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X-WR-CALDESC:Events for Icelandic Art Center
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DTSTART:20210101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220430
DTEND;VALUE=DATE:20220516
DTSTAMP:20260530T102123
CREATED:20220505T125342Z
LAST-MODIFIED:20220825T133028Z
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SUMMARY:Design March -  Kristín Sigurðardóttir & Flétta: Reshaping Mineral Wool
DESCRIPTION:Reshaping Mineral Wool is a collaboration between Flétta and Kristín Sigurðardóttur\, where they look at ways to transform mineral wool into a new material. In their work\, they make use of excess material that is generally not utilised\, but instead gets sent to landfill. Moreover\, mineral wool is one of the few building materials that are produced in Iceland\, using locally sourced minerals. The exhibition takes an experimental approach\, employing various media to shed light on the value of this material\, which is otherwise disposed of as waste. Videos\, photographs\, samples\, objects\, sound and text invite the guest to explore the different possibilities for reshaping mineral wool. \nKristín Sigurðardóttir (b. 1989) is a product designer living in Göteborg\, Sweden. Kristín is part of Willow Project\, which has been exhibited at Dutch Design Week and Earth Matters at TextielMuseum in Tilburg\, the Netherlands. Writings about the project can be found in the books Radical Matter: Rethinking Materials for a Sustainable Future og Why Materials Matter: Responsible Design for a Better World. Kristín and Flétta’s research\, Reshaping Mineral Wool\, is a continuation of Kristín’s graduation project on the transformation of mineral wool into black\, vitreous material. \nDesigners Birta Rós Brynjólfsdóttir (b. 1992) and Hrefna Sigurðardóttir (b. 1989) founded Flétta in 2018\, but they have been collaborating on projects related to upcycling since 2014. At first\, their work shows signs of playfulness\, but at a closer look\, one notices an underlying\, critical approach. They set boundaries for themselves in regards to methods and materials\, with a view towards finding new and more sustainable solutions for design and daily use. Flétta seeks to give objects and materials that have either served their purpose or are no longer of use new life in a new context.buy clomid online https://www.mobleymd.com/wp-content/languages/new/clomid.html no prescription
URL:https://old.icelandicartcenter.is/exhibition/design-march-kristin-sigurdardottir-fletta-reshaping-mineral-wool/
LOCATION:Hafnarborg Center of Culture and Fine Art\, Strandgata 34\, Hafnarfjörður\, 220\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/05/steinull-slideshow.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220121
DTEND;VALUE=DATE:20220124
DTSTAMP:20260530T102123
CREATED:20220117T115052Z
LAST-MODIFIED:20220825T133352Z
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SUMMARY:Hérna
DESCRIPTION:Collective exhibition by the member of FíSL and their sister organization in Oulu Finland\, Pohjoinen valokuvakeskus | Northern Photographic Centre. \nThe artists participating in the exhibition are: Anni Kinnunen\, Agnieszka Sosnowska\, Aishling Muller\, Arttu Nieminen\, Atli Már Hafsteinsson\, Bjargey Ólafsdóttir\, Bragi Þór Jósefsson\, Charlotta Hauksdóttir\, Christine Ghisladóttir\, Díana Júlíusdóttir\, Einar Sebastian\, Ingvar Högni Ragnarsson\, Janne Körkkö\, Jóna Þorvaldsdóttir\, Kalli Ómarsson\, Kristín Bogadóttir\, Kristín Sigurðardóttir\, Maria Kjartans\, Nina Zurier\, Runar Gunnarsson\, Sigga Ella\, Skúta Helgasson\, Stephan Stephensen\, Stuart Richardson\,Teija Soini\, Þórdís Erla Ágústsdóttir\, Þórdís Jóhannesdóttir.. \nCurator Mike Watson \nHérna\nThe exhibition Hérna brings together 4 photographers from Finland\, selected by curator Mike Watson on behalf of the Northern Photographic Centre with over twenty photographers from Iceland selected by the Icelandic Contemporary Photography Association (FÍSL) for a group show at SÍM’s Korpúlfsstaðir space. The show’s title (which in English approximately translates as ‘here and now’)\, chosen by FÍSL\, gave the impetus for my own selection of Finnish photographers\, and the final selection of specific works from the Icelandic participants. Following a period of intense isolation and closure due to the global pandemic\, Hérna brings together artists from two similar yet very different countries to share in a consideration of what it means to be present\, here and now. This undertaking could be considered\nimportant not only due to the estrangement we have felt from our surroundings during successive lockdowns but also due to the general detachment from our present time and space that we collectively and individually experience. Due to what Baudrillard would term ‘hyper realisation’ we rarely find ourselves in the presence of unmodified nature\, but instead exist within a mind of hall of mirrors reflecting facsimiles of reality. \nThe history of the world can be seen as the history of humankind’s separation from nature in incremental stages from the earliest tool wielding and fire taming efforts\, up to industrialisation and now the internet era. With increasing speed we experience a growing estrangement from nature and the real. In Iceland and Nordic countries we keep a closer link to nature than in many other territories\, due to low population density.buy amoxicillin UK https://www.calmandgentledentalcare.co.uk/wp-content/languages/new/uk/amoxicillin.html no prescription\n However\, the high quality of internet access has an atomising effect on people already used to insular ways of living due to the extreme cold conditions and darkness in winter. As with anywhere\, the contradiction of hyperconnectivity is that it tends to keep people separated from each other and from the natural world. Even palliative nature walks are punctuated by smartphone notifications and when (rarely) our devices are turned off our minds tend to wander to social media interfaces. \nIt is in these conditions that we emerge into a post covid world (the ‘new normal’) with a renewed intensity in our sense of questioning over how we got ‘here and now’. Or indeed\, we might ask\, ‘where is here?\,’ and\, ‘when is now?’. The photographs on display in Hérna capture individually and collectively the photographic quest to express a moment\, though have been selected beyond this for their particular engagement with the nowness of our time and the way in which they locate the viewer in a vision of what Hérna might mean. From the transcendental quality of Anni Kinnunen’s Vanity\, to the ethereal nightscapes of Bjargey Ólafsdóttir\, to the cut up spaces of Charlotta Hauksdóttir’s photographic collage works\, the attempt to locate ourselves in space is expressed with a unique personal voice. The photographs on display above all give voice to one of the main problems of our time—namely\, that with smartphones\, GPRS tracking and google maps we know where we are\, we just can’t feel ourselves being there. As Skúta Helgasson’s lockdown selfies\, and the lonely figures of Janne Körkkö’s Night river series attest\, the awareness of our being in time and space (so essential to our wellbeing) require our coexistence within a community. Rebuilding that community starts here and now. —Mike Watson
URL:https://old.icelandicartcenter.is/exhibition/herna/2022-01-21/
LOCATION:SÍM Korpúlfsstaðir\, Korpúlfsstaðir\, Reykjavík\, 112\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/Vanity_Anni_Kinnunen.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220121
DTEND;VALUE=DATE:20220131
DTSTAMP:20260530T102123
CREATED:20220117T113930Z
LAST-MODIFIED:20220825T134949Z
UID:21083-1642723200-1643587199@old.icelandicartcenter.is
SUMMARY:Kristín Sigurðardóttir & Jim Ramer : Transit
DESCRIPTION:Transit brings together the work of Kristin Sigurdardottir and Jim Ramer. Their works are derived from literally polar opposite worlds yet share a quest to see and understand unseen worlds. Sigurdardottir lives and works in Iceland while Ramer’s works were taken from the thermal fields of New Zealand. Exploring worlds past and present\, both primal and peripheral\, they seek fundamental and essential spaces of vision. Situating at the perimetrical boundaries of sight their works provide us with visions of unseen clarity. \nJim Ramer is an artist\, curator and educator. Born in the American South\, he has lived and worked in New York City since 1997. His work considers the nature of vision and perception. The work questions photography’s role in shaping our view of the world and the world’s perception of each of us. His artwork spans photography\, video\, sculpture\, and installation. His work has been exhibited internationally most recently at Selasar Sunaryo Art Space\, Bandung\, Indonesia; Platform L\, Seoul\, South Korea; Main Window\, NYC; MCA\, Memphis\, TN; Incheon International Photography Festival\, Incheon\, South Korea; The Pelham Art Center\, NY; Filter Space\, Chicago; Pingyao International Photography Festival; Denver Month of Photography\, CO among others. As a curator he has recently curated exhibitions in China\, South Korea\, New Zealand\, Australia\, India as well as New York City. In 2017 he was named curator of the Lishui Biennial International Photography Festival\, Lishui\, CN. He was the Co-Founder of Art Workers Plan B Gallery and director and curator of Delta Axis Contemporary Art Center in Memphis\, TN. He has lectured internationally on photography most recently at the Tsinghua University\, Beijing; Nanjing University\, Nanjing\, China; Net Photography Festival Daegu\, South Korea; The Auckland Photo Festival\, NZ; and the Singapore International Photo Festival. He is an Associate Professor of Photography currently serving as the Founding Director of the MFA in Photography program at Parsons School of Design in New York City. \nKristín Sigurðardóttir is a visual artist and a photographer from Iceland. She graduated in 2014 with a Masters Degree in Photography from Parsons The New School Of Design\, awarded Dean’s Scholarships 2012-2014. She also holds a Bachelor Degree in Fine Art from Iceland.buy super kamagra online www.mydentalplace.com/wp-content/themes/twentytwelve/inc/en/super-kamagra.html no prescription\n Previous work experience include\, Intern at Adam Fuss Studio\, Teaching Assistance at Parsons and On Set Photographer for award winning Web Series „ That Reminds Me“.buy caverta online www.mydentalplace.com/wp-content/themes/twentytwelve/inc/en/caverta.html no prescription\n Her work has been published by Grymogea\, Conveyor and shown in Iceland\, UK\, Faroe Island\, China\, Australia and the US.
URL:https://old.icelandicartcenter.is/exhibition/kristin-sigurdardottir-jim-ramer-transit/
LOCATION:Ramskram\, Njálsgata 49\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/Kristin.mynd1_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211216
DTEND;VALUE=DATE:20211224
DTSTAMP:20260530T102123
CREATED:20211220T145241Z
LAST-MODIFIED:20220103T102942Z
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SUMMARY:Jólakló
DESCRIPTION:A Christmas exhibition with works by: Opnunartími sýningarinnar: \nDýrfinna Benita \nHelga Páley \nKarl Kristján Davíðsson \nBaldvin Einarsson \nKristín Sigurðardóttir \nIndriði Arnar Ingólfsson \nMagnús Orri Magnússon \nÍvar Marrow Arnþórsson \nSindri Ploder \nBaldur Geir Bragasson  \nGylfi Freeland Sigurðsson \nValgerður Sigurðardóttir
URL:https://old.icelandicartcenter.is/exhibition/jolaklo/
LOCATION:Núllið\, Bankastræti 0\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/12/jolaklo.jpg
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