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X-WR-CALDESC:Events for Icelandic Art Center
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DTSTART:20210101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220609
DTEND;VALUE=DATE:20220912
DTSTAMP:20260530T145724
CREATED:20220602T124050Z
LAST-MODIFIED:20220912T091638Z
UID:23547-1654732800-1662940799@old.icelandicartcenter.is
SUMMARY:The Wheel V: All Is Well
DESCRIPTION:image: Emma Heiðarsdóttir\n  \nOpening 9 June\, 17:00 at The Nordic House.\nOutdoors sculptures by a group of eight different artists will appear in several Reykjavík neighbourhoods during the festival. The Wheel is a series of outdoors exhibitions held around the city since 2018 by the Reykjavík Association of Sculptors to honour the 50th anniversary of the association. The first exhibition was part of the Reykjavík Arts Festival in 2018 and now the circle will close with the fifth and final installment. This time\, The Wheel will weave its way through areas 101\, 102 and 107\, as artists shed new light on our everyday surroundings. The works displayed are of a varied nature\, provoking a deep study of both area and history while simultaneously examining the more complex social stratification of the cityscape. \nThe Wheel V is a fascinating opportunity to experience the familiar in new ways\, to get to know the works of a truly diverse group of artists and ponder the time and space of the city\, in your own time. \nArtists: Emma Heiðarsdóttir\, Finnur Arnar Arnarson\, Geirþrúður Finnbogadóttir Hjörvar\, Ragnheiður Gestsdóttir\, Sean Patrick O’Brien\, Steinunn Gunnlaugsdóttir\, Ulrika Sparre & Wiola Ujazdowska.\nCurator: Kristín Dagmar Jóhannesdóttir\nReykjavik Association of Sculptors\, exhibition committee: Eygló Harðardóttir\, Haraldur Jónsson\, Una Björg Magnúsdóttir\, Örn Alexander Ámundason\nPartners: Reykjavíkurborg\, Norræna húsið í Reykjavík\, Myndlistarsjóður \n  \n 
URL:https://old.icelandicartcenter.is/exhibition/the-wheel-v-all-is-well/
LOCATION:City of Reykjavík\, Reykjavík\, Reykjavík\, Iceland
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20211030
DTEND;VALUE=DATE:20220321
DTSTAMP:20260530T145724
CREATED:20211011T145657Z
LAST-MODIFIED:20220905T142117Z
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SUMMARY:Abracadabra
DESCRIPTION:In this diverse exhibition\, new works by contemporary artists are presented especially with children and young people in mind. The works are all in the collection of the Reykjavík Art Museum. Presentation\, mediation and education aims to open up the world of art as it appears today for younger audiences. Along with the exhibition\, there is a rich program as well as digital dissemination. “Abracadabra” is a word deriving from ancient languages that means: What I say becomes a reality. This is a magic word that describes how artists’ ideas become works of art. \nThe Reykjavík Art Museum’s collection houses a large number of works of art\, with about seventeen thousand registered works and sketches of various kinds. When acquiring works of art into the collection\, a choice is made that reflects the diversity of artistic creation at any given time. The exhibition Abracadabra aims to share the main elements that are found in the creative field of today. What characterizes today’s art? What are the artists’ subjects\, methods\, materials and challenges? \n  \nListamenn \nAlicja Kwade \nAnna Júlía Friðbjörnsdóttir \nAnna Hallin \nAnna Líndal \nAuður Lóa Guðnadóttir \nBaldur Geir Bragason \nEgill Sæbjörnsson \nFritz Hendrik IV \nGuðný Guðmundsdóttir \nHeimir Björgúlfsson \nHildigunnur Birgisdóttir \nHildur Bjarnadóttir \nHrafnhildur Arnardóttir/Shoplifter \nHreinn Friðfinnsson \nKarin Sander \nKatrín Elvarsdóttir \nKatrín Sigurðardóttir \nKristján Steingrímur Jónsson \nLeifur Ýmir Eyjólfsson \nLogi Leó Gunnarsson \nMagnús Helgason \nMargrét H. Blöndal \nMatthías Rúnar Sigurðsson \nMelanie Ubaldo \nÓlafur Gíslason \nÓlöf Nordal \nRagnheiður Gestsdóttir \nRúrí \nSteingrímur Eyfjörð Kristmundsson \nUnndór Egill Jónsson
URL:https://old.icelandicartcenter.is/exhibition/abracadabra/
LOCATION:Reykjavík Art Museum – Hafnarhúsið\, Tryggvagata 17\, Reykjavík\, 101\, Iceland
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210902
DTEND;VALUE=DATE:20211115
DTSTAMP:20260530T145724
CREATED:20210830T123510Z
LAST-MODIFIED:20220916T102215Z
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SUMMARY:FJÖLFELDI - HLUTFELDI - MARGFELDI
DESCRIPTION:Being able to create more than one copy of the same work has long followed the artist tradition. Many artists have created such works\, which offers a different possibility than the unique artwork\, and can be considered as an object somewhere between art and production. Works made in multiple copies are priced differently\, are cheaper and thus made accessible to a larger group. The work goes from the standpoint of the individual and becomes an object that more than one can own\, they are often smaller\, and confirm their value not only by being a work by a certain artist\, but also by being numbered and signed editions and then become part of a larger context\, a narrative that is important to the person who acquires the work. \nMultiples can be two- or three-dimensional and can be created using a variety of methods. In the fifteenth century\, artists began to develop methods for molding works\, as it was considered a great advantage to be able to distribute works as widely as possible. This led to a significant development of visual culture in the countries where the knowledge was available. In the eighteenth century\, for example\, artists invented methods that enabled them to create sculptures from\, for example\, clay\, bronze or plaster and porcelain. Casting sculptures using mold or sand became popular in the production of works made in editions and these methods are still widely used in the making of art today. The methods of the graphic arts also fall under this definition\, but works made in such a way have the undoubted advantage that it is easy to make the same work in many copies. \nWith the method of copper plating in the Baroque period\, the distribution and reproduction of works of art became more general. The copper insert is a method used to make graphics\, where the image is engraved with a needle in a copper plate and then printed on paper. The work Los caprichos\, 1797 by Francisco Goya\, was one of the first known multiples created in a limited edition. Looking at twentieth-century works of art\, the work of Marcel Duchamps\, Rotoreliefs from 1935\, is one of the first multiples of modern art and in the form of multiples we know today\, a series of six rotating discs\, published in 500 copies. \nThe exhibition FJÖLFELDI – HLUTFELDI – MARGFELDI focuses on the works of twenty-nine contemporary artists who have worked for longer or shorter periods in creating multiples. In order for a work of art to fall under that definition\, the works must be made in three or more copies. \nThe word HLUTFELDI is created by Magnús Pálsson\, but in the exhibition you can find most of the works where he works in this way. The exhibition includes Magnús’ works that are still in the possession of the artist and his family\, but many of his works are now owned by museums and collectors. Other works in the exhibition are made in a conversation with the MULTIS project over a two-year period.
URL:https://old.icelandicartcenter.is/exhibition/fjolfeldi-hlutfeldi-margfeldi/
LOCATION:Reykjanes Art Museum\, Duusgata 2-8\, Reykjanesbær\, 230\, Iceland
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