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X-WR-CALDESC:Events for Icelandic Art Center
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DTSTART:20210101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230401
DTEND;VALUE=DATE:20230428
DTSTAMP:20260530T052150
CREATED:20230330T145109Z
LAST-MODIFIED:20230426T133912Z
UID:30286-1680307200-1682639999@old.icelandicartcenter.is
SUMMARY:Emma Heiðarsdóttir: Light Switch
DESCRIPTION:In her work\, Emma Heiðarsdóttir (b. 1990) deals with the shifting boundaries between sculpture and architecture\, art and life. Her works are often based on interventions into the spaces or surroundings where they are exhibited and tend to challenge our habitual view of the environment. Her exhibition Light Switch shows an effort to examine space from its limiting and objective qualities\, which form a framework for physical and subjective experience. Viewers activate certain works with their bodies and limits in space may induce ideas of other limits.\nEmma studied at the Iceland Academy of the Arts in 2010-13 and completed her MFA from the Royal Academy of Fine Arts\, Antwerp\, in 2018. In 2020 she was nominated for the Icelandic Art Prize – Motivational Award\, for her solo exhibition Margin\, in the D-gallery at Reykjavík Art Museum. Additionally her works have been exhibited at i8 Gallery\, Gallery Úthverfa\, Kling & Bang\, Kópavogur Art Museum\, Kunsthall Oslo and Einstein Kultur Munich among other places.
URL:https://old.icelandicartcenter.is/exhibition/emma-heidarsdottir-ljosrofi/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
CATEGORIES:Exhibitions,Galleries
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2023/03/emma.jpeg
ORGANIZER;CN="%C3%81smundarsalur":MAILTO:asmundarsalur@asmundarsalur.is
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230225
DTEND;VALUE=DATE:20230327
DTSTAMP:20260530T052150
CREATED:20230227T145958Z
LAST-MODIFIED:20230227T145958Z
UID:29599-1677283200-1679875199@old.icelandicartcenter.is
SUMMARY:Ólöf Nordal: Blird
DESCRIPTION:Ólöf Nordal’s exhibition\, Blirds\, in Ásmundarsalur is an installation with sculptures\, text and sound. Ólöf Nordal has for long worked with bird images in her work which are often rooted in folklore\, image building and contemporary culture. Blirds are bronze casts that portray figures in transformation. Their transition suggests morphing from human form to bird form\, from the earthly to the spiritual. The Blirds belong to the world of the grotesque and the uncanny\, but also refer to migrating birds who fly over the sea in the shape of a bird as well as in human form. The work is in dialogue with Nordal´s latest work Human Birds (2022)\, located in the garden of Móberg nursing home in Selfoss. \nIn her work Ólöf Nordal deals with Icelandic history and the collective memory of a nation in a critical and analytical way. Her artistic research has been focused on the self-identity of a nation in postcolonial times\, the origin and the reflection of national motifs in the present\, and the fragment as a mirror into the past. \nÓlöf Nordal studied at Iceland School of Art and Craft\, with further education in the USA at Cranbrook Academy of Art and at the sculpture department of Yale University. Nordal has a long carrier in the arts and has exhibited widely\, both nationally and internationally. In 2019\, Reykjavík Art Museum hosted a retrospective of Nordal’s artistic career with the exhibitions Úngl in Kjarvalsstaðir and úngl-úngl in Ásmundarsafn. At the same time\, the museum published a book on her work. Ólöf Nordal has made a number of works in public spaces. Her latest works are the environmental project Þúfa (2013) located by the harbor in Reykjavík\, Hella Rock (2020) in Portland\, Main\, Eye (2021) in Hamrahlid College and HumanBirds (2022) for the nursing home Móberg in Selfoss. Ólöf Nordal is a professor of Fine Art at Iceland University of the Arts. \nsee more at https://olofnordal.com/
URL:https://old.icelandicartcenter.is/exhibition/olof-nordal-blird/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
CATEGORIES:Exhibitions,Galleries
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2023/02/olof-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230114
DTEND;VALUE=DATE:20230206
DTSTAMP:20260530T052150
CREATED:20230113T112438Z
LAST-MODIFIED:20230113T112438Z
UID:28709-1673654400-1675641599@old.icelandicartcenter.is
SUMMARY:Inversa
DESCRIPTION:Sigga Björg Sigurðardóttir and Mikael Lind
URL:https://old.icelandicartcenter.is/exhibition/inversa/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2023/01/324235094_2258696494312329_2740657717962066087_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230114
DTEND;VALUE=DATE:20230213
DTSTAMP:20260530T052150
CREATED:20230113T111749Z
LAST-MODIFIED:20230113T111749Z
UID:28699-1673654400-1676246399@old.icelandicartcenter.is
SUMMARY:Delayed at Triste
DESCRIPTION:Gunnar Jónsson and Sigurður Ámundason
URL:https://old.icelandicartcenter.is/exhibition/delayed-at-triste/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2023/01/323095316_2464318797053627_7311552608013746411_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221203
DTEND;VALUE=DATE:20221224
DTSTAMP:20260530T052150
CREATED:20221205T115531Z
LAST-MODIFIED:20221205T115531Z
UID:28004-1670025600-1671839999@old.icelandicartcenter.is
SUMMARY:Jólasýning Ásmundarsals
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/jolasyning-asmundarsals/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2022/12/jolasyningin2022tabloid.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221110
DTEND;VALUE=DATE:20221121
DTSTAMP:20260530T052150
CREATED:20221110T101021Z
LAST-MODIFIED:20221125T144623Z
UID:27425-1668038400-1668988799@old.icelandicartcenter.is
SUMMARY:Jón Helgi Hólmgeirsson: Og svo kemur sólin
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/jon-helgi-holmgeirsson-og-svo-kemur-solin/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2022/11/Screenshot-2022-11-10-at-10.08.22.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221020
DTEND;VALUE=DATE:20221128
DTSTAMP:20260530T052150
CREATED:20221018T154021Z
LAST-MODIFIED:20221201T151213Z
UID:27001-1666224000-1669593599@old.icelandicartcenter.is
SUMMARY:Linus Lohmann: Pacing
DESCRIPTION:Since 2016 I have been developing a drawing technique using handcrafted mechanical tools and ink to create intricate\, large format dot drawings built up in layers. The work emerges from my fascination with contemporary and obsolete printing techniques\, nature\, limits and phenomena of optical perception. Cloudy and diffused assemblies of dots create pointillistic intuitive landscapes\, disguised or dissolved imagery of the non-existing and the newly invented.
URL:https://old.icelandicartcenter.is/exhibition/linus-lohmann-pacing/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/10/4E259221-6D35-49EA-9B96-755FE5FD4ADB_1_201_a-LinusLohmann.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220924
DTEND;VALUE=DATE:20221024
DTSTAMP:20260530T052150
CREATED:20220928T160431Z
LAST-MODIFIED:20221110T095153Z
UID:26644-1663977600-1666569599@old.icelandicartcenter.is
SUMMARY:ARNGRÍMUR & MATTHÍAS: PANTHÆON
DESCRIPTION:Panthæon is an exhibition by Arngrímur Sigurðsson and Matthías Rúnar Sigurðsson. \nThe exhibition features new oil paintings and sculptures made by the artists in resent months. Although the works are different in appearance and content\, they are interconnected in such a way that in each of them there is an imaginary being\, or a creature. Together\, the works therefore form a Panthæon. Some of the creatures resemble something familiar\, such as a cat or a sloth\, while other are nonsensical scoundrels who have come to life very slowly with a brush or a miller cutter. \nKraftgalli is the music project of Reykjavík based musician Arnljótur Sigurðsson (b. 1987). His music zebra walks through styles ranging from tropical groove rides to hardcore dance music. For this occasion he has made a soundscape from his old 4 track cassette music adventures\, featuring atmospherical explorations in sound and tonality\, with carefully sculpted sounds and textures of synaesthetical qualities.
URL:https://old.icelandicartcenter.is/exhibition/arngrimur-matthias-panthaeon-vaettatal/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/09/skissa1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220820
DTEND;VALUE=DATE:20220926
DTSTAMP:20260530T052150
CREATED:20220817T120839Z
LAST-MODIFIED:20220926T125306Z
UID:24667-1660953600-1664150399@old.icelandicartcenter.is
SUMMARY:Una Margrét Árnadóttir: Sleeping Bags
DESCRIPTION:Connected. Disconnected. Connected. Disconnected.\n\nPairing..\n\nConnected..\n\nConnected. Connected. Connected.\n\nDisconnected.\n\nPairing..\n\nUna Margrét Árnadóttir’s exhibition “Sleeping Bags” opens on Culture Night\, August 20 in Ásmundarsalur.\n\nUna Margrét Árnadóttir (1985) is an artist based in Reykjavik. She has participated in several exhibitions locally and internationally since graduating from Malmö Art Academy in 2013. Alongside her own practice\, Una is one of the founders of the artist-run space Open. \n\nFree admission and everyone welcome!
URL:https://old.icelandicartcenter.is/exhibition/una-margret-arnadottir-sleeping-bags/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/298720962_1765055370502371_734482871543659301_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220716
DTEND;VALUE=DATE:20220815
DTSTAMP:20260530T052150
CREATED:20220808T142819Z
LAST-MODIFIED:20220825T134705Z
UID:24609-1657929600-1660521599@old.icelandicartcenter.is
SUMMARY:Claire Paugam: Essentially Untitled
DESCRIPTION:From one room to an elsewhere\nBlack and empty\nFull of separate matters\nWorlds within a space\nEmerging \n„Photographs are essentially the materiality of a past reality\, though when looking at them\, the realms they invite us into are incredibly present. I see them as doors for us to open\, so that narratives emerge\, creating inner travels within the mind. Photographs are illusions but still\, it is the most natural response to believe in their realness and dive into them. \nDisrupted photographs\, conceived as fluid matter\, escaping from settled expectations\, are on display. They are staged to be passed through\, moved\, observed while their potential meanings are shaping with you.“ \nClaire Paugam is a multidisciplinary French artist (b.1991)\, who lives and works in Reykjavik and a recipient of the Motivational Award 2020 delivered by the Icelandic Art Prize. After graduating from the Master of Fines Arts program of the Iceland University of the Arts in 2016\, Claire has exhibited in Iceland and abroad\, such as the Young Art Biennale in Moscow (2016)\, The Icelandic Photography Festival at Gerðarsafn Art Museum (2018) and had a solo exhibition part of the D-Hall series at the Reykjavik Art Museum (2021). Moreover\, Claire is a board member of the Living Art Museum since 2019.buy acyclovir online www.adentalcare.com/wp-content/themes/medicare/editor-buttons/images/en/acyclovir.html no prescription\n \nThe core of her artistic practice is to raise questions about the matter by confronting a sensitive experience with common systems of rules and representation. Shapelessness\, disorder\, entropy and the feeling of letting go are major themes she explores.buy wellbutrin online www.adentalcare.com/wp-content/themes/medicare/editor-buttons/images/en/wellbutrin.html no prescription\n Each project comes with its own materiality and structure\, which allows her practice to embrace a vast range of materials.
URL:https://old.icelandicartcenter.is/exhibition/claire-paugam-essentially-untitled/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/claire-paugam.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220618
DTEND;VALUE=DATE:20220711
DTSTAMP:20260530T052150
CREATED:20220621T134734Z
LAST-MODIFIED:20220825T134937Z
UID:23814-1655510400-1657497599@old.icelandicartcenter.is
SUMMARY:Julie Lænkholm: We The Mountain
DESCRIPTION:Julie Lænkholm’s practice has its roots in the ideas and the methods centred around collective learning. Exploring techniques and practices which have been passed down orally from generation to generation\, Lænkholm activates a predominantly female-driven history which has been forgotten or otherwise actively ignored. As such\, she brings these narratives directly back into focus and places them within a contemporary discourse.buy singulair online www.mydentalplace.com/wp-content/themes/twentytwelve/inc/en/singulair.html no prescription\n \n„As an artist\, I only want a supporting role in the co-creation of a work. I try to open up a channel from the outside\, down through my head and heart and out through my hands. In that way I can create things that go beyond my own imagination\, and that is much more interesting than overthinking a work.“ \nFor her solo exhibition in Ásmundarsalur she’s working with the poetry of Guðný frá Klömbrum (1804-1836)\, Sit ég og syrgi\, and with it she’s studying how pain and healing is transformed simultaneously. Collective healing and ancestral pain was in the centre of her practice where she studied the delicate relationship and energy found between care and sorrow\, between grieving and healing\, between actions\, reactions and inactions. The works are made with wool from her ancestral town Húsavík where she was introduced to traditional dying techniques and needle felting work that have shaped her practice ever since. \nLænkholm finds the poetry inherent in the material. Her work bring us into a world where things feel as if they are in continual evolution\, reminding us that we all stem from somewhere and we are inter-connected in the works of ourselves and other. What seems long gone remains alive long after it has left\, it continues to develop as we experience\, unravel and interact with the past. We become participants of the linage of work\, where the works activate us whilst we simultaneously activate the linage through collective learning. \nJulie Lænkholm (b. 1985\, Denmark) lives and works in Copenhagen\, Denmark. She is a graduate of Parsons\, The New School of Design in New York.buy levitra professional online www.mydentalplace.com/wp-content/themes/twentytwelve/inc/en/levitra-professional.html no prescription\n She also has been educated as a nurse specialising in cardiac surgery\, which she practiced while completing her art degree. Lænkholm has had recent solo exhibitions at Matsushima Bunko Museum (Matsushima)\, Tranen Space for Contemporary Art (Hellerup)\, Safnahúsinu (Húsavík) and The textile Art Center (New York).
URL:https://old.icelandicartcenter.is/exhibition/julie-laenkholm-we-the-mountain/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/06/juliel-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220521
DTEND;VALUE=DATE:20220711
DTSTAMP:20260530T052150
CREATED:20220525T175220Z
LAST-MODIFIED:20220825T132049Z
UID:23380-1653091200-1657497599@old.icelandicartcenter.is
SUMMARY:Brák Jónsdóttir: Deeper
DESCRIPTION:In Dýpra | Deeper\, Brák explores the commonalities of horticulture and modern sexual aesthetics\, humanity and nature\, pain and pleasure\, in an attempt to approach nature in a way that challenges conventional ideas and its relationship with human culture. The exhibition draws on the artist’s research into how the body interacts with plants and vegetation. Brák plays with common concepts within everyday gardening practice: harnessing nature and controlling growth inside. The exhibition also expands its reaches into the garden: a territory which is both natural and man-made. Inside\, hanging on the walls\, are gardening tools\, or are they toys? It is hard to distinguish\, but perhaps the two are not mutually exclusive. Out in the garden someone has been diligent in the flowerbed\, which looks like it might bear an odd fruit. \nIn the artist’s research earth is given the role of the submissive\, in a game where the gardener caresses it and carefully pushes its boundaries. The game’s arena is determined by the submissive but the rules are set by the master. Passionately\, the artist tries to penetrate deeper\, deeper into the earth. Respect\, intimacy and responsibility are an essential part of this power play which requires care for the subject. The game creates a blushing tension when both players’ boundaries are stretched to their limits. \nThe philosophies behind the fetishistic and sexual cultures Brák refers to in her works are built on strong and meaningful aesthetic values that she lets spread into the well known imagery of gardening\, activating it and invoking said tension. This carnal investigation begets results that challenge conventional ideas of relationships\, humanity and nature\, resulting in the blurring of lines between the boundaries of the body and its environment.buy xenical Canada https://langleyrx.com/xenical.html no prescription\n Dýpra | Deeper exhibits many clues as to what these results might be\, allowing the viewer to fill in the gaps. \nText by: Odda Júlía Snorradóttir \nBrák Jónsdóttir was born in 1996. She graduated with a BA degree from the fine arts department of the Icelandic University of the Arts in 2021. Her works mostly take the forms of video\, bookworks\, sculptures and performances. Lately her focus has been on the relationship between man and nature. In her researches she uses kinks and fetishes as tools to investigate human interaction with natural systems on the bases of domination and submissiveness\, fantasy and feminism.
URL:https://old.icelandicartcenter.is/exhibition/brak-jonsdottir-deeper/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/05/282557971_1706120563062519_6746413123009176471_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220521
DTEND;VALUE=DATE:20220607
DTSTAMP:20260530T052150
CREATED:20220525T174742Z
LAST-MODIFIED:20220609T111722Z
UID:23374-1653091200-1654559999@old.icelandicartcenter.is
SUMMARY:Pamela Angela Mellem himlen og haven
DESCRIPTION:PAMELA ANGELA \nPamela Angela Mellem himlen og haven is the last piece in the wing series where the metaphor becomes reality. An installation based on two separate entities. A sculpture and a musical performance. The sculpture is a playable instrument made out of a car door that gives the music an opportunity to be interpreted after its been paused. The music has a theatrical side to it\, and it a blend of postfolk\, noise og institutional music autotune til fragmentet song with heartbreak melodies. \nThe car door’s journey from a skrotplads in Denmark to a car graveyard in iceland\, with a stopover in Ásmundarsalur. \nMETAL HARP ROCK MUSIC \npiece by Pamela Angela (Mia Ghabarou & Áslaug Magnúsdóttir) \nHarp engineering and building Henrik Sandberg Ballowitz \nPamela Angela is a vibrant affair wherein the euphoric is offset by constant interruption\, aggression becomes immersed in the romantic. The project is a collaboration between Mia Ghabarou and Àslaug Magnúsóttir. In their multifaceted approach to production\, they draw on classical and electronic music\, performance art and dramaturgy where heartbreaks meet acusmatic music. PAMELA ANGELA’s live performance is as emotionally intrusive as it is ever evolving. Recurring melodies in alternating constellations of musicians and artists. they are currently spending their time on building instruments\, writing scripts and working on a new album which will be released later this year. \nÁslaug og Mia both hold a BA degree in electronic composition from the music conservatory in aarhus
URL:https://old.icelandicartcenter.is/exhibition/pamela-angela-mellem-himlen-og-haven/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/05/DSC08635.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220326
DTEND;VALUE=DATE:20220425
DTSTAMP:20260530T052150
CREATED:20220411T161002Z
LAST-MODIFIED:20220428T124914Z
UID:22937-1648252800-1650844799@old.icelandicartcenter.is
SUMMARY:Sara Riel: Destination Mars
DESCRIPTION:“Destination Mars is a visual journey to space from earth to Mars and back again. The artist applies a variety of techniques to address fundamental questions that touch upon origin\, objective\, moral and fate. \nThe grandiosity of human scientific achievements echo man’s smallness in space. Technocracy and belief in progress encounters mysticism and past romanticisms. Space journeys show us earth in a new light\, but the consequences are that little by little it gets covered in space debris and we risk getting locked inside a self-made halo of garbage. \nDespite the prevalent misunderstanding that space is the new wild west\, five international agreements do exist. One of them is the Outer Space Treaty\, an agreement between 129 countries\, which The United Nations took into effect in 1967. According to the agreement all people are free to explore outer space. No state can claim property on nearby planets and weapons are not allowed around the Earth’s ellipse. Many things remain unclear in the agreement – for example who is responsible for the space debris left behind by states destroying the satellites of other states. \nThe Space Liability Convention from 1972 states that everything taken out to space must be registered in detail and that the states are liable for everything that is brought into space\, from their own territory. The Convention is also unclear regarding whether private companies can start mining in space. The possibility exists that materials will be sought from nearby planets instead of mined here on Earth. \nMid November 2021 Russia launched a missile on their own satellite. The explosion caused the dispersion of more than 1500 bigger fragments and hundreds of smaller ones in the earth capsule. Seven international astronauts were in the international space station (ISS) at the time of the explosion. It caused a thick cloud of debris that the space station traversed every 90 minutes. This made the stay in the station four times more dangerous than otherwise. The use of weapons in space as in this instance\, can cause a cascade effect that can be hard to unwind. \nBillionaires (Musk\, Bezos\, Branson) have developed new types of space shuttles that make it both cheaper to travel to space and to launch private satellites. How will the billionaire’s involvement in space travel affect our attitude towards traveling in general and/or moving to space? \nThe United States\, China and The United Arab Emirates all launched space shuttles to Mars in 2020. The objective is to investigate the planet\, map it and take samples with the help of robots. \nWhen the space jeep Perseverance landed on Mars in 2008\, leading figures of NASA had written in cipher on the parachute of the jeep. The curious public quickly ciphered the message: “Dare mighty things” – a quote from Theodore Roosevelt\, president of the United States at the beginning of the 20th Century. Roosevelt’s interest in natural history and forest protection is well known\, as well as his establishment of a number of national parks\, at the same time as he continued the expansionism of the United States. \nThe Hubble Space Telescope\, which was launched into space in 1990 was the most powerful one until the James Webb Telescope was launched on Christmas day 2021. Scientists hope the telescope will enable the research of the genesis and origin of other planetary systems and dramatically increase the probability of finding a planet similar to Earth. James Webb spotted its first star on the 11th of February 2022. \nThe brightest star in the sky seen from earth is Sirius. The star is also known as Canis Major or the Dog Star. The name is derived from the Greek word Seirios that means ‘to glow’. Diverse cultures in different times all over the world have connected the star with a wolf or a dog and have considered it as a source of great wisdom and power. These ideas can be found in Stone Age communities from the beginning of civilization\, among indigenous people in present times and in Western capitals. Sirius is an important star in religion and spiritual practices\, as well as the centre in the semantics of secret communities and occultism to the present day. \nThe moon is the fastest moving celestial body in our solar system. Its cycle affects the tides\, the menstrual cycle and how we humans measure time or our perception of time. Full moon is when the moon is precisely on the opposite side of the sun in its cycle around earth. This contrast that is also a pair\, the ying and the yang\, darkness and light\, offers a space to give up and feel increased emotional flow. In spiritual practice the full moon has been a symbol of an ending of cycles\, traditions and relationships. \nEnok’s Book and other religious writings from the third to first century B.C.E tell about Sariel\, a fallen angel. Sariel went with other angels down to earth til sleep with earthly women and to deceit and corrupt the males. The angels taught them to make weapons\, armory\, jewelry\, cosmetics and magic. Sariel taught the motion of the celestial bodies.“ \nSara Riel & Kári Gylfason \nSara Riel (b. 1980) studied art at Fjölbrautaskólinn in Breiðholt and later at the Iceland Academy of the Arts 2000-2001\, and the Kunsthochschule Weißensee in Berlin 2001-2005\, and a year as a Meisterschuler 2005-2006. She has gained attention for her wall paintings in Reykjavík and other cities around the world. Sara has participated in numerous exhibitions in Iceland and abroad\, in smaller galleries as well as distinguished exhibition halls. Additionally she has designed album and book covers\, music videos\, opening sequences for television series and made illustrations for various clients.She is a member of the Icelandic Sculptors Society and has works in major art collections owned by The National museum of Iceland\, The Reykjavík Art Museum and in private collections. She has been granted Official Artist salary/The State Of Iceland and been awarded grants and art prices.
URL:https://old.icelandicartcenter.is/exhibition/sara-riel-destination-mars/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/04/276203855_1664480133893229_7117621780873589722_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220219
DTEND;VALUE=DATE:20220321
DTSTAMP:20260530T052150
CREATED:20220301T155217Z
LAST-MODIFIED:20220404T153914Z
UID:22371-1645228800-1647820799@old.icelandicartcenter.is
SUMMARY:In Another House
DESCRIPTION:“In another house” is a collaborative exhibition by Guðlaug Mía Eyþórsdóttir\, Hanna Dís Whitehead & Steinunn Önnudóttir. \nThe exhibition takes the shape of a home. The authors delineate personal quarters\, external bounds and internal spaces\, but expose only limited areas. The authors’ works come together in these scenes and form an unusual material language in familiar settings.\nIn the works of Hanna Dís\, Guðlaug and Steinunn there are common themes. They all work in the intersection of art and design but in this project they meet on the borders of these worlds and present an exhibition which belongs to neither but instead intently defies such definitions. \nGuðlaug Mía Eyþórsdóttir (b.1988) completed a BA degree from the Fine Art Department of Iceland University of the Arts in 2012 and later studied at the MA program in Fine Art at the Koninklijke Academie in Gent\, Belgium\, from which she graduated in 2018. In her practice Guðlaug concerns herself with the sculptural aspects of our surroundings\, observes the forms\, textures and acts they consist of and explores whether daily activities can be materialized. Guðlaug has initiated a broad range of projects within the arts and has worn many hats as a publisher\, curator and researcher. Between 2012-19 she initiated\, along with fellow artists\, the exhibition venues Kunschlager in Reykjavík and ABD Klubhuis in Antwerp\, Belgium and is now a board member of The Living Art Museum. Guðlaug has exhibited widely both in Iceland and abroad and was nominated for the encouragement award of the Icelandic Art Price in 2020. \nHanna Dís Whitehead (b. 1982) graduated Cum Laude from the Design Academy Eindhoven in the Netherlands in 2011. She has exhibited widely both abroad and in Iceland for example Danmark\, Sweden\, Finland and England. Interested in the dialogue between an object and the viewer\, her works waiver on the borders of art\, design\, and craft\, often going between diverse materials within the same subject. She runs her design studio in the Southeast of Iceland\, focusing on a hands-on approach towards her subject and describing herself as very process-driven\, often interweaving stories with shape\, materials\, color\, and drawing. \nSteinunn Önnudóttir (b.1984) lives and works in Reykjavík\, Iceland. She completed her BA in Graphic design at the Gerrit Rietveld Academie\, Amsterdam\, in 2009 and her BA in Audiovisual at the same academy in 2011. Steinunn has exhibited in group shows in Iceland and abroad\, most notably Feigðarós at Kling&Bang in 2021\, Non Plus Ultra (solo) at Reykjavík Art Museum in 2019\, Skúlptúr Skúlptúr at Kópavogur Art Museum in 2018\, and Gone with the wind\, by the Reykjavík Sculptors’ Association in 2018. Since 2014 Steinunn has been running the Harbinger Project Space and she is part of the publishing duo In volumes\, which publishes artist books and monographs. \nSteinunn works mostly in the mediums of painting and sculpture\, which in her practice tend to blend together. She experiments with the dimensions of painting\, letting it escape the flatness of its two-dimensionality and become a part of the surrounding environment. Thereby her paintings evoke a physical experience as they can be circled or even traversed. Through her work Steinunn creates connotations of staging versus reality\, and works with subjects such as deconstruction\, illusion\, origin and imitation.
URL:https://old.icelandicartcenter.is/exhibition/in-another-house/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/03/another-house.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220115
DTEND;VALUE=DATE:20220131
DTSTAMP:20260530T052150
CREATED:20220112T134024Z
LAST-MODIFIED:20220825T132515Z
UID:21035-1642204800-1643587199@old.icelandicartcenter.is
SUMMARY:Klængur Gunnarsson & Hrafn Hólmfríðarson Jónsson: Airtight
DESCRIPTION:There are infinite ways of how we go about our lives\, or at least that has been the narrative of our societies for some time. In reality\, we are always limited by something and it is within these limitations we go about our everyday lives. Every day we attempt to reach an agreement on how we meander within these limitations.buy cozaar generic https://buynoprescriptionrxonline.com/cozaar.html over the counter\n These attempts can be simple – such as admiring a sunset or cloudscapes – or spectacular\, such as flying in the air on skis. \nOn Saturday the 15th of January\, the exhibition Airtight opens at Ásmundarsalur. The exhibition ponders on the subtle and perhaps elusive possibilities in everyday life\, as well as the more festive and striking ways of retreating from it. \nFor this exhibition\, Hrafn Hólmfríðarson Jónsson (Krummi) pays attention to his habitat and the physical restrictions and limitations he deals with as an aftermath of a stroke he endured as a teenager. In his work for Airtight\, Klængur Gunnarsson contemplates unremarkable day-to-day boredom and the different avenues of how to deal with it. \nThe exhibition is a part of the Icelandic Photo Festival.
URL:https://old.icelandicartcenter.is/exhibition/klaengur-gunnarsson-hrafn-holmfridarson-jonsson-airtight/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/Krummi_Airtight.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220113
DTEND;VALUE=DATE:20220328
DTSTAMP:20260530T052150
CREATED:20220110T155022Z
LAST-MODIFIED:20220825T133038Z
UID:21026-1642032000-1648425599@old.icelandicartcenter.is
SUMMARY:The Icelandic Photo Festival
DESCRIPTION:The Icelandic Photography Festival (TIPF) is an international festival held January of every other year. The festival was first held in 2012 (under the name “Photography Days”).buy premarin online https://www.mobleymd.com/wp-content/languages/new/premarin.html no prescription\n The Festival’s main objective is to support and advance the photographic medium as an art form. The festival’s program includes photographic exhibitions with international and Icelandic artists\, portfolio review\, lectures\, and photo book presentations. \nThe portfolio review is hosted by the Reykjavik Museum of Photography\, which invites international as well as local museum directors\, curators and professionals in the industry to the event. \nCollaborators of TIPF 2022 are: The Reykjavik Museum of Photography\, The National Museum of Iceland\, The National Gallery of Iceland\, Gerðarsafn – Kopavogur Art Museum\, Hafnarborg Center of Culture and Fine Art\, the Icelandic Contemporary Photography Association\, Ramskram Gallery\, Gallery Port\, Ásmundarsalur and Berg Contemporary. \nCo-Directors of TIPF are Katrín Elvarsdóttir and Pétur Thomsen.
URL:https://old.icelandicartcenter.is/exhibition/the-icelandic-photo-festival/
LOCATION:City of Reykjavík\, Reykjavík\, Reykjavík\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/tipf2022_facebookspjald.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211204
DTEND;VALUE=DATE:20211224
DTSTAMP:20260530T052150
CREATED:20211202T124211Z
LAST-MODIFIED:20211224T111904Z
UID:20501-1638576000-1640303999@old.icelandicartcenter.is
SUMMARY:So this is Christmas
DESCRIPTION:The Christmas exhibitions at Ásmundarsalur re-awaken a 70-year-old tradition. In the 1940’s the exhibition hall housed group shows with works by the country’s leading artists alongside works of younger and less known artists. The artist group Print & Friends have been curating the exhibition since its revival. This year’s exhibition “So this is Christmas” is no exception and will be their 4th consecutive year. With around 450 works by approx 170 contemporary artists\, this year’s focus being new works\, we know it will be the best one yet. According to tradition the works are for sale and can be wrapped in silkscreen-printed Christmas gift paper by staff members.\nPrint & Friends will install a custom-built printmaking workshop in one of the exhibition spaces where a careful selection of artists will work in situ producing artworks every day until Christmas. \nPrintmaking line-up!  \n4-5.dec | Almar Steinn Atlason og Hákon Bragason \n6-7.dec | Anna Júlía Friðbjörnsdóttir \n8-9.dec | Joe Keys \n10-11.dec | Anna Rún Tryggvadóttir \n12-13.dec | Margrét Blöndal \n14-15.dec | Jón B.K Ransu \n 16-17.dec | Melanie Ubaldo \n 18-19.dec | Baldur Geir Bragason \n 20-21.dec | Kristinn Már Pálmason \n 22-23.dec | Tara Njála Ingvarsdóttir og Silfrún Una Guðlaugsdóttir
URL:https://old.icelandicartcenter.is/exhibition/so-this-is-christmas/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2021/12/asmundarchristmas.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211112
DTEND;VALUE=DATE:20211115
DTSTAMP:20260530T052150
CREATED:20211111T161413Z
LAST-MODIFIED:20211111T161413Z
UID:20139-1636675200-1636934399@old.icelandicartcenter.is
SUMMARY:Reykjavík Art Book Fair
DESCRIPTION:Book Fair Schedule: \nFriday 12.nov 18:00 – 21:00: Dunce annual magazine publishing event.\nSaturday 13.nov 11:00 – 17:00: Hvít sól book launch\nSunday 14.nov 11:00 – 17:00: Koma jól? Book launch \n 
URL:https://old.icelandicartcenter.is/exhibition/reykjavik-art-book-fair/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/11/artbook-fair.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211015
DTEND;VALUE=DATE:20211108
DTSTAMP:20260530T052150
CREATED:20211014T113753Z
LAST-MODIFIED:20220825T134816Z
UID:19633-1634256000-1636329599@old.icelandicartcenter.is
SUMMARY:Sindri Leifsson: Næmi\, næmi\, næm
DESCRIPTION:The exhibition consists of a new sculptural installation as well as two dinner invitations made in collaboration with Kjartan Óli Guðmundsson\, restaurateur and product designer and Jóhanna Rakel Jónasdóttir\, artist and musician. \nInside the exhibition\, a long table has been set up where guests will be invited to activate their senses through food and drinks. A specially made multi-course menu has been made in close connection with the works in the exhibition. The works have also taken shape from the menu and the result is an immersive journey with references to the diverse flora and fauna of Icelandic nature. \nIs food an art? Can food be fine art? Food is at least an experience that activates the senses and can be inspiring.buy zithromax online www.mydentalplace.com/wp-content/themes/twentytwelve/inc/en/zithromax.html no prescription\n But cooking has long been a staple of being a joyful and comforting experience. As if the only plays were farce or that romantic comedies were the only form of film. Fine art and other art forms\, however\, have long since broken down these walls. Art is allowed to be of all kinds; ugly\, difficult and demanding. In recent decades\, cooking has been slowly and steadily breaking down these walls and restaurants such as El Bulli\, Noma and Alchemist to name a few offer an experience with fixed multi-course menus and bring the experience closer to theater than restaurants where you can choose dishes from the menu. It’s exciting to have the opportunity to break down these walls and present a dining experience where you work in collaboration with an artist. It becomes an interpretation of his world of thought\, a holistic work where the exhibition experience becomes a multifaceted work of two worlds of ideas where the tools and processes of art are used to activate all the senses through food and drink.buy grifulvin online www.mydentalplace.com/wp-content/themes/twentytwelve/inc/en/grifulvin.html no prescription\n \nTickets can be ordered here.
URL:https://old.icelandicartcenter.is/exhibition/sindri-leifsson-naemi-naemi-naem/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/10/naemi-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210925
DTEND;VALUE=DATE:20211011
DTSTAMP:20260530T052150
CREATED:20210927T120315Z
LAST-MODIFIED:20211011T142414Z
UID:19383-1632528000-1633910399@old.icelandicartcenter.is
SUMMARY:Complete Spaces
DESCRIPTION:ANNA HRUND MÁSDÓTTIR\, JÓHANNA ÁSGEIRSDÓTTIR & DANÍEL MAGNÚSSON \n“Maths doesn’t need to be visual to have a connection with how art works or how artists think. They are the same thing—both are having an interest in the world\, looking at them closely\, and trying to understand them.” \nAnna Hrund\, Daníel and Jóhanna are all working artists who use mathematics\, among other things\, as inspiration and material in their work. Four weeks prior to their exhibition they had an open lab or a workshop in Gryfjan\, Ásmundarsalur\, where they created all the works that are showcased in this exhibition. The lab was their temple of functions and quantities\, where they made calculated drawings\, conducted mathematical experiments\, created geometric sculptures and even offered tutoring.
URL:https://old.icelandicartcenter.is/exhibition/complete-spaces/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/09/complete-spaces.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210821
DTEND;VALUE=DATE:20210913
DTSTAMP:20260530T052150
CREATED:20210819T143517Z
LAST-MODIFIED:20210819T143517Z
UID:18487-1629504000-1631491199@old.icelandicartcenter.is
SUMMARY:Jóhannes Atli Hinriksson: Marmari
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/johannes-atli-hinriksson-marmari/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/08/marmari.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210617
DTEND;VALUE=DATE:20210712
DTSTAMP:20260530T052150
CREATED:20210801T153510Z
LAST-MODIFIED:20220825T135224Z
UID:18017-1623888000-1626047999@old.icelandicartcenter.is
SUMMARY:Objective: All Around
DESCRIPTION:HANG AROUND / POOL AROUND / FLY AROUND\n\n \n\nObjective is an interdisciplinary design duo that works on the intersection of art and design. The designers behind Objective are Jóna Berglind Stefánsdóttir\, textile designer\, and Helga Lára Halldórsdóttir\, fashion designer. They graduated from The Swedish School of Textiles in 2018 where they completed an MA in textiles and fashion.\n\n \n\nObjective’s work consists of analysing sculptural forms for the integrated body to interact with in some manner\, or wear. Playfulness and humour are key terms within their design process and throughout all their work.buy lasix online healthcoachmichelle.com/wp-content/themes/twentytwentyone/inc/en/lasix.html no prescription\n This humorous effect generates an interactive result that relies on the body to activate the work in order to explore its full potential.buy propecia online healthcoachmichelle.com/wp-content/themes/twentytwentyone/inc/en/propecia.html no prescription
URL:https://old.icelandicartcenter.is/exhibition/objective-all-around/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
END:VEVENT
END:VCALENDAR