BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Icelandic Art Center - ECPv6.1.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Icelandic Art Center
X-ORIGINAL-URL:https://old.icelandicartcenter.is
X-WR-CALDESC:Events for Icelandic Art Center
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20210101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230203
DTEND;VALUE=DATE:20230204
DTSTAMP:20260530T104803
CREATED:20230201T112028Z
LAST-MODIFIED:20230201T112209Z
UID:29203-1675382400-1675468799@old.icelandicartcenter.is
SUMMARY:Jón Helgi Pálmason: As the Image Fades
DESCRIPTION:Memories are complex\, and there are many elements that come into play when considering them. While certain things stick vividly in the memory\, other events are easily forgotten. We appear to have no say in the matter either. We go on living\, and new memories are made every day while others are lost. What happens to all those forgotten memories? And do they matter?\nOur memories shape us\, as do the people and the different environments we encounter. \nJón Helgi contemplates what it is that makes people who they are today. What sort of people and environments have shaped their being\, and how do they appear in their memories? What do people see when they close their eyes?\nIn his exhibition\, Jón Helgi combines images from the past with his own personal photographs offering visitors an insight into how he visualises his memories. In other words\, what he sees when he closes his eyes. With each blink\, another memory\, or an image of one\, is formed. “As I close my eyes\, I see the smiling face of my grandmother sitting in her good old armchair knitting yet another woolly jumper… I recall snow racing towards the windscreen at 90 kilometres in the darkness of night; by my side is my father; we can see no further than the next snow pole….” Photographs can act as memories. \nJón Helgi Pálmason is originally from Hafnarfjörður but now lives in The Hague\, Holland\, where he studies photography at the Royal Academy of Arts. Before that\, he graduated from the photography department of the Technical College of Reykjavik and the KBH Film & Fotoskole in Copenhagen. Jón Helgi’s works have been exhibited both in Iceland and abroad.
URL:https://old.icelandicartcenter.is/exhibition/jon-helgi-palmason-a-medan-myndin-dofnar/
LOCATION:Ljósmyndasafn Reykjavíkur\, Tryggvagata 15 Grófarhús\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2023/02/s-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220820
DTEND;VALUE=DATE:20221017
DTSTAMP:20260530T104803
CREATED:20220905T141529Z
LAST-MODIFIED:20221024T134155Z
UID:25599-1660953600-1665964799@old.icelandicartcenter.is
SUMMARY:Gissur Guðjónsson: Svæði / Site
DESCRIPTION:The series is an exploration of unidentified places where traces of human existence have gathered.\n\nGissur uses this material and its forms to make his own landscape. Shaping it by corrupting the viewer‘s perspective using the methodology of photomapping while arranging the photos together. The sites Gissur photographs seem to have by pure coincidence become a temporary haven for things people no longer see a use for. Curiosity and Gissur’s sincere interest in things that have lost their usability shines through in this work\, as was the motivational force behind the making of this work.\n\nGissur Guðjónsson is an Icelandic photographer based in Selfoss\, born in 1991. Gissur studied photography in Ljósmyndaskólinn and graduated from there in January 2020.
URL:https://old.icelandicartcenter.is/exhibition/gissur-gudjonsson-svaedi-site/
LOCATION:Reykjavík Museum of Photography\, Grófarhús\, Tryggvagata 15\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/09/295757525_10159084884323727_44941465186257725_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220609
DTEND;VALUE=DATE:20220911
DTSTAMP:20260530T104803
CREATED:20220531T112229Z
LAST-MODIFIED:20220912T091658Z
UID:23515-1654732800-1662854399@old.icelandicartcenter.is
SUMMARY:Jessica Auer: Landvörður
DESCRIPTION:Since 2016 Jessica Auer has been documenting the impact of mass tourism on Icelandic landscape and society. \nWorking between Canada and her studio in Iceland\, Jessica‘s travels between these countries coincided with the tourism boom and as such\, she navigated the gap between being a foreigner and a local. She saw both sides of the tourist gaze and sought to share this experience through photography and video. \nWhen travel came to a standstill during the pandemic\, Jessica’s work took a significant turn\, reflecting on the value systems of this boom and bust industry. Her most recent photographs turn their attention towards landscape conservation\, and the efforts to protect areas vulnerable to exploitation during the uncertainty of a global pandemic. \nThroughout these last years\, Jessica has travelled around the country with a large format view camera\, capturing portraits of park rangers\, wardens and other people who occupy this environment. \nThese exchanges created the opportunity to discuss the cultural and natural value of the Icelandic landscape. Through portraiture\, landscape photography and video\, the exhibition Landvörður presents a meditation on the collective responsibility of Icelanders and visitors to preserve this unique nature\, and considers the paradox of attempting to preserve the same landscapes that the tourism industry seeks to exploit. \nJessica Auer is a Canadian photographer\, filmmaker and teacher who currently lives in Seyðisfjörður\, Iceland. Her work has been presented in museums\, galleries and festivals\, including The National Museum of Iceland\, The Canadian Center for Architecture and the Mulhouse Photography Biennale in France. In 2020\, Jessica’s portfolio “Looking North” was awarded the Magnús Ólafsson Grant from the Reykjavík Museum of Photography. The same work was published by Another Place Press in 2021 and featured by ARTE television network and The Guardian. Jessica holds an MFA from Concordia University in Montréal\, where she teaches photography part-time. While in Iceland\, she runs Ströndin Studio in East Iceland. \nThe artist would like to thank Kormákur Máni Hafsteinsson and Zuhaitz Akizu for their contributions in the field\, as well as Matthew Brooks and Luigi Iagulli for their assistance with post-production. The exhibition Landvörður was supported by the Canada Council for the Arts and the Conseil des arts et des lettres du Québec.
URL:https://old.icelandicartcenter.is/exhibition/jessica-auer-landvordur/
LOCATION:Reykjavík Museum of Photography\, Grófarhús\, Tryggvagata 15\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/05/01_eyrun_skaftafell.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220609
DTEND;VALUE=DATE:20220817
DTSTAMP:20260530T104803
CREATED:20220531T111138Z
LAST-MODIFIED:20220916T103811Z
UID:23508-1654732800-1660694399@old.icelandicartcenter.is
SUMMARY:Ester Jóhannesdóttir: Light Space– Shadow space
DESCRIPTION:Photography becomes easier and more accessible and opposites become clearer as the darkness retreats with increased natural light. \nThe action of photographing or forming light has many manifestations. In the exhibition Light Space– Shadow Space\, natural light is photographed inside building interiors as well as outside in the twilight. That way\, abstract forms and shadows become clearer in the specific frame of the picture plane\, still lyricism is never far away. \nEster Jóhannesdóttir graduated with MFA from the University of Leeds in 2010 and has been creating art for more than thirty years.
URL:https://old.icelandicartcenter.is/exhibition/ester-johannesdottir-light-space-shadow-space/
LOCATION:Reykjavík Museum of Photography\, Grófarhús\, Tryggvagata 15\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/05/1_2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220402
DTEND;VALUE=DATE:20220530
DTSTAMP:20260530T104803
CREATED:20220503T142957Z
LAST-MODIFIED:20220916T102922Z
UID:23069-1648857600-1653868799@old.icelandicartcenter.is
SUMMARY:Press Photographs of the Year 2021
DESCRIPTION:Press photographs of the year is an annual exhibition held by The Icelandic Press Photography Association. \nThe photographs are divided into 7 categories. \nThey are: \n\nNews\nDaily life\nSports\nPortraits\nEnvironment\nEditorial and series\n\nIn each category the jury choose the best photo / best series and one image from these categories was selected as the picture of the year. \nThe Icelandic Press Photography Association was founded in 1976 and works within the Icelandic Journalist Union. The exhibition Press Photographs of the Year has been held since 1980 and is the most popular photo exhibition in Iceland each year.
URL:https://old.icelandicartcenter.is/exhibition/press-photographs-of-the-year-2021/
LOCATION:Reykjavík Museum of Photography\, Grófarhús\, Tryggvagata 15\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/05/covid_kvoldvakt-8.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220203
DTEND;VALUE=DATE:20220328
DTSTAMP:20260530T104803
CREATED:20220301T163148Z
LAST-MODIFIED:20220825T132258Z
UID:22396-1643846400-1648425599@old.icelandicartcenter.is
SUMMARY:Elías Arnar: Betula Seasons
DESCRIPTION:The project “Betula Seasons” is a photography series by Elías Arnar of the Downy Birch tree of Iceland transitioning throughout all four seasons. The idea was born from a geographical approach about how important this particular species of tree is to Iceland both historically\, culturally and environmentally. The Betula pubescens is the only native tree in Iceland that can form natural forests\, usually characterized by high biodiversity and productivity. \nSources have indicated that due to the country‘s isolation during the settlement\, the tree was the backbone of peoples lives as it was used for building material for all sorts of craft. Today\, this is of course considered to be an unsustainable extract of a very fragile resource but one can‘t help to wonder if the history and cultural heritage of Iceland would be the same if it were not for these actions. \nElías Arnar is an Icelandic freelance photographer\, park ranger and geography student. He focuses his work primarily on the geographical landscape\, aiming to represent a connection between people and nature to promote awareness about climate change\, environmental issues and outdoor activities. A key aspect of his work is engaging with philosophical approach to geographical phenomenons to challenge dominant ideas about the natural world in hopes of changing them. The Betula Seasons project is a part of that approach. By showcasing the Downy Birch throughout the ever changing climate of the four seasons in Iceland\, it can get people to look at a simple\, unnoticed part of the Icelandic nature through the eyes of a geographical photographer.buy cialis professional generic https://yourcialisrx.com/cialis_professional.html over the counter
URL:https://old.icelandicartcenter.is/exhibition/elias-arnar-betula-seasons/
LOCATION:Reykjavík Museum of Photography\, Grófarhús\, Tryggvagata 15\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/03/dsc02330b.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220115
DTEND;VALUE=DATE:20220328
DTSTAMP:20260530T104803
CREATED:20220112T144610Z
LAST-MODIFIED:20220825T134904Z
UID:21059-1642204800-1648425599@old.icelandicartcenter.is
SUMMARY:Random Moments
DESCRIPTION:Random Moments groups photographs and juxtaposes abstracts from published literature to visualise plots with images and narratives independent of one another. The exhibition is the curator’s Yean Fee Quai‘s fictitious arrangement\, based on actual photographs and literature.buy dapoxetine online www.mydentalplace.com/wp-content/themes/twentytwelve/inc/en/dapoxetine.html no prescription\n The visuals are amassed from a computer database\, and printed publications are the sources for the texts. \nIn a period of 40 years\, the Reykjavík Museum of Photography has collected over six-and-a-half million film-based photographic materials. Among the collection are images shot by professionals and amateurs.buy cialis online www.mydentalplace.com/wp-content/themes/twentytwelve/inc/en/cialis.html no prescription\n They have captured scenes and spectacles\, events and happenings\, celebrities and commoners\, routines\, everyday things and anything that a camera can snap into pictures. The museum acquires its collection from individuals and companies\, receiving the assorted photographs and films in boxes and file cabinets that have long since overflowed the modest archival storage. \nFor the first two decades\, before digital technology\, the custodians performed the daunting tasks of categorising\, recording\, researching and preserving the captured moments\, that were slow at revealing visible results. In the latter two decades\, when digital photography rapidly replaced film cameras\, similar technology readily made the museum’s resources accessible with ease by transformation into an image database. \nRandom Moments is an exhibition that uses the image search that the museum has established. The retrieving of images with keywords conjures surprising combinations of photographed moments. Each moment is a singularity that becomes related through a particular word. \nContrary to the algorithmic visual search\, old-school is the approach to finding the texts to accompany the exhibition—snippets of texts on printed pages of publications call out to or draw into the visual narrations. Whether the pictures resonate with the text\, or the words allude to the images\, the deliberate attempt evokes the discrepancy or lack of it. \nThe exhibition is a part of the Icelandic Photo Festival 2022
URL:https://old.icelandicartcenter.is/exhibition/random-moments/
LOCATION:Reykjavík Museum of Photography\, Grófarhús\, Tryggvagata 15\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/SCL-ABS-160_netupplausn.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220113
DTEND;VALUE=DATE:20220328
DTSTAMP:20260530T104803
CREATED:20220110T155022Z
LAST-MODIFIED:20220825T133038Z
UID:21026-1642032000-1648425599@old.icelandicartcenter.is
SUMMARY:The Icelandic Photo Festival
DESCRIPTION:The Icelandic Photography Festival (TIPF) is an international festival held January of every other year. The festival was first held in 2012 (under the name “Photography Days”).buy premarin online https://www.mobleymd.com/wp-content/languages/new/premarin.html no prescription\n The Festival’s main objective is to support and advance the photographic medium as an art form. The festival’s program includes photographic exhibitions with international and Icelandic artists\, portfolio review\, lectures\, and photo book presentations. \nThe portfolio review is hosted by the Reykjavik Museum of Photography\, which invites international as well as local museum directors\, curators and professionals in the industry to the event. \nCollaborators of TIPF 2022 are: The Reykjavik Museum of Photography\, The National Museum of Iceland\, The National Gallery of Iceland\, Gerðarsafn – Kopavogur Art Museum\, Hafnarborg Center of Culture and Fine Art\, the Icelandic Contemporary Photography Association\, Ramskram Gallery\, Gallery Port\, Ásmundarsalur and Berg Contemporary. \nCo-Directors of TIPF are Katrín Elvarsdóttir and Pétur Thomsen.
URL:https://old.icelandicartcenter.is/exhibition/the-icelandic-photo-festival/
LOCATION:City of Reykjavík\, Reykjavík\, Reykjavík\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/tipf2022_facebookspjald.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211218
DTEND;VALUE=DATE:20220110
DTSTAMP:20260530T104803
CREATED:20211122T155417Z
LAST-MODIFIED:20220916T104043Z
UID:20311-1639785600-1641772799@old.icelandicartcenter.is
SUMMARY:Final Show by students of The School of Photography
DESCRIPTION:In December 2021\, eight students are graduating from the School of Photography with a diploma in Creative Photography. The event is marked with an exhibition of the students’ graduation projects at the Reykjavík Museum of Photography. \nThe projects are highly diverse\, as the students’ subjects and methods span a broad range. In their works they address a variety of issues on their own terms\, with their own artistic vision and aesthetic perception. The works in the show thus reflect the thriving state of contemporary photography and the diverse potential of the photographic medium. \nImage: Litróf/Spectrum by Hildur Örlygsdóttir\, one of the graduating students.
URL:https://old.icelandicartcenter.is/exhibition/final-show-by-students-of-the-school-of-photography/
LOCATION:Reykjavík Museum of Photography\, Grófarhús\, Tryggvagata 15\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/11/hildur.litrof.vefupplausn1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211111
DTEND;VALUE=DATE:20220131
DTSTAMP:20260530T104803
CREATED:20211025T132107Z
LAST-MODIFIED:20220825T134249Z
UID:19873-1636588800-1643587199@old.icelandicartcenter.is
SUMMARY:Guðmundur Óli Pálmason: Abandoned Art
DESCRIPTION:Abandoned farmsteads in the Icelandic countryside have long captured the eye of Guðmundur Óli Pálmason and inspired his artmaking. In his works the viewer meets obscure fragments from the past\, which he captures with an old photography method he has specialized in. \nAn important part of the work „Leaving Art“\, here on show\, can be catagorized as a performance\, which Pálmason started executing over a year ago. He leaves some of his works in rural area\, for anyone to find and own.buy flagyl online herbalshifa.co.uk/wp-content/themes/twentytwentytwo/inc/patterns/en/flagyl.html no prescription\n Usually in the places where the photo was taken or somewhere connected to it. Although Pálmason is born and raised in Reykjavík he has never felt at home in a city environment. Thus he poses the big question if there is a connection between the abandonment of vast parts of the countryside to live in city and towns and our severed connection as humans to nature and spirituality. By abandoning the works – leaving art – he seeks to answer this question to which the exhibition‘s title refers to. \n“I like the idea of art going full circle\, coming back home. Especially because the subject is abandoned farmsteads and I feel as if I‘m bringing them back to life sort of\, giving them new purpose.“ \nThus\, the abandoned farmsteads are not pictures of houses but people on the fringes of past and present; people who have left this world and questions are left unanswered about their lives\, deaths and why nobody took over the farm. Are people\, like the houses\, just empty vessels devoid of spirit in the modern age? \nPálmason only uses Polaroid peel-apart films\, which he modifies and manipulates manually with all sort of sprays on chemicals.buy cialis pack online herbalshifa.co.uk/wp-content/themes/twentytwentytwo/inc/patterns/en/cialis-pack.html no prescription\n Subsequently the films are scanned and end as prints on aluminum plates. Therefore it can be said that the method itself is also not a true documentation of the past but rather some kind of a tribute to it. He comes to the conclusion that eventually\, everything is left behind; the subject\, the method and the art itself. \nGuðmundur Óli Pálmason is born in Reykjavík in 1978. He finished a BA in Art Photography from the University of the Arts\, London in 2011 and Photography from Reykjavík Technical College in 2007. Before he had studied Media and information studies also at Reykjavík Technical College from 2005-2007.
URL:https://old.icelandicartcenter.is/exhibition/gudmundur-oli-palmason-abandoned-art/
LOCATION:Reykjavík Museum of Photography\, Grófarhús\, Tryggvagata 15\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/10/gudmundur.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210925
DTEND;VALUE=DATE:20211213
DTSTAMP:20260530T104803
CREATED:20210830T114935Z
LAST-MODIFIED:20220825T133904Z
UID:18753-1632528000-1639353599@old.icelandicartcenter.is
SUMMARY:Sigurður Unnar Birgisson: The Return of the King
DESCRIPTION:The exhibition The Return of the King by photographer/artist Sigurður Unnar Birgisson comprises enlargements of passport-sized photographs of men aged about seventy\, alongside photographs of flowers of Icelandic nature by renowned Icelandic photographer Hjálmar R. Bárðarson (1918-2009). \nThe juxtaposition of these two subjects may seem unusual. What could elderly men have in common with flowers? At first glance\, all they seem to share is the use of a conventional\, realistic approach in both cases – and also a harmony of form between them. But the exhibition poses deeper questions\, delving beneath the surface to view the broader context. \nThe photos of the men were all taken at the Passamyndir photographic studio\, when they had to renew their driving licences at age 70. Hence Sigurður Unnar has taken a huge number of such photos in his work\, and this has given him the opportunity to see and define them as a specific subject\, which he has chosen to approach as an art form.buy suhagra online blackmenheal.org/wp-content/themes/twentytwentytwo/inc/patterns/en/suhagra.html no prescription\n The men are all at a turning point: they are at the end of their working life\, becoming pensioners. In order to attain a deeper insight into their lives and what they did with their time\, Sigurður Unnar also met with them outside the studio. The outcome of that work is a text-work and short film which provide a more profound insight into a whole career. \nRetirement inevitably means major changes\, leading to a path towards spiritual re-evaluation. This can give rise to an awakening\, whereby a person can bloom like a flower\, bid heaviness goodbye\, allow the spirit to rise up and open out towards the sun. The Buddha is said to have wordlessly held up a flower before a group of his disciples. For a time they looked from Buddha to the flower and back again. Finally a little smile appeared on one of their faces. The smile is said to signify the beginning of Zen Buddhism. German author Eckhart Tolle has also pointed out that flowers may have been the first thing that humans admired purely for their beauty. They appear to us as heralds\, pointing our way to the sublime\, the sacred\, the intangible that lies within every one of us. \nSigurður Unnar says: “The gentlemen in the exhibition are my flowers. I admire them for their beauty\, and they are my guide towards how to live as a man. They all came to me to have their photos taken\, and I met some of them again later.” The essence of the analogy between the men and the flowers is found in the Gospel of St. Matthew\, 6:28: “Consider the lilies of the field\, how they grow; they toil not\, neither do they spin.“ \nHjálmar R. Bárðarson’s flower pictures were published in his book Íslenskur gróður (Icelandic Vegetation) in 1998. He was a prolific photographer\, who published many photographic books. His archive is in the keeping of the National Museum of Iceland\, which has kindly permitted the use of the photos in this exhibition.buy levaquin online blackmenheal.org/wp-content/themes/twentytwentytwo/inc/patterns/en/levaquin.html no prescription\n \nSigurður Unnar Birgisson lives in Reykjavík\, where he works at the Passamyndir photographic studio. He earned his BA and MA degrees from the Universität der Künste in Berlin\, where he studied under Maria Vedder\, graduating in 2015. Since graduation he has been involved in installations at the Háskar art festival\, read a diary entry as part of a performance at the Mengi artist-run space in  Reykjavík\, directed his father in a music video of Teitur Magnússon’s song Bara þú\, and worked for the Reykjavík Dance Festival in collaboration with Michikazu Matsune on The Viewers. Sigurður’s focus is on the human being as manifested in flesh and blood.
URL:https://old.icelandicartcenter.is/exhibition/sigurdur-unnar-birgisson-the-return-of-the-king/
LOCATION:Reykjavík Museum of Photography\, Grófarhús\, Tryggvagata 15\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/08/return-of-the-king-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210821
DTEND;VALUE=DATE:20211101
DTSTAMP:20260530T104803
CREATED:20210824T115127Z
LAST-MODIFIED:20220825T134347Z
UID:18654-1629504000-1635724799@old.icelandicartcenter.is
SUMMARY:Anna Elín Svavarsdóttir: Reunion
DESCRIPTION:“One of my objectives in image creation is to make use of the immediate environment\, viewed from different angles. Things within the environment are constantly changing\, taking on different purposes depending on when and how you look at them.” (Anna Elín Svavarsdóttir\, 2017). \n\nAfter Anna Elín’s death\, her family was inspired to exhibit some of her work\, reflecting her career as an artistic photographer. She had a keen eye for aesthetics and photographed a variety of motifs.buy finasteride online myhst.com/wp-content/themes/twentytwentytwo/inc/patterns/en/finasteride.html no prescription\n \nAnna Elín graduated as a photographer in 1987. She studied with both Leifur Þorsteinsson and Guðmundur Ingólfsson. After graduating\, she worked at the Reykjavík Museum of Photography from 1987-1989 and as head of the photography department from 1994-1998. \nAfterwards\, she began her career as a self-employed photographer and worked\, among other things\, as a film-set photographer. In 2011\, she founded the company Lífssaga\, specializing in creating photographic memoirs.buy forzest online myhst.com/wp-content/themes/twentytwentytwo/inc/patterns/en/forzest.html no prescription\n \nAmong the various group exhibitions and photography projects she participated in\, is the University of Iceland’s Architecture Photography Competition\, where her work\, which is now in the ownership of the University of Iceland\, won first prize.
URL:https://old.icelandicartcenter.is/exhibition/anna-elin-svavarsdottir-reunion/
LOCATION:Reykjavík Museum of Photography\, Grófarhús\, Tryggvagata 15\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/08/aes_kynningarmynd-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210306
DTEND;VALUE=DATE:20210920
DTSTAMP:20260530T104803
CREATED:20210824T120009Z
LAST-MODIFIED:20220825T132023Z
UID:18676-1614988800-1632095999@old.icelandicartcenter.is
SUMMARY:Sigurhans Vignir: The Silent but Noble Art
DESCRIPTION:The Silent but Noble Art is a retrospective exhibition featuring the career of Sigurhans Vignir (1894-1975)\, who worked as a photographer from 1917 to 1965\, mostly in Reykjavík. \nVignir left behind a valuable photographic archive\, now preserved at the Reykjavík Museum of Photography\, which comprises around 40\,000 photographs – most of them taken between 1940 and 1965. Many of the images are significant documents of Icelandic society and how it developed in the years after the Republic of Iceland was founded in 1944. Vignir photographed a wide range of subjects\, often focussing on individuals on every kind of occasion from cradle to grave: a christening\, the foundation of the Republic\, labourers at work\, people skating\, the occupation of Iceland during World War II by British troops\, a beauty pageant\, a birthday party\, a wigmaker… and so on. \nVignir took many photographs for the City of Reykjavík\, documenting the many aspects of the municipality’s activities. He was also a prolific theatre photographer\, taking photos for the National Theatre\, the Reykjavík Theatre Company and other drama groups.buy lipitor Canada https://langleyrx.com/lipitor.html no prescription\n \nFeatured in the exhibition are 110 new enlargements made from the original negatives\, alongside original images\, including portraits and hand-tinted landscapes. \nCuration and selection of images: Gísli Helgason\, Sigríður Kristín Birnudóttir and Kristín Hauksdóttir.
URL:https://old.icelandicartcenter.is/exhibition/sigurhans-vignir-the-silent-but-noble-art/
LOCATION:Reykjavík Museum of Photography\, Grófarhús\, Tryggvagata 15\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/01/Silent-but-Noble-scaled.jpg
END:VEVENT
END:VCALENDAR