• 15.05.2023

Sigurður Guðjónsson og Jóhannes Dagsson í samtali

• 15.05.2023

“Conductive Path” by Sigurður Guðjónsson

• 25.01.2023

Morse code, minerals and mythologies collide in Anna´s practice

• 10.11.2022

La Biennale Captures the Current Zeitgeist for Indigenous Voices to be Heard, but Are We Really Listening?

• 05.10.2022

Non-binary & non-gender-conforming manifestations at la biennale arte 2022

• 23.08.2022

Posthumanism and Cyborgs in the Milk of Dreams

• 15.08.2022

Out There / Þáttur 2: Artist in Iceland Visa Action Group

• 04.08.2022

The Relevance and Influence of Wall Texts in Art Exhibitions

• 04.08.2022

Áhrif og vægi veggtexta á myndlistarsýningum

• 04.07.2022

Samfélagsgerðir endurskoðaðar á Feneyjartvíæringnum 2022

• 04.07.2022

Social structures examined at the Venice Biennale 2022

• 16.06.2022

Films at the 59th Biennale: Fit for the White Cube or the Silver Screen?

• 22.03.2022

On gender, past and future projects, and a textured musical biography: In conversation with Gallery Gudmundsdottir

• 23.11.2021

Spotlight on artist-led spaces: Midpunkt

• 09.11.2021

Spotlight on artist-led spaces: Y Gallery

• 27.10.2021

Spotlight on artist-led spaces: OPEN

• 16.06.2021

‘As If to Demonstrate an Eclipse’: An Interview with Sirra Sigrún Sigurðardóttir

• 26.05.2021

The Creative Art Series

• 21.05.2021

Icelandic Art: Artists and Influences

• 09.04.2021

Yes, a falling tree makes a sound (and it has a lot to say) at Kling and Bang