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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220122
DTEND;VALUE=DATE:20220502
DTSTAMP:20260530T085143
CREATED:20220120T132858Z
LAST-MODIFIED:20220825T133035Z
UID:21138-1642809600-1651449599@old.icelandicartcenter.is
SUMMARY:Vassilis Triantis: Roses Grew on Snow
DESCRIPTION:Roses grew on snow is an exhibition of Vassilis Triantis’ photographs. The exhibition contains photographs by Triantis himself and photos from the family album of his parents in law\, Ásta and Gústi\, who for a long time grew roses in the village Laugarás in South Iceland. The exhibition is an homage to the life and work of the couple and reflects on memories of roses that grew in the snow. \n\nVassilis Triantis was born in Greece but lives and works in the Netherlands. He has a degree in biology and currently works both on research in biology and as a photographer. He has participated in numerous exhibitions and received recognition for his work.buy zoloft online https://www.mobleymd.com/wp-content/languages/new/zoloft.html no prescription
URL:https://old.icelandicartcenter.is/exhibition/vassilis-triantis-roses-grew-on-snow/
LOCATION:The National Museum of Iceland\, Suðurgata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/roses-on-snow.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220122
DTEND;VALUE=DATE:20220502
DTSTAMP:20260530T085143
CREATED:20220120T132256Z
LAST-MODIFIED:20220825T135419Z
UID:21131-1642809600-1651449599@old.icelandicartcenter.is
SUMMARY:Marino Thorlacius: Straumnes
DESCRIPTION:Straumnesfjall mountain rises between Aðalvík to the south and Rekavík to the north\, now within Hornstrandir Nature Reserve in the Westfjords. During the cold war the US army erected a radar station on the mountain\, which it operated for only three years\, between 1958 and 1961. In 1991 the mountain and its surroundings were cleared of the ruins in a cooperation between the US army and Icelandic authorities. Nonetheless\, clear traces of this operation are still visible on the mountain. \nThe photographer Marino Thorlacius photographed the area in 2015 and again in 2019 and shares his vision of what remains of the radar station at this remote place. The sublime natural beauty and the ever-changing weather offer a backdrop to the photographs depicting relics of bygone times. When the lingering fog lifts and light clears the view over the level mountain top\, concrete blocks lying around catch the eye. Debris of timber and iron that lies half buried at the edge of the mountain bears witness to a story of the station being bulldozed over the edge. Do these scattered remains denote a pollution disaster\, or are they cultural heritage? \n\n\nBuilding and operating a radar station in this secluded location was indeed a daunting effort and the army soon gave up. The surging ocean\, 400 meters below the mountain edge\, provides an audio track of the limitations set by nature to the place and the people who dwelled there.buy zithromax online healthcoachmichelle.com/wp-content/themes/twentytwentyone/inc/en/zithromax.html no prescription\n The human is vulnerable facing the forces of nature at Straumnesfjall mountain. \nMarino Thorlacius first exhibited his photographs in 2004 and has since then worked as a professional photographer that focuses equally on art projects and commercial photography.buy tadalista online healthcoachmichelle.com/wp-content/themes/twentytwentyone/inc/en/tadalista.html no prescription\n He often collaborates closely with artists and designers in shaping the visual world of the projects. Furthermore\, his photographs have been exhibited and published in magazines both in Iceland and abroad. Marino grew up in Örlygshöfn in Patreksfjörður in the southern Westfjords and divides his life and work between there and Reykjavík.
URL:https://old.icelandicartcenter.is/exhibition/marino-thorlacius-straumnes/
LOCATION:The National Museum of Iceland\, Suðurgata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/straumnes.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220122
DTEND;VALUE=DATE:20220328
DTSTAMP:20260530T085143
CREATED:20211129T120620Z
LAST-MODIFIED:20220825T133559Z
UID:20412-1642809600-1648425599@old.icelandicartcenter.is
SUMMARY:Hallgerður Hallgrímsdóttir: Thoughts on Photography – Vol. III
DESCRIPTION:Taking a photograph can seem so simple – just the push of a button – almost an objet trouvé\, a recording of photons meeting molecules. It is mysterious and emotional\, with aesthetics and instincts coming to play\, but also decidedly rooted in the scientific. The artist thinks about how people see\, in connection with the medium of photography – how three dimensional spaces\, things and fleeting moments are interpreted through this two dimensional\, static medium. The works are made with human spatial vision in mind\, as well as the machines we have created to see and document the visual world in a way we understand. Mostly. \nHallgerður Hallgrímsdóttir‘s practice is for the most part based in photography. She holds a degree in fine art photography from Glasgow School of Art and she also graduated from the MFA programme at Akademin Valand in Gothenburg\, Sweden\, in 2019.buy azithromycin online https://blackmenheal.org/wp-content/languages/new/us/azithromycin.html no prescription\n Her work has been exhibited in various places\, such as The Photographer’s Gallery in London\, Hasselblad Center in Gothenburg\, Fondazione Fotografia Modena\, Akureyri Art Museum\, Reykjavík Museum of Photography and Reykjavík Art Museum. In 2016\, she self-published the photo book Hvassast\, portraying the eerie beauty of the Icelandic everyday\, and in 2018 a book of her poetry and pictures\,Límkenndir dagar\, was published by Flóra\, Akureyri. Hallgerður lives and works in Reykjavík. \nThe curator of the exhibition is Unnar Örn Auðarson. \nThe exhibition is a part of the programme of The Icelandic Photo Festival.
URL:https://old.icelandicartcenter.is/exhibition/hallgerdur-hallgrimsdottir-faeinar-vangaveltur-um-ljosmyndun-iii-hluti/
LOCATION:Hafnarborg Center of Culture and Fine Art\, Strandgata 34\, Hafnarfjörður\, 220\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/11/Hafnarborg-2022-Hallgerdur-Hallgrimsdottir-slideshow.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220121
DTEND;VALUE=DATE:20220124
DTSTAMP:20260530T085143
CREATED:20220117T115052Z
LAST-MODIFIED:20220825T133352Z
UID:21090-1642723200-1642982399@old.icelandicartcenter.is
SUMMARY:Hérna
DESCRIPTION:Collective exhibition by the member of FíSL and their sister organization in Oulu Finland\, Pohjoinen valokuvakeskus | Northern Photographic Centre. \nThe artists participating in the exhibition are: Anni Kinnunen\, Agnieszka Sosnowska\, Aishling Muller\, Arttu Nieminen\, Atli Már Hafsteinsson\, Bjargey Ólafsdóttir\, Bragi Þór Jósefsson\, Charlotta Hauksdóttir\, Christine Ghisladóttir\, Díana Júlíusdóttir\, Einar Sebastian\, Ingvar Högni Ragnarsson\, Janne Körkkö\, Jóna Þorvaldsdóttir\, Kalli Ómarsson\, Kristín Bogadóttir\, Kristín Sigurðardóttir\, Maria Kjartans\, Nina Zurier\, Runar Gunnarsson\, Sigga Ella\, Skúta Helgasson\, Stephan Stephensen\, Stuart Richardson\,Teija Soini\, Þórdís Erla Ágústsdóttir\, Þórdís Jóhannesdóttir.. \nCurator Mike Watson \nHérna\nThe exhibition Hérna brings together 4 photographers from Finland\, selected by curator Mike Watson on behalf of the Northern Photographic Centre with over twenty photographers from Iceland selected by the Icelandic Contemporary Photography Association (FÍSL) for a group show at SÍM’s Korpúlfsstaðir space. The show’s title (which in English approximately translates as ‘here and now’)\, chosen by FÍSL\, gave the impetus for my own selection of Finnish photographers\, and the final selection of specific works from the Icelandic participants. Following a period of intense isolation and closure due to the global pandemic\, Hérna brings together artists from two similar yet very different countries to share in a consideration of what it means to be present\, here and now. This undertaking could be considered\nimportant not only due to the estrangement we have felt from our surroundings during successive lockdowns but also due to the general detachment from our present time and space that we collectively and individually experience. Due to what Baudrillard would term ‘hyper realisation’ we rarely find ourselves in the presence of unmodified nature\, but instead exist within a mind of hall of mirrors reflecting facsimiles of reality. \nThe history of the world can be seen as the history of humankind’s separation from nature in incremental stages from the earliest tool wielding and fire taming efforts\, up to industrialisation and now the internet era. With increasing speed we experience a growing estrangement from nature and the real. In Iceland and Nordic countries we keep a closer link to nature than in many other territories\, due to low population density.buy amoxicillin UK https://www.calmandgentledentalcare.co.uk/wp-content/languages/new/uk/amoxicillin.html no prescription\n However\, the high quality of internet access has an atomising effect on people already used to insular ways of living due to the extreme cold conditions and darkness in winter. As with anywhere\, the contradiction of hyperconnectivity is that it tends to keep people separated from each other and from the natural world. Even palliative nature walks are punctuated by smartphone notifications and when (rarely) our devices are turned off our minds tend to wander to social media interfaces. \nIt is in these conditions that we emerge into a post covid world (the ‘new normal’) with a renewed intensity in our sense of questioning over how we got ‘here and now’. Or indeed\, we might ask\, ‘where is here?\,’ and\, ‘when is now?’. The photographs on display in Hérna capture individually and collectively the photographic quest to express a moment\, though have been selected beyond this for their particular engagement with the nowness of our time and the way in which they locate the viewer in a vision of what Hérna might mean. From the transcendental quality of Anni Kinnunen’s Vanity\, to the ethereal nightscapes of Bjargey Ólafsdóttir\, to the cut up spaces of Charlotta Hauksdóttir’s photographic collage works\, the attempt to locate ourselves in space is expressed with a unique personal voice. The photographs on display above all give voice to one of the main problems of our time—namely\, that with smartphones\, GPRS tracking and google maps we know where we are\, we just can’t feel ourselves being there. As Skúta Helgasson’s lockdown selfies\, and the lonely figures of Janne Körkkö’s Night river series attest\, the awareness of our being in time and space (so essential to our wellbeing) require our coexistence within a community. Rebuilding that community starts here and now. —Mike Watson
URL:https://old.icelandicartcenter.is/exhibition/herna/2022-01-21/
LOCATION:SÍM Korpúlfsstaðir\, Korpúlfsstaðir\, Reykjavík\, 112\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/Vanity_Anni_Kinnunen.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220121
DTEND;VALUE=DATE:20220131
DTSTAMP:20260530T085143
CREATED:20220117T113930Z
LAST-MODIFIED:20220825T134949Z
UID:21083-1642723200-1643587199@old.icelandicartcenter.is
SUMMARY:Kristín Sigurðardóttir & Jim Ramer : Transit
DESCRIPTION:Transit brings together the work of Kristin Sigurdardottir and Jim Ramer. Their works are derived from literally polar opposite worlds yet share a quest to see and understand unseen worlds. Sigurdardottir lives and works in Iceland while Ramer’s works were taken from the thermal fields of New Zealand. Exploring worlds past and present\, both primal and peripheral\, they seek fundamental and essential spaces of vision. Situating at the perimetrical boundaries of sight their works provide us with visions of unseen clarity. \nJim Ramer is an artist\, curator and educator. Born in the American South\, he has lived and worked in New York City since 1997. His work considers the nature of vision and perception. The work questions photography’s role in shaping our view of the world and the world’s perception of each of us. His artwork spans photography\, video\, sculpture\, and installation. His work has been exhibited internationally most recently at Selasar Sunaryo Art Space\, Bandung\, Indonesia; Platform L\, Seoul\, South Korea; Main Window\, NYC; MCA\, Memphis\, TN; Incheon International Photography Festival\, Incheon\, South Korea; The Pelham Art Center\, NY; Filter Space\, Chicago; Pingyao International Photography Festival; Denver Month of Photography\, CO among others. As a curator he has recently curated exhibitions in China\, South Korea\, New Zealand\, Australia\, India as well as New York City. In 2017 he was named curator of the Lishui Biennial International Photography Festival\, Lishui\, CN. He was the Co-Founder of Art Workers Plan B Gallery and director and curator of Delta Axis Contemporary Art Center in Memphis\, TN. He has lectured internationally on photography most recently at the Tsinghua University\, Beijing; Nanjing University\, Nanjing\, China; Net Photography Festival Daegu\, South Korea; The Auckland Photo Festival\, NZ; and the Singapore International Photo Festival. He is an Associate Professor of Photography currently serving as the Founding Director of the MFA in Photography program at Parsons School of Design in New York City. \nKristín Sigurðardóttir is a visual artist and a photographer from Iceland. She graduated in 2014 with a Masters Degree in Photography from Parsons The New School Of Design\, awarded Dean’s Scholarships 2012-2014. She also holds a Bachelor Degree in Fine Art from Iceland.buy super kamagra online www.mydentalplace.com/wp-content/themes/twentytwelve/inc/en/super-kamagra.html no prescription\n Previous work experience include\, Intern at Adam Fuss Studio\, Teaching Assistance at Parsons and On Set Photographer for award winning Web Series „ That Reminds Me“.buy caverta online www.mydentalplace.com/wp-content/themes/twentytwelve/inc/en/caverta.html no prescription\n Her work has been published by Grymogea\, Conveyor and shown in Iceland\, UK\, Faroe Island\, China\, Australia and the US.
URL:https://old.icelandicartcenter.is/exhibition/kristin-sigurdardottir-jim-ramer-transit/
LOCATION:Ramskram\, Njálsgata 49\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/Kristin.mynd1_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220115
DTEND;VALUE=DATE:20220328
DTSTAMP:20260530T085143
CREATED:20220112T144610Z
LAST-MODIFIED:20220825T134904Z
UID:21059-1642204800-1648425599@old.icelandicartcenter.is
SUMMARY:Random Moments
DESCRIPTION:Random Moments groups photographs and juxtaposes abstracts from published literature to visualise plots with images and narratives independent of one another. The exhibition is the curator’s Yean Fee Quai‘s fictitious arrangement\, based on actual photographs and literature.buy dapoxetine online www.mydentalplace.com/wp-content/themes/twentytwelve/inc/en/dapoxetine.html no prescription\n The visuals are amassed from a computer database\, and printed publications are the sources for the texts. \nIn a period of 40 years\, the Reykjavík Museum of Photography has collected over six-and-a-half million film-based photographic materials. Among the collection are images shot by professionals and amateurs.buy cialis online www.mydentalplace.com/wp-content/themes/twentytwelve/inc/en/cialis.html no prescription\n They have captured scenes and spectacles\, events and happenings\, celebrities and commoners\, routines\, everyday things and anything that a camera can snap into pictures. The museum acquires its collection from individuals and companies\, receiving the assorted photographs and films in boxes and file cabinets that have long since overflowed the modest archival storage. \nFor the first two decades\, before digital technology\, the custodians performed the daunting tasks of categorising\, recording\, researching and preserving the captured moments\, that were slow at revealing visible results. In the latter two decades\, when digital photography rapidly replaced film cameras\, similar technology readily made the museum’s resources accessible with ease by transformation into an image database. \nRandom Moments is an exhibition that uses the image search that the museum has established. The retrieving of images with keywords conjures surprising combinations of photographed moments. Each moment is a singularity that becomes related through a particular word. \nContrary to the algorithmic visual search\, old-school is the approach to finding the texts to accompany the exhibition—snippets of texts on printed pages of publications call out to or draw into the visual narrations. Whether the pictures resonate with the text\, or the words allude to the images\, the deliberate attempt evokes the discrepancy or lack of it. \nThe exhibition is a part of the Icelandic Photo Festival 2022
URL:https://old.icelandicartcenter.is/exhibition/random-moments/
LOCATION:Reykjavík Museum of Photography\, Grófarhús\, Tryggvagata 15\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/SCL-ABS-160_netupplausn.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220115
DTEND;VALUE=DATE:20220131
DTSTAMP:20260530T085143
CREATED:20220112T134024Z
LAST-MODIFIED:20220825T132515Z
UID:21035-1642204800-1643587199@old.icelandicartcenter.is
SUMMARY:Klængur Gunnarsson & Hrafn Hólmfríðarson Jónsson: Airtight
DESCRIPTION:There are infinite ways of how we go about our lives\, or at least that has been the narrative of our societies for some time. In reality\, we are always limited by something and it is within these limitations we go about our everyday lives. Every day we attempt to reach an agreement on how we meander within these limitations.buy cozaar generic https://buynoprescriptionrxonline.com/cozaar.html over the counter\n These attempts can be simple – such as admiring a sunset or cloudscapes – or spectacular\, such as flying in the air on skis. \nOn Saturday the 15th of January\, the exhibition Airtight opens at Ásmundarsalur. The exhibition ponders on the subtle and perhaps elusive possibilities in everyday life\, as well as the more festive and striking ways of retreating from it. \nFor this exhibition\, Hrafn Hólmfríðarson Jónsson (Krummi) pays attention to his habitat and the physical restrictions and limitations he deals with as an aftermath of a stroke he endured as a teenager. In his work for Airtight\, Klængur Gunnarsson contemplates unremarkable day-to-day boredom and the different avenues of how to deal with it. \nThe exhibition is a part of the Icelandic Photo Festival.
URL:https://old.icelandicartcenter.is/exhibition/klaengur-gunnarsson-hrafn-holmfridarson-jonsson-airtight/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/Krummi_Airtight.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220115
DTEND;VALUE=DATE:20220227
DTSTAMP:20260530T085143
CREATED:20220103T111653Z
LAST-MODIFIED:20220916T104112Z
UID:20901-1642204800-1645919999@old.icelandicartcenter.is
SUMMARY:Einar Falur Ingólfsson: About Time - Diary of Twenty Months
DESCRIPTION:In fall 2018 Einar Falur started working on a visual diary he planned to wrap up in 18 months. But when it came towards the planned end the Covid-19 pandemic hit and changed the world. And the diary stretched to 20 months as it affected the life of the photographer‘s family\, like everybody else\, and became an important part of the diary. \nIn this visual diary Einar Falur looks at his life and background in a young\, small and homogenous society\, culturally and socially\, and in a subjective way compares it to some of the most important sources of the culture that has shaped western society\, including the Icelandic one. \nHe choose to work in Varanasi\, India‘s oldest and holiest city where the layers of time can be seen everywhere; in Rome in Italy\, where medieval European culture was in many ways formed\, including various influences on western art; and in Egypt\, where more cultural roots of modern time can be found\, with endless layers of time. \nThe work is produced quite objectively on a large format camera but loaded with subjective connections and meanings. On his travels Einar Falur used as inspiration the work of many other artists\, for instance in Rome the work of the painter Caravaggio (1571-1610) and the photographers Robert Turnbull Macpherson (1814-1872) and Joel Sternfeld (b. 1944). \nWhile photographing the diary Einar Falur produced and published 14 limited-edition books\, his visual diary. These books form the core of About Time – Diary of Twenty Months\, a book he publishes in January 2022\, at the same time the first exhibition of the work opens in BERG Contemporary\, Reykjavik.
URL:https://old.icelandicartcenter.is/exhibition/einar-falur-ingolfsson-about-time-diary-of-twenty-months/
LOCATION:BERG Contemporary\, Klapparstígur 16\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/einar_falur_about_time_1-720x900-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220114
DTEND;VALUE=DATE:20220321
DTSTAMP:20260530T085143
CREATED:20211129T115900Z
LAST-MODIFIED:20220825T132853Z
UID:20400-1642118400-1647820799@old.icelandicartcenter.is
SUMMARY:Santiago Mostyn: 08-18 (Past Perfect)
DESCRIPTION:In this newly conceived exhibition at Gerðarsafn\, Santiago Mostyn presents a constellationof photographic and moving-image works created across the Black Atlantic\, focusing on sites of personal significance for the artist. The photo series 08–18 (Past Perfect)\, presented here for the first time\, was created over a decade of returns to Trinidad\, Zimbabwe\, Grenada\, the United States\, and Scandinavia. Sections of the gallery will be hung with wallpaper treated to a cyanotype process\, which will shift and develop a grey-blue tone as they are exposed to the winter sun over the course of the exhibition. \nIn the same space\, a film work\, Drawing for Bellevue Estate\, will be shown. The film was recorded in Tobago\, the island that inspired the landscape of Robinson Crusoe\, and borewitness to many waves of European colonial exploitation. In the work\, we watch four mencut their way through the tropical bush\, marking territory\, but towards an unknown goal. Their mapping recalls the early ambitions of European colonists to claim and industrialize the Caribbean\, but the film also focuses on the island’s largest Silk Cotton Tree\, revered forthe legend of Gang-Gang Sarah\, a historical figure whose attempt to ‘fly home’ to Africa by leaping from the tree ended in her death. The work\, therefore\, becomes a portrait of a landscape where stories of colonialism\, slavery\, mythology\, and personal experience meet. \nSantiago Mostyn’s films\, installations\, texts\, and performances often explore the dissonance of lives lived between different political spheres. His work simultaneously employs footage of historical events\, political and cultural figures\, and racial injustice to speak to his own personal histories.buy zithromax online https://www.mobleymd.com/wp-content/languages/new/zithromax.html no prescription\n Santiago creates an intuitive narrative through layering and collage\, whether through video or installation\, combining new and archival imagery. His research-like process examines questions of identity and memory\, both personal and collective\, and the intersections of history with current events. \nLiving and working between Stockholm and Berlin\, Santiago Mostyn (b. 1981\, San Francisco) holds his BA in 2004 from Yale University. After attending Städelschule from 2006-2007\, he received an MA in 2013 from the Royal Institute of Art\, Stockholm. Santiago was a resident at Künstlerhaus Bethanien in 2021\, and will be a fellow at Schloss Solitude in 2022. Recent exhibitions include ​The Real Show at CAC Brétigny (2022)\, Swimming Pool-Troubled Waters at Künstlerhaus Bethanien\, Berlin\, (2021)\, Deep Listening for Longing at the 2021 Borås Art Biennial\, Sweden (2021)\, With New Eyes at Goteborgs Konsthall\, Gothenburg (2021)\, Your Shadow is a Mirror at Andréhn-Schiptjenko\, Stockholm\, Sweden (2021)\, and Grass Widows at Southern Alberta Art Gallery\, Lethbridge\, AB\, Canada (2020).
URL:https://old.icelandicartcenter.is/exhibition/santiago-mostyn/
LOCATION:Gerðarsafn Kópavogur Art Museum\, Hamraborg 4\, Kópavogur\, 200\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/11/mostyn_the_warming_plateau_film_stills_01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220114
DTEND;VALUE=DATE:20220321
DTSTAMP:20260530T085143
CREATED:20211129T115549Z
LAST-MODIFIED:20220404T154056Z
UID:20390-1642118400-1647820799@old.icelandicartcenter.is
SUMMARY:Elín Hansdóttir
DESCRIPTION:Practice: Elín Hansdóttir’s multidisciplinary practice combines sculpture\, photography\, and installation to create site-specific works that visually challenge the audience. Her immersive installations transform a place\, reconfiguring the scale\, geometry\, or even its existence at all. Each of Elín’s works follows its own set of rules\, constructing an individual world with physical and psychological effects on the viewer. In her works\, she explores techniques such as optical illusions\, labyrinthian tunnels\, disorientation\, and playful photography tricks. The unfamiliar physical realities of her installations invite the audience to question one’s own perception of space and time. \n  \nBio: Elín Hansdóttir (b. 1980\, Iceland) is an Icelandic artist based in Reykjavík and Berlin and she currently holds a residency at Künstlerhaus Bethanien for the years 2021-2022. She holds a BA from Iceland Academy of the Arts and in 2006 she received her MA from Kunsthochschule Weissensee in Berlin. Some of her recent shows include Open Studios at Künstlerhaus Bethanien in Berlin\, Germany (2021)\, Iðavöllur: Icelandic Art in the 21st Century at the Reykjavík Art Museum in Reykjavík\, Iceland (2021)\, Latent Shadow\, and Portal at Harbinger Gallery in Reykjavík\, Iceland (2020)\, and Glass and Concrete – Manifestations of the Impossible at Marta Herford in Herford\, Germany (2020).  In 2021 she published the book Long Place documenting her 2005 installation Untitled for the Reykjavík Arts Festival.
URL:https://old.icelandicartcenter.is/exhibition/elin-hansdottir/
LOCATION:Gerðarsafn Kópavogur Art Museum\, Hamraborg 4\, Kópavogur\, 200\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/11/elin-hansdottir-mynd-f-heimasidu.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220113
DTEND;VALUE=DATE:20220121
DTSTAMP:20260530T085143
CREATED:20220112T143440Z
LAST-MODIFIED:20220112T143549Z
UID:21057-1642032000-1642723199@old.icelandicartcenter.is
SUMMARY:Hjördís Eyþórsdóttir: The Silvercage
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/hjordis-eythorsdottir-silfurburid/
LOCATION:Gallery Port\, Laugavegur 32\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/silvercage.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220113
DTEND;VALUE=DATE:20220211
DTSTAMP:20260530T085143
CREATED:20220112T142950Z
LAST-MODIFIED:20220112T142950Z
UID:21046-1642032000-1644537599@old.icelandicartcenter.is
SUMMARY:Eva Schram: 518 aukanætur
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/eva-schram-518-aukanaetur/
LOCATION:Gallery Port\, Laugavegur 32\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/518.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220113
DTEND;VALUE=DATE:20220328
DTSTAMP:20260530T085143
CREATED:20220110T155022Z
LAST-MODIFIED:20220825T133038Z
UID:21026-1642032000-1648425599@old.icelandicartcenter.is
SUMMARY:The Icelandic Photo Festival
DESCRIPTION:The Icelandic Photography Festival (TIPF) is an international festival held January of every other year. The festival was first held in 2012 (under the name “Photography Days”).buy premarin online https://www.mobleymd.com/wp-content/languages/new/premarin.html no prescription\n The Festival’s main objective is to support and advance the photographic medium as an art form. The festival’s program includes photographic exhibitions with international and Icelandic artists\, portfolio review\, lectures\, and photo book presentations. \nThe portfolio review is hosted by the Reykjavik Museum of Photography\, which invites international as well as local museum directors\, curators and professionals in the industry to the event. \nCollaborators of TIPF 2022 are: The Reykjavik Museum of Photography\, The National Museum of Iceland\, The National Gallery of Iceland\, Gerðarsafn – Kopavogur Art Museum\, Hafnarborg Center of Culture and Fine Art\, the Icelandic Contemporary Photography Association\, Ramskram Gallery\, Gallery Port\, Ásmundarsalur and Berg Contemporary. \nCo-Directors of TIPF are Katrín Elvarsdóttir and Pétur Thomsen.
URL:https://old.icelandicartcenter.is/exhibition/the-icelandic-photo-festival/
LOCATION:City of Reykjavík\, Reykjavík\, Reykjavík\, Iceland
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