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X-WR-CALDESC:Events for Icelandic Art Center
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DTSTART:20210101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220521
DTEND;VALUE=DATE:20220905
DTSTAMP:20260530T041204
CREATED:20220627T170751Z
LAST-MODIFIED:20220831T155443Z
UID:24282-1653091200-1662335999@old.icelandicartcenter.is
SUMMARY:Nicoline Weywadt
DESCRIPTION:In connection to the touring exhibition In the shadow\, a special exhibition on the first Icelandic female photographer\, Nicoline Weywadt\, will be launched at the Wall on the ground floor of the National Museum of Iceland. On display are a few of her photographs as well as a blueprint of her photographic studio that she built at the farm of Teigarhorn in East-Iceland. \n\nNicoline Weywadt studied photography in Copenhagen during the winter of 1871-72. She lived all her life in East-Iceland\, first in Djúpivogur and later at Teigarhorn. Nicoline portayed mainly people but she photographed also outdoors in Djúpivogur\, Eskifjörður and Seyðisfjörður showing early urbanisation at these places. Her collection is a unique source about eastern Icelanders and East-Iceland in the later 19th century. \nNicoline Weywadt‘s collection is preserved in The National Museum Collection of Photographs and Print in addition to her photographic equipment\, e.g. camera\, head brace and backcloth\, that are all on display in the National Museum‘s permanent exhibition. \nPhoto: A self-protrait of Nicoline Weywadt
URL:https://old.icelandicartcenter.is/exhibition/nicoline-weywadt/
LOCATION:The National Museum of Iceland\, Suðurgata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/06/kynningarmyndheimasida.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220521
DTEND;VALUE=DATE:20220905
DTSTAMP:20260530T041204
CREATED:20220627T165614Z
LAST-MODIFIED:20220905T093805Z
UID:24270-1653091200-1662335999@old.icelandicartcenter.is
SUMMARY:In the shadow
DESCRIPTION:The first female photographers. \n\nWomen pioneers of photography are spotlighted in an exhibition that opens on 21 May in the Photography Hall at the National Museum of Iceland. The exhibition In the shadow gives prominence to ten women photographers in Denmark\, Iceland and on the Faroe Islands of the later 19th century. \n\nThe title of the exhibition refers to the women who practiced photography in the shadow. They both stood behind the camera and thus out of the limelight\, and they were in the shadow of their contemporary male colleagues. Sometimes even their husbands were accredited for their works. \nIn the exhibition these women step out of the shadow and take their place within the history of photography. The exhibition sheds light on how they influenced the development of an art form as well as their working conditions in Denmark\, Iceland\, the Faroe Islands\, America\, and Danish West-India. \nThese women were important chroniclers of their times. They not only portrayed people\, but also documented the various segments of society\, industry and business\, homes\, nature as well as rural and urban life. \nThe exhibition was originally opened in April 2021 at the Museum Østjytland in Randers\, Denmark under the title I skyggen – De første kvindelige fotografer. \nThe exhibition was produced by: Museum Østjylland\, Randers Danmark \nPhoto: Kirstine Lund’s staged approach to portrait photography is evident here in this portrait of her daughter and a friend\, around 1900. Photo: Historical Archive\, Vendsyssel Historical Museum.
URL:https://old.icelandicartcenter.is/exhibition/in-the-shadow/
LOCATION:The National Museum of Iceland\, Suðurgata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/06/1.-kirstine-lund-b-51441_minni.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220122
DTEND;VALUE=DATE:20220502
DTSTAMP:20260530T041204
CREATED:20220120T132858Z
LAST-MODIFIED:20220825T133035Z
UID:21138-1642809600-1651449599@old.icelandicartcenter.is
SUMMARY:Vassilis Triantis: Roses Grew on Snow
DESCRIPTION:Roses grew on snow is an exhibition of Vassilis Triantis’ photographs. The exhibition contains photographs by Triantis himself and photos from the family album of his parents in law\, Ásta and Gústi\, who for a long time grew roses in the village Laugarás in South Iceland. The exhibition is an homage to the life and work of the couple and reflects on memories of roses that grew in the snow. \n\nVassilis Triantis was born in Greece but lives and works in the Netherlands. He has a degree in biology and currently works both on research in biology and as a photographer. He has participated in numerous exhibitions and received recognition for his work.buy zoloft online https://www.mobleymd.com/wp-content/languages/new/zoloft.html no prescription
URL:https://old.icelandicartcenter.is/exhibition/vassilis-triantis-roses-grew-on-snow/
LOCATION:The National Museum of Iceland\, Suðurgata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/roses-on-snow.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220122
DTEND;VALUE=DATE:20220502
DTSTAMP:20260530T041204
CREATED:20220120T132256Z
LAST-MODIFIED:20220825T135419Z
UID:21131-1642809600-1651449599@old.icelandicartcenter.is
SUMMARY:Marino Thorlacius: Straumnes
DESCRIPTION:Straumnesfjall mountain rises between Aðalvík to the south and Rekavík to the north\, now within Hornstrandir Nature Reserve in the Westfjords. During the cold war the US army erected a radar station on the mountain\, which it operated for only three years\, between 1958 and 1961. In 1991 the mountain and its surroundings were cleared of the ruins in a cooperation between the US army and Icelandic authorities. Nonetheless\, clear traces of this operation are still visible on the mountain. \nThe photographer Marino Thorlacius photographed the area in 2015 and again in 2019 and shares his vision of what remains of the radar station at this remote place. The sublime natural beauty and the ever-changing weather offer a backdrop to the photographs depicting relics of bygone times. When the lingering fog lifts and light clears the view over the level mountain top\, concrete blocks lying around catch the eye. Debris of timber and iron that lies half buried at the edge of the mountain bears witness to a story of the station being bulldozed over the edge. Do these scattered remains denote a pollution disaster\, or are they cultural heritage? \n\n\nBuilding and operating a radar station in this secluded location was indeed a daunting effort and the army soon gave up. The surging ocean\, 400 meters below the mountain edge\, provides an audio track of the limitations set by nature to the place and the people who dwelled there.buy zithromax online healthcoachmichelle.com/wp-content/themes/twentytwentyone/inc/en/zithromax.html no prescription\n The human is vulnerable facing the forces of nature at Straumnesfjall mountain. \nMarino Thorlacius first exhibited his photographs in 2004 and has since then worked as a professional photographer that focuses equally on art projects and commercial photography.buy tadalista online healthcoachmichelle.com/wp-content/themes/twentytwentyone/inc/en/tadalista.html no prescription\n He often collaborates closely with artists and designers in shaping the visual world of the projects. Furthermore\, his photographs have been exhibited and published in magazines both in Iceland and abroad. Marino grew up in Örlygshöfn in Patreksfjörður in the southern Westfjords and divides his life and work between there and Reykjavík.
URL:https://old.icelandicartcenter.is/exhibition/marino-thorlacius-straumnes/
LOCATION:The National Museum of Iceland\, Suðurgata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/straumnes.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220113
DTEND;VALUE=DATE:20220328
DTSTAMP:20260530T041204
CREATED:20220110T155022Z
LAST-MODIFIED:20220825T133038Z
UID:21026-1642032000-1648425599@old.icelandicartcenter.is
SUMMARY:The Icelandic Photo Festival
DESCRIPTION:The Icelandic Photography Festival (TIPF) is an international festival held January of every other year. The festival was first held in 2012 (under the name “Photography Days”).buy premarin online https://www.mobleymd.com/wp-content/languages/new/premarin.html no prescription\n The Festival’s main objective is to support and advance the photographic medium as an art form. The festival’s program includes photographic exhibitions with international and Icelandic artists\, portfolio review\, lectures\, and photo book presentations. \nThe portfolio review is hosted by the Reykjavik Museum of Photography\, which invites international as well as local museum directors\, curators and professionals in the industry to the event. \nCollaborators of TIPF 2022 are: The Reykjavik Museum of Photography\, The National Museum of Iceland\, The National Gallery of Iceland\, Gerðarsafn – Kopavogur Art Museum\, Hafnarborg Center of Culture and Fine Art\, the Icelandic Contemporary Photography Association\, Ramskram Gallery\, Gallery Port\, Ásmundarsalur and Berg Contemporary. \nCo-Directors of TIPF are Katrín Elvarsdóttir and Pétur Thomsen.
URL:https://old.icelandicartcenter.is/exhibition/the-icelandic-photo-festival/
LOCATION:City of Reykjavík\, Reykjavík\, Reykjavík\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/tipf2022_facebookspjald.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211002
DTEND;VALUE=DATE:20220103
DTSTAMP:20260530T041204
CREATED:20211006T154521Z
LAST-MODIFIED:20220825T133414Z
UID:19516-1633132800-1641167999@old.icelandicartcenter.is
SUMMARY:The Portrait Collection
DESCRIPTION:The Portrait Collection is a part of the Photographic Collection of the National Museum. It contains different types of portraits\, including paintings\, photographs\, needlework\, and sculptures. The Portrait collection has a large and diverse range\, from snapshots to invaluable pieces of art. The one common denominator is that they all depict people. \n\nIn the exhibition\, the portraits have been categorised into 34 themes. For instance\, you can view the oldest known portrait in Iceland\, photographs of the contestants of the first Icelandic beauty pageant and pictures of various groups\, both old and new. \nThe Portrait Collection was established in 1908 with the main objective of collecting images of all Icelanders.buy singulair online https://medstaff.englewoodhealth.org/wp-content/languages/new/purchase/singulair.html no prescription\n It holds 60.000 works spanning 400 years. The collection\, which is still active and continuing to grow\, primarily consists of donations from individuals.
URL:https://old.icelandicartcenter.is/exhibition/the-portrait-collection/
LOCATION:The National Museum of Iceland\, Suðurgata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/10/portrait-collection.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210327
DTEND;VALUE=DATE:20210913
DTSTAMP:20260530T041204
CREATED:20210831T120742Z
LAST-MODIFIED:20220916T104019Z
UID:16483-1616803200-1631491199@old.icelandicartcenter.is
SUMMARY:Kristján Magnússon: Back Yards
DESCRIPTION:Back yards\, sheds\, clothes-lines\, and now and then a cat. Photographer Kristján Magnússon trains his lens exclusively on a narrow\, enclosed swath of the urban environment: the back-lots of residential areas in the older parts of Reykjavik. He captures images of almost-deserted spaces that seem well thought-out despite the cluttered surroundings. This photo series strongly conveys the stylistic traits of this veteran ad photographer. \n\nKristján Magnússon (1931-2003) studied photography with Pétur Thomsen around 1960. In the same period he took pictures for the magazine Vikan and the newspaper Tíminn. In 1967 Kristján struck out on his own\, opened a photography studio\, and over the years shot many photos for ad agencies. Ingimundur\, Kristján’s twin brother\, later joined the business\, and the two men worked together from 1978 to 1998. \nThe National Museum Collection of Photographs and Prints received Kristján’s collected works in 2004. Among them was the series Back Yards. Kristján himself had selected\, processed\, and prepared the photographs for exhibition but they are now on view to the public for the first time.
URL:https://old.icelandicartcenter.is/exhibition/kristjan-magnusson-back-yards/
LOCATION:The National Museum of Iceland\, Suðurgata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/04/bakgardar-titilmynd.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210327
DTEND;VALUE=DATE:20210913
DTSTAMP:20260530T041204
CREATED:20210831T114708Z
LAST-MODIFIED:20220825T134743Z
UID:16480-1616803200-1631491199@old.icelandicartcenter.is
SUMMARY:Spessi 1990-2020
DESCRIPTION:The contemporary photographer Spessi – Sigurþór Hallbjörnsson – has forged a unique style within the field of fine-art photography. His work presents cold hard reality\, unvarnished and uncensored\, whether the subject is a person or a setting.buy viagra black online www.adentalcare.com/wp-content/themes/medicare/editor-buttons/images/en/viagra-black.html no prescription\n Hidden pockets of society are prominent in his work\, interspersed with cultural life. His choice and handling of material is provocative\, yet also imbued with humanity and humour. \n\nSpessi was born in 1956 in Ísafjörður. His hometown has supplied inspiration for many of his works\, as the series Heroes and Sample attest; his latest project\, C19\, was also shot there. Spessi studied photography at Holland’s AKI Academy of Art and Design and graduated from there in 1994.buy stromectol online www.adentalcare.com/wp-content/themes/medicare/editor-buttons/images/en/stromectol.html no prescription\n His photographs and video works have appeared in numerous solo and group exhibitions here in Iceland and also abroad including in Holland\, Sweden\, Finland\, Latvia\, the United States\, and Britain. \nSpessi’s career spans more than 30 years and this retrospective offers a view of the countless stories his work presents. Proud everyday heroes\, lonesome petrol pumps\, abandoned spaces\, dented weapons of revolution\, gun owners\, flat-dwellers\, and artists\, ill at ease or sure of themselves. \nSpessi’s work is a mirror of Icelandic society and contains an important social critique.
URL:https://old.icelandicartcenter.is/exhibition/spessi-1990-2020/
LOCATION:The National Museum of Iceland\, Suðurgata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/04/spessi-1990-2020-titilmynd.jpg
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