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X-WR-CALNAME:Icelandic Art Center
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X-WR-CALDESC:Events for Icelandic Art Center
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DTSTART:20210101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220902
DTEND;VALUE=DATE:20221009
DTSTAMP:20260530T105434
CREATED:20220901T144917Z
LAST-MODIFIED:20221013T150639Z
UID:25566-1662076800-1665273599@old.icelandicartcenter.is
SUMMARY:Halldóra Emilsdóttir & Kristín Gunnlaugsdóttir: Portrett129
DESCRIPTION:doubletrouble: Halldóra Emilsdóttir & Kristín Gunnlaugsdóttir.
URL:https://old.icelandicartcenter.is/exhibition/halldora-emilsdottir-kristin-gunnlaugsdottir-portrett129/
LOCATION:Listval\, Hverfisgata 4\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/09/Portrett129-.jpeg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220609
DTEND;VALUE=DATE:20220919
DTSTAMP:20260530T105434
CREATED:20220609T152855Z
LAST-MODIFIED:20220926T125725Z
UID:23673-1654732800-1663545599@old.icelandicartcenter.is
SUMMARY:Stitches and Threads
DESCRIPTION:Stitches and Threads is an exhibition of works by contemporary Icelandic artists who embroider or make use of the needle and thread as a tool in their art. They either look to the past to work with the heritage of the craftsmanship and its tradition\, or employ the needle as a tool in progressive experiments with other media. The exhibition includes new and recent works by a varied group of artists\, both representatives of the younger generation\, and artists who have made their mark on the Icelandic art scene. What they all share is that they have lovingly taken to the needle as an important tool in their artistic practices. The works reflect a vast range of subject matter\, as they confront social issues alongside the poetic of everyday life and tenderness of nostalgia. \nThe sewing needle has long been a popular tool for art creation and decoration. Mainly by the hands of women who have sought to maintain traditional craft\, along with the urge to develop new and creative ways to work with needle and thread. Embroidery\, alongside carving\, were by far the most common media for artists in Iceland during the 20th Century. Temporarily set aside for other techniques\, it was renewed as part of the feminist revolution of the eighties and in the development of feminist art. Today we see even more diverse signs of the return to embroidery within the field of art\, not only in Iceland\, but internationally in contemporary art. \nWhat sparks this increased interest and visibility? What motivates contemporary artists to take to the needle in making their work? \nThis exhibition takes viewers on a journey through this specific sub-discipline of textile art\, where diversity and creative joy are prominent. The exhibition reflects the growing interest in handcrafts\, in recent years it having become more common for artists around the world to use this traditional method to create diverse and exciting works of art. \nExhibiting artists include Agnes Ársælsdóttir\, Anna Líndal\, Anna Andrea Winther\, Eirún Sigurðardóttir\, Erla Þórarinsdóttir\, Guðný Rósa Ingimarsdóttir\, Guðrún Bergsdóttir\, G.Erla – Guðrún Erla Geirsdóttir\, James Merry\, Kristinn G. Harðarson\, Kristín Gunnlaugsdóttir\, Loji Höskuldsson\, Petra Hjartardóttir and Rósa Sigrún Jónsdóttir. \nThe exhibition is a part of Reykjavík Arts Festival. \nCurators: Birkir Karlsson\, Ingunn Fjóla Ingþórsdóttir
URL:https://old.icelandicartcenter.is/exhibition/stitches-and-threads-2/
LOCATION:Reykjavík Art Museum – Kjarvalsstaðir\, Flókagata 24\,\, Reykjavík\, Iceland
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220122
DTEND;VALUE=DATE:20220220
DTSTAMP:20260530T105434
CREATED:20220126T100602Z
LAST-MODIFIED:20220126T100602Z
UID:21247-1642809600-1645315199@old.icelandicartcenter.is
SUMMARY:Kristín Gunnlaugsdóttir: SvartaLjós
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/kristin-gunnlaugsdottir-svartaljos/
LOCATION:Y Gallery\, Hambraborg 12\, Kópavogur\, 200\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/blacklight.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210605
DTEND;VALUE=DATE:20211101
DTSTAMP:20260530T105434
CREATED:20210831T123444Z
LAST-MODIFIED:20211101T102818Z
UID:18864-1622851200-1635724799@old.icelandicartcenter.is
SUMMARY:Turbulence
DESCRIPTION:The Icelandic Love Corporation\, Katrín Elvarsdóttir\, Kristín Gunnlaugsdóttir\, Sara Björnsdóttir & Elísabet Jökulsdóttir \nAqua Maria 2018 – The Icelandic Love Corporation.  \nAqua Maria features a soprano singing inside a space that resembles a steam bath but as the scene progresses\, the space becomes more ambiguous. During her singing drops of water condense in her hair and face\, becoming heavier until they stream down her face. \nThe video is based on the symbolic figure of Aqua Maria who rises from the ocean to serve as an inspiration for the current transformation women are experiencing in our time\, influenced by the worldwide spirit of revolt and struggle against injustice and violence\, as it is manifested in #metoo\, Women’s March\, Black Lives Matter\, Slut Walks and Free the Nipple campaigns that are organised through the world wide web.  \nThe water in Aqua Maria responds to burning ecological issues and global warming. We only have one earth and one body\, both consisting of 70% water. Aqua Maria is in all of us\, the water in all of us and the revolution in all of us\, her name Maria indicating rebellion in Hebrew and mar\, sea\, in Icelandic. \nAqua Maria relates to the strong undercurrents of our times: from nature to feminism\, from art to ecology. It represents the human trust in intuition in light of new technologies and the stream of the digital ocean.  \nJóní Jónsdóttir and Eirún Sigurðardóttir are the current members of the art collective The Icelandic Love Corporation (ILC) an art group established in 1996 by Jóní\, Eirún and Sigrún Hrólfsdóttir. Sigrún was a member from 1996-2016 and Dóra Ísleifsdóttir was a member from 1996-2001. \nJóní and Eirún graduated from The Icelandic College of Arts and Crafts in 1996. Jóní studied at The Royal Danish Academy of Fine Arts 1997-1999 and graduated with MA.Ed. in Art Education from Iceland Academy of the Arts in 2011. Eirún studied at Berlin University of the Arts 1996-1998 and graduated in 2014 from the University of Iceland with a postgraduate Diploma in Applied Gender Studies. \nThe Icelandic Love Corporation has actively and successfully worked in the field of visual art\, both at home and abroad\, using nearly all possible media—including performance\, video\, photography\, and installation—the ILC confronts the seriousness of the world with works that blend playfulness\, humor and spectacle with refreshing genuineness and subtle social critique that often incorporates ideas of traditional femininity\, with feministic approach. \nILC´s interdisciplinary art led them to collaborate with Björk for her Volta album in 2007 and a wide range of other collaborations e.g. GusGus\, Ensamble Adapter and Ragnar Kjartansson. \nTheir works have been exhibited internationally\, e.g. at ARoS Kunstmuseum Denmark\, Moma Museum of Modern Art New York\, The Schirn Kunsthalle\, Frankfurt Germany\, Kunsthalle Wien Vienna\, Amos Anderson Art Museum Helsinki and Lilith Performance Studio Sweden. \nILC was shortlisted for Icelandic Pavilion for the Venice Biennale 2017 and nominated the Art group of Reykjavík by Reykjavík City’s Department of Culture and Tourism in 2018. \nwww.ilc.is  \n— \nSewn drawings – Kristín Gunnlaugsdóttir \nSewn drawings is what I call the sewn works\, which I base on sketches or quick drawings. \nGenerally they depict women and spontaneous lines\, and sometimes scribbles created in the movement of drawing. \nI draw them fast and without deliberation\, and I wanted to enlarge them while retaining the power and lightness that resides in them. Sewing was the solution\, and then the colour of the yarn is added – it becomes like painting with the wool. \nThe text works are reiterated sentences in personal handwriting. The sentences lie in everyday life\, and relate to the imagery of the drawings; with constant repetition the meaning of the words is changed\, growing weightier and more expansive. \nKristín Gunnlaugsdóttir was born in Akureyri in 1963. She studied 1984-87 at the Icelandic College of Arts and Crafts (forerunner of the Iceland University of the Arts)\, learned icon-painting in a convent in Rome\, Italy\, 1987-88\, and studied at the Accademia di belle Arti\, Florence\, 1988-94. Kristín has worked exclusively on her art\, held many solo exhibitions and taken part in group shows in Iceland and abroad. Works by Kristín are in Iceland’s leading public art collections\, as well as in corporate and private collections. Kristín has taught at the Iceland University of the Arts and the Reykjavík School of Visual Arts since 2016. Kristín has received various awards for her art\, and in 2018 she was awarded the Icelandic Order of the Falcon for her contribution to visual art. \nKristín’s works are made in range of media\, while building on the classical painting tradition. She works with drawing\, painting on paper and canvas\, egg tempera on wood with gold leaf\, and sewn works on canvas. \nKristín’s conceptual approach is concerned with the existential questions faced by human beings\, not least from the perspective of women and their status in the present time. In the early years of her career\, Kristín’s art had an aura of religious\, iconic art\, depicting for instance the relationship between humanity and nature\, or mother and child. Around 2011 her art changed with the advent of large sewn tapestries\, whose imagery was fierce and forthright vis-à-vis gender roles\, the female body and repression. \nWhile she has addressed taboos and the woman as a sexual being\, a lyrical simplicity and humour are also to be found in Kristín’s work\, not least in recent years. \nIn her works she does not hesitate to explore new territory and to make changes within her imagery\, often in order to juxtapose opposites. \nIn the sewn works displayed here\, Kristín makes use of drawings and sketches\, in which her ideas are permitted to evolve freely. The drawing is then developed in sewing\, and enlarged in order to give its power and lightness free rein. By repeating everyday sentences\, the meaning of the words is changed\, growing weightier and more expansive. \nhttp://kristing.is \n— \nBetween the Lines / Milli línanna. Collage and text works 2011-20 – Sara Björnsdóttir \n“In recent years I have been working on text-collage works. The works have the title Between the Lines\, which is a line or phrase from one of the works and also alludes to the fact that\, while this is my work\, the words have been cut from someone else’s context\, that lies between the lines.” \n“The text is often like a little story\, poem\, or a reflection. It can be acerbic\, lyrical\, satirical\, humorous or surreal. It often addresses art\, and being an artist and a person. Sometimes I’m referring to people I have met along the way – friends and relatives..” \nSara Björnsdóttir was born in Reykjavík in 1962. She studied 1991-95 at the Icelandic College of Art and Crafts and 1996-97 at the Chelsea College of Art & Design in London for her MA in Fine Art. \nSince her graduation Sara has had a high profile on the Icelandic art scene\, and works diligently at her art. She has shown her work in numerous solo and group exhibitions\, including Iceland’s leading art venues. Works by her are in the collections of the National Gallery of Iceland and the Reykjavík Art Museum. In 2001 Sara received an award from the Dungal Memorial Fund\, and in 2002 from the Guðmunda Andrésdóttir Support Fund. In 2010 she won an Alternative Routes prize for a video work presented at the 700IS Reindeerland Festival. From 2000 to 2015 she was a visiting teacher at the Reykjavík School of Visual Arts and the Iceland University of the Arts. Sara was a board member and treasurer of the Association of Reykjavík Sculptors 2010-11. She has also served on allocation committees for the Visual Arts Fund\, the Icelandic Art Centre and the Muggur fund. She was one of the founders of Kling & Bang Gallery\, one of Iceland’s most dynamic galleries today. \nWhen living in London 2015-19\, Sara founded the Art Society – a project consisting of two international exhibitions of the work of 20 artists\, both held in London. In addition to launching the project\, Sara was the organiser and curator of both exhibitions\, and one of the participating artists. \n— \nEquivocal – Katrín Elvarsdóttir \nWe are inside looking out. We are outside looking in. A woman in a red coat\, a mobile home after midnight\, yellow curtains – these are all clues in a fragmented narrative that raises questions rather than provides answers. In the photography series Equivocal we witness enigmatic events that we inadvertently have taken part in. Like uninvited guests in a scenario that refuses to reveal whether it is fact or fiction. The fragments combine in multiple ways and force upon us incomplete story lines of an ambiguous nature. Whether we like it or not. \nKatrín Elvarsdóttir (b. 1964) studied fine arts and photography in the US. Her photographic works tell fragmented narratives of an ambiguous nature\, often playing on the idea of socially collective memory-making. They often serve as a placeholder for enigmatic events that the viewer inadvertently becomes a part of\, a story half-realized\, half-imagined. Her work might best be described as suggestive\, choosing to reside in the realm of an unscripted\, imagined timelessness\, often utilizing cinematic methods\, as well as soft focus and chiaroscuro. \nShe continues to forego the photographic medium’s conventional documentation usage\, rather focusing on the research of the medium itself and its innate possibilities towards contemporary image-making and aesthetical expression. \nHer work has been exhibited worldwide\, in institutions such as The Reykjavík Art Museum and the National Gallery of Iceland\, Forum Box in Helsinki\, The Museum of Photography in Seoul\, Martin Asbæk Gallery\, Copenhagen and Frankfurter Kunstverein in Frankfurt. She has been awarded and nominated for numerous prestigious awards\, such as the EIKON Award\, The Deutsche Börse Photographic Prize and the Ridgefield Guild of Artists Award\, as well as serving as a co-director of the Icelandic Photography Festival. \nkatrinelvarsdottir.com \n— \nElísabet Jökulsdóttir is an author born in Reykjavík on 16 April 1958. Her first book of poems came out in 1989. She has written many short stories\, novels\, and plays. In 2016 Elísabet ran for President of Iceland. Earlier this year she won the Icelandic Literary Prize. \nelisabetjokulsdottir.is \nBeloved Earth \nNow I know \nwhat was so  \nsad. \nTo be. \nSo I went \nbut I’m back. \nTo stay. \nAnd then I hear a sound \nand hear that it must be \nmy voice \nwhich has been sleeping in my body.  \nIt comes from my bones\, \nmuscles\, nerves and viscera\, \na voice from primeval darkness\, \na voice from potential light.  \nThink. A voice. \nIt comes from the cells\, \nfrom every single cell\, \nwhispering\,  \npotent\, \nsaying \nI am.  \nWill you keep silence. \nSilence. \nAnd break it. \nPoetry by Elísabet Jökuldsdóttir / translated by Anna Yates
URL:https://old.icelandicartcenter.is/exhibition/turbulence/
LOCATION:LÁ Art Museum\, Austurmörk 21\, Hveragerði\, 810\, Iceland
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