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X-WR-CALDESC:Events for Icelandic Art Center
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DTSTART:20210101T000000
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DTSTART;VALUE=DATE:20230603
DTEND;VALUE=DATE:20230618
DTSTAMP:20260530T082339
CREATED:20230602T160511Z
LAST-MODIFIED:20230602T160511Z
UID:31496-1685750400-1687046399@old.icelandicartcenter.is
SUMMARY:Ásta Fanney: Manneskjurnar vonandi
DESCRIPTION:Á sýningunni vinnur Ásta með ýmiss konar goðafræði\, lífsspeki\, ævintýri\, trú\, helgisiði og birtingarmynd þeirra í hlutum\, minjagripum\, heillagripum\, verndargripum o.fl. Til hliðsjónar er notkun á yfirnáttúrulega hlöðnum hlutum og andlegu gildi þeirra frá fornum tímum og til dagsins í dag.\n*\nFyrir löngu var ekkert tákn fyrir ekkert. Síðan komu tákn sem gáfu til kynna að það vantaði eitthvað. Og að lokum komu fram hugmyndir um að ekkert sé eitthvað.\nHvernig lítur lukka út í lófanum? Hvernig lítur von út í vasa? Það er ekki hvað þú horfir á\, heldur hvernig. Opinn faðmur er ekki allslaus heldur fullur af möguleikum
URL:https://old.icelandicartcenter.is/exhibition/asta-fanney-manneskjurnar-vonandi/
LOCATION:Y Gallery\, Hambraborg 12\, Kópavogur\, 200\, Iceland
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230127
DTEND;VALUE=DATE:20230130
DTSTAMP:20260530T082339
CREATED:20230124T145226Z
LAST-MODIFIED:20230124T145249Z
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SUMMARY:Long Weekend #3
DESCRIPTION:The exhibition Long weekend #3 which opens in Midgard Base Camp in Hvolsvöllur on Friday January 27th at 5 pm.\nLong weekend #3 is the third part of an exhibition project\, which first took place in 2021 in Oddson hostel\, an abandoned facility in Reykjavík. The second part took place in 2022 at Hótel Hafnarfjall in Borgarnes.\nThe project\, Long weekend\, is an experiment in making visible some aspects of latent undercurrents in our times and takes on themes such as insistent elements in our surroundings which affect us everyday. The works in Long weekend #3 are an endeavour to capture the multiple sensibilities as well as the various susceptibilities during times of rapid change where time and space have acquired another meaning.\nThe exhibition lingers on the border of a certain distance and a peculiar intimacy while aiming to unravel symptoms and qualities in the zeitgeist. The artists approach the facility like an archaeological site\, a place that contains phenomenal contemporary evidences. The works seeks to stimulate and activate inner locations and communicate with the viewers through installations\, ongoing processes\, sound\, projections and participatory works.\n\nParticipants of Long weekend #3 are Ásta Fanney Sigurðardóttir\, Eygló Harðardóttir\, Freyja Eilíf\, Friðgeir Einarsson\, Gígja Jónsdóttir\, Haraldur Jónsson\, Logi Bjarnason\, Logi Leó Gunnarsson\, Margrét Helga Sesseljudóttir\, Serge Comte\, Sólbjört Vera Ómarsdóttir\, Sigrún Hlín Sigurðardóttir\, Stefán Hermannsson\, Una Margrét Árnadóttir og Örn Alexander Ámundason.
URL:https://old.icelandicartcenter.is/exhibition/long-weekend-3/
LOCATION:Midgard Base Camp\, Dufþaksbraut 14\, Hvolsvöllur\, 860\, Iceland
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20211016
DTEND;VALUE=DATE:20211122
DTSTAMP:20260530T082339
CREATED:20211014T122127Z
LAST-MODIFIED:20211122T142503Z
UID:19651-1634342400-1637539199@old.icelandicartcenter.is
SUMMARY:SEQUENCES X - / CREATION / DESTRUCTION /
DESCRIPTION:/ CREATION / DESTRUCTION / is the title for the exhibition of Sequences X which takes place at The Living Art Museum and Kling & Bang at The Marshall House. The title seeks inspiration in the lecture of artist Sigurður Guðmundsson\, TIME\, from 1969\, and can be found in the festival’s catalogue: \nThe phenomenon of time is important in all art. Art is a very suitable means of travelling in time and space. The first paths to a new time usually run through works of art. \nWe perceive new art and in this way see a new world which is not a dream but reality. We forsake the old world\, apart from a few things which are called cultural baggage or preserved works of art. From these we can always see where we have been. \nTime destroys all things\, but what perhaps stays the longest are the traces of the human spirit\, the evidence of truth: art. \nSigurdur Gudmundsson\nNovember 1969\nLecture Norræna Húsið\, Reykjavik \nArtists at Kling & Bang: \nAndreas Brunner (b. 1988) was born in Zurich\, Switzerland and is currently living in Reykjavík. His artistic practice is not particularly bound to a certain medium\, but rather a consistent revising of concepts that can manifest in various forms. These concepts often refer to cultural development\, creation of meaning\, as well as perceptual concepts of time\, space and materiality. With this in mind\, his work has continuity in concept rather than appearance. The disconnection of metaphoric meaning and the creation of reason through dynamic conjunction rather than repetitive connections can be seen as an overall motive in artistic practice. \nÁsta Fanney Sigurðardóttir (b. 1987) is an artist and poet. Among other things\, she works with notes\, sounds and words in her works\, as well as performances. Her work often revolves around the unexpected and ridiculous\, erasing the borders between different media. In 2018\, she displayed her performance Lunar-10.13 & Gáta Nórensu at the Reykjavík Arts Festival\, where poetry\, music\, installations and performances merged into one. Her works include a cod opera\, humming choir piece\, sound poetry choir piece and a vowel composition. Her latest book is called Gluggi – draumskrá (Window – Dream Register) and contains a list of dreams. Ásta has performed her compositions\, poetry and performances at various festivals and exhibitions in Iceland and abroad. She received the Kópavogur poetry prize in 2017 and was nominated for Bernard Heidsieck literary prize\, Pompidou in 2021. \nHailing from the peripheries of Iceland\, Bergrún Snæbjörnsdóttir (b. 1987) follows inner logics when approaching composition\, often integrating sound and other phenomena into an indivisible whole. Her “elemental style” (Steve Smith\, The New Yorker) has been commissioned and performed widely and by renowned groups such as the Oslo Philharmonic (NO)\, Iceland Symphony Orchestra (IS)\, International Contemporary Ensemble ICE (US)\, Decibel (AUS)\, Avanti! Chamber Orchestra (FI) and Nordic Affect (IS)\, while featured in major festivals and events such as Tectonics (Glasgow\, Reykjavík\, Athens\, Oslo)\, Nordic Music Days (London\, Bodø\, Reykjavík)\, Lincoln Center’s Mostly Mozart (New York)\, Only Connect (Oslo)\, Classical:NEXT (Rotterdam)\, SPOR (Aarhus)\, Cycle (Kópavogur)\, Ultima (Oslo)\, Dark Music Days (Reykjavík)\, Sigur Rós’s Norður og Niður (Reykjavík)\, KLANG (Copenhagen)\, ISCM’s World New Music Days (Beijing)\, Sound of Stockholm\, Prototype (New York) and more. Bergrún holds a master’s degree in composition from Mills College where she studied with the likes of Pauline Oliveros\, Fred Frith\, Zeena Parkins\, and Roscoe Mitchell. \nNýlókórinn – The Icelandic Sound Poetry Choir var established 2003 to perform sound poetries. The choir performs twice to three times a year and has performed diverse works by Icelandic and foreign artist\, like Magnús Pálsson\, Philip Corner\, Eric Andersen\, Hörð Bragason\, Kristin G. Harðarson\, Rúrí\, Hörpu Björnsdóttur\, Ástu Ólafsdóttur\, Eiríksínu Ásgrímsdóttur\, Áka Ásgeirsson\, Magneu Ásmundsdóttur\, Þorkel Atlason\, Rod Summers\, Níels Hafstein\, Guðmund Haraldsson and Magnús Jensson.
URL:https://old.icelandicartcenter.is/exhibition/sequences-x-creation-destruction/
LOCATION:Kling & Bang\, The Marshall House\, Grandagarður 20\, Reykjavík\, 101\, Iceland
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