery. The Corridor has always been housed in Helgi Þorgils‘  home; the gallery‘s first exhibition\, of For the Time Being by Hreinn Friðfinnsson early in 1980\, was held at Laufásvegur 79. The Corridor moved on to Mávahlíð 24\, then Freyjugata 32 and Rekagrandi 8. It is now located at Brautarholt 8; in 2017–18 the Corridor had a branch at Kárastígur 9 in Hofsós\, north Iceland\, when Helgi spent a year there with his family. \nHelgi‘s principal objective in founding an exhibition space in his home was to present the work of contemporary artists from other countries in Iceland; at that time there was little opportunity to see international contemporary art in Iceland. Helgi had previously been involved in the foundation and operation of a number of exhibition spaces\, such as Gallery Output\, founded in 1975 with Þór Vigfússon\, Gallery Suðurgata 7\, Gallery Lóa in Haarlem\, Netherlands\, and Gallery Vísir in the Vísir newspaper\, all founded in 1976\, and the Living Art Museum\, 1978. \nIt is hardly possible to enumerate all the contemporary artists who have shown their work at the Corridor in the 42 years it has been in operation. The vast majority are non-Icelandic artists\, some internationally renowned. The artists who have displayed their work at the Corridor make art in a range of media\, and Helgi has sought to exhibit the work of artists representative of other artistic trends than those which have predominated in Iceland\, such as hyperrealism\, magical realism\, neo-surrealism\, the geometric abstract\, and conceptual art. Among them are Karin Kneffel\, Milan Kunc\, Helmut Federle\, Stephen McKenna\, James Rielly\, Jan Knap\, Sigrid Sandstrom\, Robert Devriendt\, Jenny Watson\, Thomas Huber\, Lisa Milroy\, John Zürier\, Urs Luthi and\, last but not least\, the Swiss artist Martin Disler\, who was the first foreign artist to show his work in the Corridor\, in 1980. Many of these artists have established bonds with Iceland and the Icelanders\, and they have enriched Icelandic art in various ways\, such as through teaching at the Icelandic College of Arts and Crafts (precursor of the Iceland University of the Arts)\, through participation in exhibitions at Iceland’s leading galleries\, and by promoting Icelandic artists abroad. Many of the artists have spent time in Iceland\, and some of their art evinces influence from their stay – so the impact may be deemed reciprocal.
URL:https://old.icelandicartcenter.is/exhibition/forty-years-of-the-corridor/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2023/01/Screenshot-2023-01-31-at-15.11.59.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230203
DTEND;VALUE=DATE:20230605
DTSTAMP:20260530T044438
CREATED:20230131T151311Z
LAST-MODIFIED:20230621T160649Z
UID:29161-1675382400-1685923199@old.icelandicartcenter.is
SUMMARY:Gallerí Gangur í 40 ár
DESCRIPTION:Gallerí Gangur er listamannarekið sýningarrými sem stofnað var af myndlistarmanninum Helga Þorgils Friðjónssyni árið 1979 og er líklega elsta einkarekna gallerí landsins sem starfað hefur samfellt frá stofnun. Gangurinn hefur alla tíð verið rekinn á heimili Helga\, en starfsemin hófst með sýningu á verki Hreins Friðfinnssonar For the Time Being snemma árs 1980 að Laufásvegi 79. Frá Laufásveginum flutti Gangurinn í Mávahlíð 24\, síðan á Freyjugötu 32\, þaðan á Rekagranda 8\, og er nú í Brautarholti 8 en árin 2017–2018 hafði Gangurinn einnig útibú á Kárastíg 9 á Hofsósi á meðan Helgi bjó þar ásamt fjölskyldu sinni um eins árs skeið. \nMeginmarkmið Helga með stofnun sýningarrýmisins á heimili sínu var að kynna myndlist erlendra samtímalistamanna hér á landi\, en þegar galleríið var stofnað var kynning erlendrar samtímalistar hérlendis mjög fátíð. Þess má geta að Helgi hafði áður komið að stofnun og rekstri nokkurra sýningarrýma og má þar nefna Gallerí Output sem hann stofnaði ásamt Þóri Vigfússyni árið 1975\, Gallerí Suðurgötu 7\, Gallery Lóu í Haarlem í Hollandi og Gallerí Vísi í dagblaðinu Vísi\, sem öll voru stofnuð árið 1976\, sem og Nýlistasafnið árið 1978. \nVarla verður komið tölu á fjölda þeirra samtímalistamanna sem sýnt hafa verk sín í Ganginum á þeim 42 árum sem galleríið hefur verið starfrækt. Langflestir þeirra eru erlendir listamenn og sumir þekktir á alþjóðavísu. Þeir listamenn sem sýnt hafa í Ganginum fást við myndlist í ýmsum miðlum og hefur Helgi leitast við að sýna verk listamanna sem vinna með aðra strauma en tíðkast á Íslandi\, t.d. ofurraunsæi\, töfraraunsæi\, ný-súrrealisma\, geómetrísk flatarmálverk og hugmyndalist/konseptlist. Meðal þeirra eru Karin Kneffel\, Milan Kunc\, Helmut Federle\, Stephen McKenna\, James Rielly\, Jan Knap\, Sigrid Sandstrom\, Robert Devriendt\, Jenny Watson\, Thomas Huber\, Lisa Milroy\, John Zürier\, Urs Luthi og síðast en ekki síst svissneski listamaðurinn Martin Disler sem sýndi fyrstur erlendra listamanna í Ganginum árið 1980. Margir þessara listamanna hafa tengst landi og þjóð og haft áhrif á og auðgað íslenskt myndlistarlíf á margvíslegan hátt\, t.d. með kennslu í Myndlista- og handíðaskóla Íslands\, með þátttöku í sýningum í helstu söfnum landsins og með því að kynna íslenska listamenn erlendis. Þá hafa margir listamannanna dvalið um lengri eða skemmri tíma á Íslandi og má til að mynda merkja áhrif þess í ákveðnum verkum þeirra\, svo að segja má að áhrifin séu á báða bóga.
URL:https://old.icelandicartcenter.is/exhibition/forty-years-of-the-corridor/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2023/01/Screenshot-2023-01-31-at-15.11.59.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230304
DTEND;VALUE=DATE:20231002
DTSTAMP:20260530T044438
CREATED:20230308T150551Z
LAST-MODIFIED:20231013T122643Z
UID:29689-1677888000-1696204799@old.icelandicartcenter.is
SUMMARY:The Private Collection
DESCRIPTION:At the beginning of 2022\, the art collection of Ingibjörg Guðmundsdóttir and entrepreneur Þorvaldur Guðmundsson was placed in the permanent keeping of the National Gallery of Iceland. The collection\, which includes paintings\, drawings\, prints\, sculptures\, reliefs etc.\, is one of Iceland’s largest private collections. It comprises about 1400 works by many of Iceland’s leading artists\, among them about 400 by Jóhannes S. Kjarval\, who was a close friend of the couple.
URL:https://old.icelandicartcenter.is/exhibition/the-private-collection/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
CATEGORIES:Exhibitions,Galleries
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2023/03/Screenshot-2023-03-08-at-15.04.43.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230304
DTEND;VALUE=DATE:20231002
DTSTAMP:20260530T044438
CREATED:20230308T150551Z
LAST-MODIFIED:20231013T123120Z
UID:29693-1677888000-1696204799@old.icelandicartcenter.is
SUMMARY:Einkasafnið
DESCRIPTION:Í upphafi árs 2022 var listaverkasafn hjónanna Ingibjargar Guðmundsdóttur og Þorvaldar Guðmundssonar\, sem kenndur var við Síld og fisk\, afhent Listasafni Íslands til framtíðarvörslu. Safnið\, sem samanstendur meðal annars af málverkum\, teikningum\, grafíkverkum\, höggmyndum og lágmyndum\, er með stærstu einkasöfnum hér á landi og telur um 1400 verk eftir marga af helstu listamönnum þjóðarinnar. Þar af eru um 400 verk eftir Jóhannes S. Kjarval sem var mikill vinur þeirra hjóna.
URL:https://old.icelandicartcenter.is/exhibition/the-private-collection/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
CATEGORIES:Exhibitions,Galleries
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2023/03/Screenshot-2023-03-08-at-15.04.43.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230520
DTEND;VALUE=DATE:20231002
DTSTAMP:20260530T044438
CREATED:20220929T110259Z
LAST-MODIFIED:20231013T123021Z
UID:26667-1684540800-1696204799@old.icelandicartcenter.is
SUMMARY:Sigtryggur Bjarni Baldvinsson: Fram fjörðinn\, seint um haust
DESCRIPTION:Sýningin Fram fjörðinn\, seint um haust samanstendur af stórum vatnslitaverkum máluðum á síðustu tveimur árum þar sem lífríki Héðinsfjarðar seint um haust er aðalviðfangsefni listamannsins Sigtryggs Bjarna Baldvinssonar. Undanfarin 17 ár hefur vaxandi hluti verka Sigtryggs átt uppruna sinn í Héðinsfirði\, eyðifirði sem liggur á milli Ólafsfjarðar og Siglufjarðar á Tröllaskaga\, þar sem listamaðurinn hefur skrásett náttúruna í firðinum í gegnum athöfnina að mála.
URL:https://old.icelandicartcenter.is/exhibition/sigtryggur-bjarni-baldvinsson-fram-fjordinn-seint-um-haust/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/webp:https://old.icelandicartcenter.is/wp-content/uploads/2022/09/image1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230520
DTEND;VALUE=DATE:20231002
DTSTAMP:20260530T044438
CREATED:20220929T105926Z
LAST-MODIFIED:20231013T122536Z
UID:26663-1684540800-1696204799@old.icelandicartcenter.is
SUMMARY:Sigtryggur Bjarni Baldvinsson: Into the Valley in Late Autumn
DESCRIPTION:The exhibition Into the Valley in Late Autumn is made up of large watercolours painted in the past two years; artist Sigtryggur Bjarni Baldvinsson focusses on the natural environment in Héðisfjörður\, north Iceland\, in late autumn. Over the past 17 years\, Sigtryggur’s art has increasingly been inspired by Héðinsfjörður\, an uninhabited fjord between Ólafsfjörður and Siglufjörður\, where the artist has been documenting nature through the act of painting.
URL:https://old.icelandicartcenter.is/exhibition/sigtryggur-bjarni-baldvinsson-into-the-valley-in-late-autumn/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/webp:https://old.icelandicartcenter.is/wp-content/uploads/2022/09/image1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230908
DTEND;VALUE=DATE:20240226
DTSTAMP:20260530T044438
CREATED:20230907T110142Z
LAST-MODIFIED:20230907T110142Z
UID:32632-1694131200-1708905599@old.icelandicartcenter.is
SUMMARY:Nokkur nýleg verk
DESCRIPTION:Á sýningunni má sjá úrval verka sem Listasafn Íslands hefur\, samkvæmt tillögum innkaupanefndar safnsins\, keypt á undanförnum fjórum árum. Hugmyndin með sýningu á nýjum aðföngum í safneigninni er sú að varpa ljósi á mikilvægan þátt í starfsemi safnsins og á þær áherslur sem endurspeglast í innkaupum hverju sinni. \nÁ sýninguna hafa verið valin verk eftir 12 listamenn sem fjalla með ýmsum hætti um tengsl manns og náttúru\, auk þess að gefa góða mynd af ólíkum sjónarhornum\, aðferðum og efnistökum í listsköpun samtímans. Verkin á sýningunni birta sjónarhorn sem mótað er af mannlegri reynslu og viðhorfum\, eða eins og Anna Guðjónsdóttir orðar það í tengslum við landslagshefð í málaralist: „Fyrir mér er landslag skapað af manneskjunni\, sem sagt náttúra höfð á þann veg sem við viljum hafa hana\, sjá hana\, nota hana.“ Verk hennar byggir á æskuminningum frá Þingvöllum\, miðlægum stað í þjóðarvitundinni. Staðir og minningar sem þeim tengjast mynda raunar leiðarstef á sýningunni\, hvort sem um ræðir Þingvelli\, Þjórsá\, Dyrfjöll\, Heklu eða Mosfellssveit\, smágerða náttúruheima\, erlenda almenningsgarða eða heilu heimsálfurnar. Myndverkin geta einnig birt áhorfandanum táknræna\, ímyndaða eða huglæga staði\, þótt þeir finnist ekki á landakortum. \nÍ endursköpun sinni á stöðum hafa listamennirnir ýmist mótað áferð þeirra og lögun í leir eða önnur efni\, fangað ásýnd þeirra í málverk\, vefnað\, á filmu eða í stafrænan miðil\, eða jafnvel hnikað vettvanginum til með því að taka úr honum sýnishorn. Í öllum tilvikum hefur átt sér stað einhvers konar umbreyting sem gefur til kynna hið menningarlega sjónarhorn eða afmörkun listamannsins. Verkin eiga það sameiginlegt að vekja okkur til vitundar um tengsl menningar og náttúru\, oft með gagnrýnum undirtónum sem tengjast verndunarsjónarmiðum og endurmati á stöðu mannsins á viðsjárverðum tímum í kjölfar iðnvæðingar\, ofnýtingar og ágangs gagnvart jörðinni. Með verkum sínum varpa listamennirnir fram grundvallarspurningum: Hvaðan komum við? Hvert stefnum við? Hvaða ábyrgð berum við á umhverfi okkar og náttúrunni?
URL:https://old.icelandicartcenter.is/exhibition/nokkur-nyleg-verk-2/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2023/09/Screenshot2023-08-29140726-9900000000079e3c.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230908
DTEND;VALUE=DATE:20240226
DTSTAMP:20260530T044438
CREATED:20230907T110008Z
LAST-MODIFIED:20230911T114500Z
UID:32627-1694131200-1708905599@old.icelandicartcenter.is
SUMMARY:Some Recent Works - new acquistions
DESCRIPTION:This exhibition presents a selection of works that have been purchased by the National Gallery of Iceland in the past four years\, on the recommendation of the gallery’s acquisitions board. By holding an exhibition of recent acquisitions\, the intention is to provide insight into this important aspect of the gallery’s work and the priorities that guide acquisitions at any time. \nWorks by twelve artists have been selected for the exhibition; all of them address\, in one way or another\, the relationship between humans and nature\, while also providing a good overview of diverse viewpoints\, methods and approaches in contemporary art. The works on display present a perspective that is informed by human experience and attitudes\, as Anna Guðjónsdóttir puts it in the context of the landscape tradition in painting: “As I see it\, landscape is created by the individual; in other words\, we have nature in the way we want it\, to see it and use it.” Her work is grounded in her childhood memories from Þingvellir\, the ancient parliamentary site which has a central place in Icelanders’ national consciousness. Places\, and memories that relate to them\, make up a leitmotiv in the exhibition\, whether the connection is with Þingvellir\, the Þjórsá river\, the Dyrfjöll mountains\, Mt. Hekla or Mosfellssveit\, tiny natural worlds\, public parks in other countries\, or entire continents. The works of art can also present to the observer symbolic\, imaginary or subjective places\, not to be found on maps. \nIn their recreation of places\, the artists have moulded their texture or shape in clay or other materials\, captured their appearance in paint or textile\, on film or digital media\, or even shifted the site by taking and displaying samples from it. In every case\, some kind of transformation has taken place that hints at the artist’s cultural perspective or demarcation. The works share the quality of raising our consciousness of the relationship between culture and nature\, often with a critical undertone relating to nature conservation\, and a re-evaluation of humanity’s place in these hazardous times arising from industrial development\, overuse of resources and encroachment on the environment of the earth. Through their art\, the artists pose fundamental questions: Where do we come from? Where are we going? What are our responsibilities for nature and our environment?
URL:https://old.icelandicartcenter.is/exhibition/some-recent-works-new-acquistions/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2023/09/Screenshot2023-08-29140726-9900000000079e3c.png
END:VEVENT
END:VCALENDAR