BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Icelandic Art Center - ECPv6.1.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://old.icelandicartcenter.is
X-WR-CALDESC:Events for Icelandic Art Center
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20210101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=UTC:20220113T080000
DTEND;TZID=UTC:20220113T170000
DTSTAMP:20260530T055455
CREATED:20220113T113113Z
LAST-MODIFIED:20220825T134156Z
UID:21067-1642060800-1642093200@old.icelandicartcenter.is
SUMMARY:Monira Al Qadiri: The Craft
DESCRIPTION:Monira Al Qadiri is a Kuwaiti visual artist born in Senegal and educated in Japan.buy sildalis online herbalshifa.co.uk/wp-content/themes/twentytwentytwo/inc/patterns/en/sildalis.html no prescription\n In 2010\, she received a Ph.D. in inter-media art from Tokyo University of the Arts\, where her research was focused on the aesthetics of sadness in the Middle-East stemming from poetry\, music\, art and religious practices. Her work explores unconventional gender identities\, petro-cultures and their possible futures\, as well as the legacies of corruption. She is currently based in Berlin.\n“The Craft” is a film that revolves around childish fictions laced with serious suspicions towards the real world. Using the lens of family history\, the film dissects the artist’s own past to reexamine an uncanny relationship taking place in the shadows of her major life events: “Were my parents conspiring with aliens behind my back?buy zithromax online herbalshifa.co.uk/wp-content/themes/twentytwentytwo/inc/patterns/en/zithromax.html no prescription\n” Reality gradually disintegrates like quicksand around this central question\, as paranoia and speculation begin to take hold. Futuristic architecture\, popular culture\, dream readings\, junk food\, alien abductions\, geopolitics\, international diplomacy\, war and peace; all of these once solid staples of modern life now become tinted with a general sense of distrust\, overshadowing everything. Like a ticking time bomb at the center of the nuclear family unit\, the suspicion reaches a crescendo when the protagonist suddenly discovers that the American century has finally ended.\n\nOPNUNARTÍMAR SÝNINGAR // OPENING HOURS:\nFöstudagur / Friday – 14. janúar kl. 17.00 – 21.00\nLaugardagur / Saturday – 15. janúar kl. 13.00 -15.00\nSunnudagur / Sunday – 16. janúar kl. 13.00 -15.00
URL:https://old.icelandicartcenter.is/exhibition/monira-al-qadiri-the-craft/
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/271645549_4736359233117615_5149163399750171175_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211016
DTEND;VALUE=DATE:20211025
DTSTAMP:20260530T055455
CREATED:20211014T125308Z
LAST-MODIFIED:20211025T104913Z
UID:19667-1634342400-1635119999@old.icelandicartcenter.is
SUMMARY:SEQUENCES X - Lucky 3: PUTI
DESCRIPTION:The piece PUTI is a social choreography that reflects hyperreality\, racial roles and hierarchy by referencing an 8-hour workday. \nUnreliable narrators at best\, our voices speak of diaspora-of people experiencing constant displacement\, renovation and salvaging heritage in the face of cultural loss. With an unapologetically unabashed honesty and vulnerability\, the collective addresses issues\, but not limited to; the Filipino immigrant experience in Iceland\, displacement and racism. \nOpening Performance \nLucky 3 (est. 2019)  is a collective founded by Darren Mark\, Dýrfinna Benita Basalan\, and Melanie Ubaldo; Icelandic artists of Filipino origins. \nDarren Mark (b. 1993) graduated with a BA degree in Fashion Design from the IUA in 2017. He moved to Iceland from the Philippines when he was only eight years old with his family. Darren has exhibited at Dutch Design Week Eindhoven\, Designer’s Nest- Copenhagen Fashion Week and Design March. He mainly works with clothing\, from design and artistic aspects where the deconstruction-reconstruction method is applied\, sustainability is also an important part of his working methods were discarded or second hand clothes\, deadstock materials are thought of and used as a resource alongside new materials for creations. \nDýrfinna Benita Basalan (b. 1992) also known under her artist name Countess Malaise\, is born and raised in Iceland. She graduated with a BA in Art and Design from Gerrit Rietveld Academie in 2018 and has been an active artist in multiple disciplines and venues. Dýrfinna is also a member of The Blue Collective which is a collective of artists who work exploring  contemporary philosophical thematics in an amorphous format. In her painting and drawing\, her style often found femme and fantastical and full of fantasy. \nMelanie Ubaldo (b. 1992) graduated with a BA in Fine Arts from the IUA in 2016 and is currently in the MA Fine Arts program in the IUA. In Melanie’s work\, image and text are inextricably linked\, where deconstructionist paintings incorporate text with graffiti-like vandalism oftentimes of her own crude experiences of others preconceptions\, thus exposing the power of immediate\, unreflected judgment. She has taken part in various exhibitions at home and abroad. Her work has since been acquired by the Reykjavik Museum for its permanent collection. \n 
URL:https://old.icelandicartcenter.is/exhibition/sequences-x-lucky-3-puti/
LOCATION:OPEN\, Grandagarður 27\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/10/R1-04310-0036-Cropped.jpg
END:VEVENT
END:VCALENDAR