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X-WR-CALDESC:Events for Icelandic Art Center
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DTSTART:20210101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20210812T080000
DTEND;TZID=UTC:20210812T170000
DTSTAMP:20260404T181625
CREATED:20210812T113831Z
LAST-MODIFIED:20210817T135000Z
UID:18297-1628755200-1628787600@old.icelandicartcenter.is
SUMMARY:Þór Sigþórsson - Voyage
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/thor-sigthorsson-voyage/
LOCATION:Y Gallery\, Hambraborg 12\, Kópavogur\, 200\, Iceland
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210812
DTEND;VALUE=DATE:20210815
DTSTAMP:20260404T181625
CREATED:20210812T113604Z
LAST-MODIFIED:20220825T134210Z
UID:18292-1628726400-1628985599@old.icelandicartcenter.is
SUMMARY:Endurofið
DESCRIPTION:Endurofið is a research project centered around sustainability in fashion\, up-cycling and recycling discarded clothing. We invite you to the opening of our exhibition 12.buy viagra pack online herbalshifa.co.uk/wp-content/themes/twentytwentytwo/inc/patterns/en/viagra-pack.html no prescription\n August between 17-20 at Flæði\, Vesturgata 17. \n\n\n\nWhile looking into the heritage of Icelandic weaving and how woven cloth was legally used as currency in Medieval times\, we are looking at the perceived worth of textiles today and aiming towards translating woven fabrics into contemporary textiles and clothing\, while keeping our focus on a sustainable approach. The fabrics are woven on wooden boards and into frames\, as well as straight into clothing that has been discarded. \n\n\n\nThe project is funded by the Icelandic Student Innovation Fund. We are Ása Bríet Brattaberg\, womenswear student at Central Saint Martins\, and Álfrún Pálmadóttir\, folklore student at The University of Iceland\, and both of us have a diploma in Textile design. Consulting during the project period is Ólafur Rastrick\, Associate Professor at the University of Iceland\, and Ragna Fróða\, director of Edelkoort inc. \n\n\n\nOpening hours: 12. ágúst: 17-20 13. ágúst: 13-17 14. ágúst: 13-17
URL:https://old.icelandicartcenter.is/exhibition/endurofid/
LOCATION:FLÆÐI\, Vesturgata 17\, Reykjavík\, 101\, Iceland
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210807
DTEND;VALUE=DATE:20210820
DTSTAMP:20260404T181625
CREATED:20210812T120701Z
LAST-MODIFIED:20210812T120725Z
UID:18325-1628294400-1629417599@old.icelandicartcenter.is
SUMMARY:Guðlaug Mía & Jóhanna Kristbjörg: Samskeyti
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/gudlaug-mia-johanna-kristbjorg-samskeyti/
LOCATION:Gallery Port\, Laugavegur 32\, Reykjavík\, 101\, Iceland
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210807
DTEND;VALUE=DATE:20210823
DTSTAMP:20260404T181625
CREATED:20210812T120550Z
LAST-MODIFIED:20210824T103359Z
UID:18323-1628294400-1629676799@old.icelandicartcenter.is
SUMMARY:Elfur Hildisif Hermannsdóttir & Donna Hermannsdóttir: Kjarninn er yfirborð
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/elfur-hildisif-hermannsdottir-donna-hermannsdottir-kjarninn-er-yfirbord/
LOCATION:Midpunkt\, Hamraborg 22\, Kópavogur\, 220
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/08/231349142_2790584461233163_8616086119536917236_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210806
DTEND;VALUE=DATE:20210904
DTSTAMP:20260404T181625
CREATED:20210812T113530Z
LAST-MODIFIED:20220825T132552Z
UID:18290-1628208000-1630713599@old.icelandicartcenter.is
SUMMARY:Síðsumarsstemning
DESCRIPTION:A group show of works by: \n\n\n\nAlma Björg Baldvinsdóttir Anna Kristín Einarsdóttir Ásvaldur Kristjánsson Baldvin Viðarsson Elísabet Guðmundsdóttir Guðmundur Rúnar Guðbjarnarson Gunnar St. Gunnarsson Gurli Geirsson Hólmfríður Jóhannesdóttir Kristín Sverrisdóttir Louisa Sigurðardóttir Svafa Kristín Pétursdóttir Þorgerður S.buy benzac generic https://blobuyinfo.com/benzac.html over the counter\n Guðmundsdóttir
URL:https://old.icelandicartcenter.is/exhibition/sidsumarsstemning/
LOCATION:Mosfellsbær Art Gallery\, Kjarni\, Þverholt 2\, Mosfellsbær\, 270\, Iceland
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210805
DTEND;VALUE=DATE:20210816
DTSTAMP:20260404T181625
CREATED:20210812T114215Z
LAST-MODIFIED:20220916T103855Z
UID:18300-1628121600-1629071999@old.icelandicartcenter.is
SUMMARY:VERA
DESCRIPTION:On August 5th\, VERA\, group exhibition by the three artists\, Christine Gísla\, Jóna Þorvaldsdóttir and Katrín Gísladóttir/Katra\, opens at 12 pm. at Mjólkurbúðin Listagil\, Akureyri. \n\n\n\nVERA was a part of Winter Light Festival in Reykjavik 2021 and has now moved to Akureyri. \n\n\n\nThe exhibition is open from August 5th until August 15th.Opening hours from 12 pm to 7pm \n\n\n\nVERA is an exhibition of photographs and ceramic sculptures. Christine\, Jóna and Katra have been working together making VERA\, where their vision and thoughts about life and our surroundings come together in their unique art. All three of them work with the abstract form\, on their own terms. In VERA exhibition they join together art photography and sculpture art.
URL:https://old.icelandicartcenter.is/exhibition/vera/
LOCATION:Mjólkurbúðin: The Visual Arts Association\, Kaupvangsstræti 12\, Akureyri\, 600\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/08/vera.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210805
DTEND;VALUE=DATE:20210901
DTSTAMP:20260404T181625
CREATED:20210812T113427Z
LAST-MODIFIED:20220916T103628Z
UID:18286-1628121600-1630454399@old.icelandicartcenter.is
SUMMARY:María Kjartans: Sprungur / Fracture
DESCRIPTION:Life can take us on a roller coaster ride full of highs and lows and twists and turns. \n\n\n\nEven for those of us who enjoy unexpected thrills\, it’s frightening to suddenly find ourselves heading for a deep plunge.Sprungur / Fracture opening Reykjavik\, Thursday August 5th 2021 @samb_islenskra_mynd \n\n\n\n\n\nPhotography and creative direction: Maria Kjartans. \n\n\n\nA short film with the same name will be premiered at the gallery on the 21st of August.
URL:https://old.icelandicartcenter.is/exhibition/maria-kjartans-sprungur-fracture/
LOCATION:SÍM Gallery\, Hafnarstræti 16\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/08/sprungur.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210731
DTEND;VALUE=DATE:20210904
DTSTAMP:20260404T181625
CREATED:20210812T120858Z
LAST-MODIFIED:20220825T134342Z
UID:18328-1627689600-1630713599@old.icelandicartcenter.is
SUMMARY:Resonance
DESCRIPTION:Angela Dufresne \n\n\n\nOlga Bergmann \n\n\n\nAnna Hallin \n\n\n\nVesa-Pekka Rannikko \n\n\n\nSimon Rouby \n\n\n\nVoyagers golden record was launched into space in 1977\, a time capsule representing our reality here on earth. Pictures and sound samples\, birds singing\, laughter\, wind\, the waves lapping the shore.buy tadacip online myhst.com/wp-content/themes/twentytwentytwo/inc/patterns/en/tadacip.html no prescription\n Photos of naked humans did not make the cut for decencies sake\, leaving something to the alien´s imagination. But the alien may enjoy a photograph of a woman at a grocery store and listen to greetings in 55 languages. We danced\, swept the floor\, raised a tent\, built walls\, carved our names into the sheep´s pen while waiting for a lamb. We savagely took the lives of millions\, moved mountains\, built dikes to reclaim land from water and built irrigation systems to water the land. We turned up the heaters\, put the A/C on full blast\, looked up at the stars until we fell asleep in the courtyard.  The artists in Resonance will give us a piece of their mind with the same optimism that drives the scientists at NASA. They send greetings out into the void\, romantic\, poetic\, symbolic. Technology pinpoints their message in the vertigo of time. I sense the message\, but I don’t recognize the language it is in\, nor the landscape it describes – I don’t understand the meaning behind activities – it is the same feeling I get when I look out the window or listen to the news. I look forward to bearing witness to the reality of these artists at Hjalteyri´s herring factory.buy fluoxetine online myhst.com/wp-content/themes/twentytwentytwo/inc/patterns/en/fluoxetine.html no prescription\n To doubt the ground beneath my feet\, let technology´s force of nature wash over me\, see Dufresne naked and in that instant become a luckier alien than those who come across Voyagers golden record.
URL:https://old.icelandicartcenter.is/exhibition/resonance/
LOCATION:The Factory in Hjalteyri\, Brekkuhús 3b\, Hjalteyri\, 601\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/08/220383316_10159431442627829_8422539239402538992_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210729
DTEND;VALUE=DATE:20210923
DTSTAMP:20260404T181625
CREATED:20210812T113504Z
LAST-MODIFIED:20210812T123829Z
UID:18288-1627516800-1632355199@old.icelandicartcenter.is
SUMMARY:Sævar Karl - Hvorki fugl né fiskur
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/saevar-karl-hvorki-fugl-ne-fiskur/
LOCATION:Mokka Kaffi\, Skólavörðustígur 3A\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/08/fish.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210727
DTEND;VALUE=DATE:20211004
DTSTAMP:20260404T181625
CREATED:20210812T114935Z
LAST-MODIFIED:20220825T133240Z
UID:18303-1627344000-1633305599@old.icelandicartcenter.is
SUMMARY:Magdalena Noga: Even though it might hurt
DESCRIPTION:July 27 – October 3\, 2021\, West Wall gallery\, Skaftfell Bistro \n\n\n\nOpen daily 12:00-22:00 \n\n\n\nMagdalena Noga’s exhibition “Even though it might hurt” opens on July 27 in the West Wall gallery in Skaftfell’s bistro. Due to Covid regulations there will be no opening reception\, but the exhibition will be on view until October 3rd and we warmly invite everyone to visit. \n\n\n\nMagdalena Noga is working at Skaftfell for three months this summer on an ERASMUS internship. She is a photographer from Poland and holds a bachelor’s degree in Polish philology from the Jagiellonian University and a Master in Art and Design from the Pedagogical University in Krakow. As a multimedia artist with experience in organizing exhibitions and producing photo books\, her interests lie in objects and the transformative processes they undergo during their lifetime.buy amoxicillin online https://pridedentaloffice.com/wp-content/languages/new/amoxicillin.html no prescription\n \n\n\n\n“In the exhibition Even though it might hurt\, Magdalena Noga explores how our encounter with the world scars us and how these scars make us aware of the responsibility we have for the content of our ideas and the consequences of actively engaging with them. She presents the painful movement of interaction and self-discovery. We reach for the other (objects\, people\, nature) that personify these ideas and end up affected by them\, carrying around both what was initially there and the living proof of its repercussions. The collection of these scars is what makes us something beyond see-through matter\, representations of something external; but rather beings aware of our tangibility and the danger of our most intimate impression both to us and to the other beings in our likeness. \n\n\n\nFurthermore\, this project experiments with the photographic material\, taking to the limit the fidelity to the essential aspects of the represented other. Magdalena attempts to push the extent to which the material elements of photography serve not only to be forgotten\, pointing towards other objects; but how its own materiality can serve as means of representation. At last\, perhaps it speaks for a more intimate desire of the author: even though it might hurt\, to live inside and among the objects of her images.” \n\n\n\nLuiz do Valle Miranda
URL:https://old.icelandicartcenter.is/exhibition/magdalena-noga-even-though-it-might-hurt/
LOCATION:Skaftfell- Center for Visual Art\, Austurvegur 42\, Seyðisfjörður\, 710\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/08/noga.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210723
DTEND;VALUE=DATE:20210901
DTSTAMP:20260404T181625
CREATED:20210812T115813Z
LAST-MODIFIED:20210831T102545Z
UID:18312-1626998400-1630454399@old.icelandicartcenter.is
SUMMARY:Esteban Rivera Ariza and Geirþrúður Finnbogadóttir Hjörvar
DESCRIPTION:´uns welcomes you to the third exhibition in ´uns’s exhibition series Superstructure. Esteban Rivera will show two video works “Die Versteinerten” and “Firmamentun Continuitas” and Geirþrúður Finnbogadóttir Hjörvar will present new work from the “Matrix” series – “Financial Instruments” which includes “Mortgage\,” “Mortgage-Backed Securities” and “Interest-Bearing Capital” in Gletta exhibition space at Borgarfjörður Eystri\, from 23.july – 31.august 2021. \n\n\n\nEsteban Rivera Ariza \nI see filmmaking as a possibility to establish connections between topics that are not possible without an interdisciplinary approach. As part of my practice\, I use archival strategies as research and as a way to generate artwork. In my exhibitions I usually put on display a collection of objects and texts—sometimes self-produced—to stage the reality on which the films are based on. \nMy films should also be understood in a holistic way; meaning it is also my task to think about the way determined discourse is illustrated or counterposed with images that belong to other knowledge areas\, e.g…f.ex the relationship between architecture and monumentality or religion and science. \nI usually work without a fixed production plan since I prefer to be aware of the situations that the actual space is offering. I create semi fictional portraits of protagonists that are physical incarnations of existential problems. Using multiple sources\, styles and narrative strategies\, referencing art history and making the research visible in the films is one of the elements that characterizes my work. Perhaps as a consequence of the visual languages overlapping\, humor appears as the result of unexpected cuts\, or comments on the voice-over that directly confront the spectator’s life values. The funny elements in the films are often a reminder of our own fears\, and if an uncomfortable feeling comes up\, it is accompanied with a smile. From an existential standpoint\, within my work I tend to bring up my own view on death as well as a contemporary\, collective one. \nAbout the artist: \nEsteban Rivera\, Bogotá\, Colombia (1981). Meisterschüler in Art and Media at the UdK\, Berlin (Universität der Künste\, Berlin). Master in Arts in the National University of Colombia (Universidad Nacional de Colombia). Currently works in Berlin. His work has been lately exhibited in Savvy Contemporary\, Gr_und\, Akademie der Künste\, Arsenal\, Kasseler Dokfest and European Media Art Festival and Rencontres Internationales. He resently received the Berlin Art Price. \n\n\n\nGeirþrúður Finnbogadóttir Hjörvar \n“Financial Instruments” is the fifth installation of the “Matrix” series ¬– a series that deals with material culture with the aim of exploring different\, yet interrelated paradigms of economic reason. Those works have so far have included “Retail\,” “Real Estate\,” “Accounting” and “Private Property.” \nThe works in “Financial Instruments” are about the investment sector. Or that is to say\, they are about the accelerating rate of abstraction within the investment sector. Or more specifically\, how the system of mortgages\, and the interest attached to them\, are interlinked with human habitation and associated with indexes of speculation. These works are not analytical. Rather\, they are playful in their lyrical use of metaphor. And in their attempt to produce visual material to describes the kinds of abstractions that underlie structures within reality – but which tend to remain invisible. \nAbout the artist:Geirþúður Finnbogadóttir Hjörvar has been living and working in Reykjavik and until relatively recently\, Amsterdam. Her work spans a variety of media\, including video\, text\, curation\, sculpture\, installation and performance. Each of which had been chosen for its ability to form symbiotic relationships with the “content” of the work. The works themselves may be described as a synthesis between historical references\, metaphysical speculation and the materiality of contemporary culture. \nGeirþrúður Finnbogadóttir Hjörvar graduated from the Iceland University of the Arts and the Malmö Art Academy (MFA). She has exhibited widely in an international context\, including the Museo La Tertulia (CO)\, W139 (NL)\, Cosmos Carl\, Overgaden (DK)\, Kunstverein Ingolstadt (DE) and Kunstverein Milano (IT)\, and been selected to take part in renown residencies such as Rijksakademie van Beeldende Kunsten (NL) and Internationales Künstlerhaus Villa Concordia (DE). Exhibitions in Iceland include the Reykjavik Art Museum\, The Living Art Museum\, Hafnarborg\, Kling & Bang and Harbinger. \nVerkefnið er styrkt af:Austurbrú-Betri Borgarfjörður.Myndlistarsjóður
URL:https://old.icelandicartcenter.is/exhibition/esteban-rivera-ariza-and-geirthrudur-finnbogadottir-hjorvar/
LOCATION:Gletta\, Hafnarhús\, Borgarfirði Eystri\, Borgarfirði Eystri\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/08/superstructure.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210718
DTEND;VALUE=DATE:20210719
DTSTAMP:20260404T181625
CREATED:20210718T133252Z
LAST-MODIFIED:20210927T133235Z
UID:17955-1626566400-1626652799@old.icelandicartcenter.is
SUMMARY:Margrét Jónsdóttir: Handanheima
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/margret-jonsdottir-handanheima/
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/06/handanheima.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210715
DTEND;VALUE=DATE:20210831
DTSTAMP:20260404T181625
CREATED:20210812T120240Z
LAST-MODIFIED:20220825T135131Z
UID:18319-1626307200-1630367999@old.icelandicartcenter.is
SUMMARY:Þórður Hans Baldursson: Tools for Symbiosis
DESCRIPTION:Within the taxonomy of biology are six different forms of symbiosis\, each defined by the varying effects of the long-term coexistence of the individuals involved. The effects can be can be harmful\, beneficial or neutral. Examples of different symbiosis can be the relationship between flowers and bees in the field or a tapeworm and its unfortunate host. Close relations between humans are most often too complex to rigidly assess as either harmful or beneficial. However\, if zoomed in closely enough\, certain parts of a relationship can be fitted into the taxonomy of symbiosis. \n\n\n\nThe tools in this exhibition are meant to enforce certain types of human to human symbiosis.buy diflucan online pavg.net/wp-content/themes/twentytwentyone/inc/en/diflucan.html no prescription\n With their affordability they generate moments where the existence of two or more individuals momentarily gets entangled\, whether it be for the better or worse. \n\n\n\nAbout the artist: \n\n\n\nÞórður Hans (b. 1992) is one of the founders of the art collective Art Studio Art Collective  and the online printmakers collective Postprent.buy female viagra online pavg.net/wp-content/themes/twentytwentyone/inc/en/female-viagra.html no prescription\n His art practice as of lately has to do with the  study of human to human relations and gardening tools. Þórður is a student at the the Royal  Academy of Art The Hague.
URL:https://old.icelandicartcenter.is/exhibition/thordur-hans-baldursson-tools-for-symbiosis/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2021/08/three.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210715
DTEND;VALUE=DATE:20210820
DTSTAMP:20260404T181625
CREATED:20210812T120117Z
LAST-MODIFIED:20220916T104012Z
UID:18317-1626307200-1629417599@old.icelandicartcenter.is
SUMMARY:Sarah Maria Yasdani: Thresholds
DESCRIPTION:Thresholds. About thresholds\, threshold phenomena\, timespace. About how differences can divide and reorganize time and space. About the will to expose and to be exposed to a precise state\, in thickened time. \nAbout being direct and distant at the same time. In order to be in a state of tension between here and there\, now and then\, one and another. About the threshold’s ability to make us present and absent at the same moment. \nThe threshold offers a magical realism and allows performances to take place between dream and reality. An intangible architecture creates an idea of spatiality\, an idea of difference. Notation of rooms that exist without presence. A dreamlogic. A play between perception and imagination. An impossible synchronicity. Two truths that oppose each other. \nAnd the thickening of time. The feeling of now\, where the time is true and dissolved. It all starts at a threshold. The threshold as location and transition. The threshold as the opportunity that also carries us away from the place. \nAbout the artist \nSarah Maria is engaged in a conceptual practice taking a material expression.  Her work is an extension of bodies and she thinks about objects and subjects and the way in which an object can change our perception and understanding of a subject. Sarah Maria is drawn to object poetry\, phenomenology and emotionology working across the mediums of sculpture and photography with an expression that currently focuses on glass.
URL:https://old.icelandicartcenter.is/exhibition/sarah-maria-yasdani-thresholds/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2021/08/THröskuldar.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210710
DTEND;VALUE=DATE:20210822
DTSTAMP:20260404T181625
CREATED:20210812T113217Z
LAST-MODIFIED:20210824T103311Z
UID:18283-1625875200-1629590399@old.icelandicartcenter.is
SUMMARY:Guðrún Tara Sveinsdóttir: Earth Abides
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/gudrun-tara-sveinsdottir-earth-abides/
LOCATION:Harbinger\, Freyjugata 1\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/08/jördin.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210710
DTEND;VALUE=DATE:20210816
DTSTAMP:20260404T181625
CREATED:20210718T134413Z
LAST-MODIFIED:20220825T134120Z
UID:17964-1625875200-1629071999@old.icelandicartcenter.is
SUMMARY:Sigurður Guðmundsson: The Universe is a Poem
DESCRIPTION:Welcome to Sigurður Guðmundsson’s opening ceremony at Djúpivogur\, Saturday 10th July at 2.30/3 pm. \n\n\n\nPrime Minister\, Katrín Jakobsdóttir\, will reveal Freedom a new public artwork at Langabúð at 2.30 and open the exhibition The Universe is a Poem in Bræðslan formally at 3 pm. \n\n\n\nSigurður Guðmundsson’s exhibition The Universe is a Poem features a range of different works from the years 1969–2021.buy cialis online herbalshifa.co.uk/wp-content/themes/twentytwentytwo/inc/patterns/en/cialis.html no prescription\n Guðmundsson’s career is multi-faceted and the mediums diverse\, but a poetic tone has always enwreathed his works; whether works of photography\, sculptures\, drawings\, graphic works or performances\, but he has also composed music\, written poetry\, and published four novels. The exhibition is a logical continuation of Sigurður’s most recent publication Ljóð og Ljóð (Poems and Poems)\, a collection of the artist’s written poetry\, published in 2020. The works in the exhibition are poems in and of themselves – as the exhibition title suggests – but the artist views the universe as a poem and in his dealings with it\, he finds it is both good and right to experience the universe as a poem (SG\, The Universe\, 2019). \n\n\n\nSigurður Guðmundsson (b.1942) is among the most prominent artists of Iceland. He lives and works in Djúpivogur\, Reykjavík\, Amsterdam and Xiamen in China. The exhibition The Universe is a Poem is displayed at Bræðslan in Djúpivogur and is the collaborative effort of the Municipality of Múlaþing\, the Chinese European Art Centre – CEAC and ARS LONGA with support from East Iceland Structural Fund. \n\n\n\nCurators: Kristín Dagmar Jóhannesdóttir in collaboration with Þór Vigfússon and Hildur Rut Halblaub. The exhibition will run until August 15th.buy kamagra gold online herbalshifa.co.uk/wp-content/themes/twentytwentytwo/inc/patterns/en/kamagra-gold.html no prescription
URL:https://old.icelandicartcenter.is/exhibition/sigurdur-gudmundsson-the-universe-is-a-poem/
LOCATION:Djúpivogur\, Langabúð\, Djúpavogshreppur\, 765\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/07/202545411_119145277040526_5944997412301780239_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210703
DTEND;VALUE=DATE:20211223
DTSTAMP:20260404T181625
CREATED:20210831T142713Z
LAST-MODIFIED:20220916T110030Z
UID:18871-1625270400-1640217599@old.icelandicartcenter.is
SUMMARY:Guðrún Gunnarsdóttir & Inger-Johanne Brautaset: Hafið kemst vel af án okkar
DESCRIPTION:Hafið kemst vel af án okkar“ er samvinnuverkefni sem vísar til hafsvæðanna á milli Íslands og Noregs. Okkur langar til að miðla ferðalagi ofan í og óþekkt undirdjúpin – þar sem við syndum á meðal hákarla\, plantna\, svifa og annarra framandi tegunda\, auk plasts\, sem er ný en ekki óþekkt tegund.  \n„Hafbókin“ efir Morten Strøksnes hefur verið okkar sameiginlega lesefni fyrir þessa sýningu. \nÞegar fiskur drukknar \nMorten Strøksnes \nÞegar hlýnun jarðar ber á góma verður okkur tíðrætt um hver áhrifin á líf okkar á landi munu verða. Það er eðlilegt vegna þess hve óralangt er síðan forverar okkar skriðu upp á þurrt land og þróuðu með sér lungu og bein í stað tálkna og brjósks. Þess vegna liggur svolítil skekkja í sjónarhorninu. Þótt ástand jarðarinnar ráðist augljóslega af því sem gerist á landi\, ekki síst af athöfnum okkar\, er það eigi að síður hafið sem hefur úrslitaáhrif. Vegna þess að hafið er hinn mikli loftslagsstillir jarðarinnar. \nUndanfarin árþúsund hafa lífsskilyrðin í hafinu verið í ótrúlegu jafnvægi. En það er liðin tíð. Orsökin er gríðarlegt magn af gróðurhúsalofttegundum sem við hleypum út í andrúmsloftið. Í raun hefur hafið tekið við megninu (93 prósentum) af þessum umframhita af mannavöldum. Auk hitans hefur gríðarlegt magn af koltvísýringi safnast upp í heimshöfunum. Ef sú væri ekki raunin væri jörðin nú þegar orðin mörgum gráðum heitari. \nÞví miður hefur þetta velviljaða gangverk sín takmörk og sinn kostnað í för með sér. Reikningurinn liggur á borðinu\, við getum unnið okkur inn tíma en við eigum ekki í nein hús að venda. \nHlýnun sjávar þarf ekki að vera skelfing í sjálfu sér enda þótt hún breyti vistkerfinu umtalsvert (það hefur alltaf verið breytingum undirorpið). Stóra vandamálið til lengdar er að hlýrra haf geymir minna kolefni og flýtir þannig enn frekar fyrir allsherjarhlýnun jarðar. Heitt haf býr þar að auki yfir minna súrefni en kalt haf. \nEnnfremur gerir aukið magn af koltvísýringi það að verkum að hafið verður sífellt súrara. Í kjölfar þess að við\, fyrir tvö hundruð árum síðan\, hófum að losa mikið magn af gróðurhúsalofttegundum út í andrúmsloftið hefur sýrustig sjávar lækkað hægt en örugglega. Undir næstu aldamót mun það líklega hafa sigið niður í 7\,8 (úr 8\,2 fyrir tvö hundruð árum síðan)\, telja vísindin. Það þýðir að hafið verði orðið súrara en flestar tegundir fiska og sjávardýra þola. Umskiptin verða hraðari en svo að sjávardýrin fái ráðrúm til aðlögunar. Vistkerfið mun hrynja\, allt frá toppi fæðukeðjunnar og niður í smæstu svifþörunga. \nVissuð þið annars að ein tegund af þessum agnarsmáu svifþörungum „fann upp“ ljóstillífunina fyrir óralöngu síðan\, á forsögulegum tíma jarðarinnar? Með því að nota orkuna frá sólinni tókst þeim að binda koltvísýringinn. Í þessu ferli varð súrefnið afgangs. Þannig voru lögð drögin að tilkomu okkar; það voru blágerlar í hafinu sem gerðu það að verkum að gildi koltvísýrings í andrúmsloftinu lækkaði en súrefnisgildið hækkaði. Þar til loks var hægt að draga andann. Blágerlarnir\, sem vísindin þekktu ekkert til fyrir fáeinum áratugum síðan\, hafa framleitt tvo þriðju hluta af öllu því súrefni sem fyrirfinnst á jörðinni. \n„Þetta reddast“ höfum við tilhneigingu til að segja við sjálf okkur\, kannski af djúpstæðri sjálfsvarnarþörf. En oft hefur ekkert reddast\, sérstaklega ef við reynum að setja hlutina í víðtækt samhengi (sem við erum ekkert góð í). Eitt dæmi: Við endalok permtímabilsins (fyrir 299-251 árum síðan)\, varð jörðin fyrir mestu fjöldaútrýmingu í sögu sinni. Eldgos í Síberíu bætti gríðarlegu magni af fosfóri út í andrúmsloftið og megnið af því endaði í hafinu. Þörungar vita ekkert betra en fosfór og þörungabúskapurinn náði hæstu hæðum. Þetta gekk nærri súrefnisbirgðum hafsins. Þegar allt þetta lífræna efni varð dauða og rotnun að bráð fylltist hafið af brennisteinstvíildi. Þessar hamfarir útrýmdu flestum (96 prósent) sjávardýrategunda og í dag þekkjum við þær eingöngu af steingervingum\, í mesta lagi. \nAllar fjöldaútrýmingar hafa tengst breytingum í hafinu\, beint eða óbeint. Sérstakar aðstæður gætu hafa komið ferlinu af stað\, svo sem gríðarlegt eldgos eða kuldaskeið. Mestu hamfarirnar stafa þó af laumulegum og hæggengum ferlum sem Hollywood mun aldrei gera neinar kvikmyndir um. Afleiðingin er breyting á hitastigi sjávar\, sýrustigi\, súrefnismettun og magni koltvísýrings eða fosfórs. Það sem við vitum er að hitastigið eykst hraðar í dag en á meðan stærsta fjöldaútrýming á jörðu stóð yfir. Vísindamenn sjá að súrefnismagnið í hafinu minnkar\, vegna „jarðræktar“ okkar og vegna þess að hlý höf binda minna súrefni en köld höf. Er ég þá að halda því fram að við stöndum frammi fyrir nýrri fjöldaútrýmingu? Nei\, það er eru mörg hundruð vísindamanna í fremstu röð sem halda því fram. \nAtvik verða sjaldan með alveg nákvæmlega sama hætti. En efnafræðileg viðbrögð stjórnast af lögmálum\, ekki duttlungum eða ímyndunum. Þegar efnasamsetningin í andrúmsloftinu og í hafinu breytist mun það hafa miklar og fyrirsjáanlegar afleiðingar fyrir lífið á jörðinni eins og við þekkjum það í dag. Þau lífsform sem hafa aðlagast núverandi loftslagi og efnajafnvægi eru sköpuð fyrir nákvæmlega þessi skilyrði\, en þeim er ekki eiginlegt að lifa þegar forsendurnar breytast umtalsvert. \nVísindin gefa lítið tilefni til bjartsýni. Jafnvel þótt við steinhættum tafarlaust að menga andrúmsloftið (sem er fræðilegur möguleiki)\, myndi það ekki stöðva ferlið sem hlýnun af mannavöldum hefur komið af stað. Kolefnishringrásin á milli lofts\, hafs og jarðar myndi halda áfram. Ef það yrði skyndilega mun minni koltvísýringur í andrúmsloftinu myndi hafið skila af sér miklu magni af koltvísýringi til að laga sig að aðstæðunum. Vegna slíkra innbyggðra viðbragða munu mengandi áhrif okkar vera virk langt inn í framtíð sem við höfum enga yfirsýn yfir. \nJarðfræðingar\, jöklafræðingar og loftslagsfræðingar\, hafa kennt okkur heilmikið um forsögu jarðarinnar. Við vitum að áður fyrr hefur verið mun meira magn af koltvísýringi á jörðinni en nú er. Mun heitara\, mun kaldara eða að yfirborð sjávar hafi verið 30 metrum hærra en nú. En það er engin huggun af því að þá mun jörðin heldur ekki hafa verið lífvænleg fyrir okkur. Stórtækar loftslagsbreytingar hafa margsinnis valdið fjöldaútrýmingu. Þá hefur flestu verið útrýmt\, nema allra harðgerðustu tegundunum. Það bendir því miður fátt til þess að við séum slíkur útvalinn hópur\, þrátt fyrir alla okkar háþróuðu tækni. \nAndstætt flestum öðrum lifandi skepnum jarðarinnar getum við ekki lifað í hafinu. En við getum heldur ekki lifað án þess.
URL:https://old.icelandicartcenter.is/exhibition/gudrun-gunnarsdottir-inger-johanne-brautaset-hafid-kemst-vel-af-an-okkar/
LOCATION:Listasafn Árnesinga\, Austurmörk 21\, Hveragerði\, 810\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2021/06/havet.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210703
DTEND;VALUE=DATE:20211223
DTSTAMP:20260404T181625
CREATED:20210831T142050Z
LAST-MODIFIED:20220825T135339Z
UID:18869-1625270400-1640217599@old.icelandicartcenter.is
SUMMARY:Guðrún Gunnarsdóttir & Inger-Johanne Brautaset: The Ocean Survives Without Us
DESCRIPTION:“The Ocean survives without us” is a collaborative project about the ocean between Iceland and Norway where we wish to dive into an unknown\, unexplored underworld – we swim between sharks\, plants\, plankton and unknown species\, and now\, in addition\, also plastics\, a new breed. \nThe book “Shark Drunk” by Morten Strøksnes has been a common reading for this exhibition. \nWhen fish drown \nMorten Strøksnes \nWhen we talk about global warming\, we are most concerned with how our lives on dry land are affected. This is not surprising\, because it is a very long time since our predecessors crawled ashore and developed lungs and bones instead of gills and fins. At the same time\, this focus is a bit skewed. Because even though the state of the earth is obviously affected by what happens on land\, not least by what we do\, the sea is more crucial. The ocean is the great climate regulator on our planet. \nIn recent millennia\, living conditions in the sea have been surprisingly stable. This is no longer the case. The reason is our greenhouse gas emissions. In fact\, the ocean has absorbed most (93 percent) of the extra heat our emissions have caused. Not only the heat but also huge amounts of CO2 have been stored in the world’s oceans. Had this not been the case\, the earth would already have been many degrees warmer. \nUnfortunately\, this blessed mechanism has its limit and a price. The bill is on the table and we can haul out the time. But we’ve got nowhere to run. \nThe warming of the ocean is not necessarily a disaster in itself\, although it does change ecosystems dramatically (and they have always changed). What poses the big problems in the long run is that warmer oceans store less carbon\, so that global warming is gaining speed. Warm seas also contain less oxygen than cold seas. \nWorse\, increasing levels of CO2 make the ocean increasingly acidic. After we started emitting large amounts of greenhouse gases into the atmosphere only two hundred years ago\, the pH value in the ocean has fallen slowly but surely. Already by the end of this century\, it will probably have dropped to pH 7.8 (from 8\,2 two hundred years ago)\, science tells us. If so\, the sea will be more acidic than most fish and other marine species can tolerate. The changes happen too fast for the species to adapt. Ecosystems will die\, from the top of the food chains and down to tiny algae (phytoplankton). \nBy the way\, did you know that a species of these microscopic algae «invented» photosynthesis deep back in earth’s prehistory? By using the energy from the sun\, it managed to bind CO2. The waste product of this process was gas called oxygen. This is how it started for us: blue-green algae/ bacteria in the ocean caused the level of CO2 in the atmosphere to drop\, and the oxygen level to rise. In the end it was possible to breathe. These same blue-green algae\, which science only a few decades ago did not know about\, have produced about two-thirds of the oxygen found on earth. \n«It´s probably gonna be all right»\, we have a natural propensity to assume\, maybe as a deeply embedded survival mechanism. But often it does not go well\, especially if we try to see things in the long run (something we are very bad at). For instance: At the end of the Permian (299–251 million years ago)\, the earth experienced the worst mass extinction in the planet’s history. Volcanic eruptions in Siberia added enormous amounts of phosphorus to the atmosphere\, and most of it ended up in the ocean. Algae love phosphorus\, and the algae bloom went crazy. This drained the ocean of oxygen. When all the biological material died and rotted\, the ocean was filled with sulphur gases. The disaster wiped out most (96 per cent) of the species in the ocean\, and these are now only known as fossils\, if at all. \nAll mass extinctions have been linked to changes in the ocean\, directly or indirectly\, maybe initiated by spectacular events such as extreme volcanic eruptions or meteor showers. But the real disasters were due to more insidious and slow-moving processes Hollywood will never make any movies out of. To changes in ocean temperature\, acidity\, oxygen saturation and levels of CO2 or phosphorus. \nWhat we do know is that the temperature is rising faster today than during the largest mass extinction the earth has ever seen.buy viagra online healthcoachmichelle.com/wp-content/themes/twentytwentyone/inc/en/viagra.html no prescription\n Science tells us that the oxygen level in the ocean drops due to our “fertilization”\, and because warmer oceans bind less oxygen than colder ones. Am I suggesting that we are in a new mass extinction? No\, there are hundreds of leading scientists who do that. \nThings rarely happen in exactly the same way. But laws of nature\, not whims or fancies\, govern chemical reactions. When the chemistry in the atmosphere and in the ocean changes\, this will have major\, predictable consequences for life on earth as we know it. The life forms that are adapted to today’s climate and chemical balance are built for exactly these conditions\, and not suitable for survival when dramatic changes occur. \nScience gives little reason for optimism. Even if our emissions stopped completely and momentarily (as is well known\, they actually go up)\, it would not freeze the ongoing processes caused by man-made global warming. The cycles and exchange of carbon between air\, sea and earth would continue. If there was suddenly far less CO2 in the atmosphere\, the ocean would start to emit large amounts of CO2 to adapt to the new situation. Due to such feedback mechanisms\, the effect of our emissions will work in the foreseeable future. \nGeologists\, glaciologists and climate scientists have taught us an enormous amount about the earth’s past. We know that there has been extremely much more CO2 on earth in the past. A lot warmer. Also much colder. Or that the sea used to be 30 meters higher than now. But this is not reassuring. For also back then the earth would not be liveable for us. Dramatic climate change has on a number of occasions created mass extinctions that wiped out almost everything and everyone\, except the hardiest creatures. Unfortunately\, there is little indication that we\, even with our extremely advanced technology\, belong to this exclusive group. \nUnlike most living creatures on earth\, we cannot live in the ocean. But we cannot live without it either.buy viagra black online healthcoachmichelle.com/wp-content/themes/twentytwentyone/inc/en/viagra-black.html no prescription
URL:https://old.icelandicartcenter.is/exhibition/gudrun-gunnarsdottir-inger-johanne-brautaset-the-ocean-survives-without-us/
LOCATION:LÁ Art Museum\, Austurmörk 21\, Hveragerði\, 810\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2021/06/havet.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210703
DTEND;VALUE=DATE:20210816
DTSTAMP:20260404T181625
CREATED:20210718T132630Z
LAST-MODIFIED:20210927T133131Z
UID:17951-1625270400-1629071999@old.icelandicartcenter.is
SUMMARY:Milli fjalls og fjöru
DESCRIPTION:A land art exhibition at Alviðra in Dýrafjörður. \n\n\n\nArtists: \n\n\n\nAðalsteinn Þórsson Arna Guðný Valsdóttir Dagrún Matthíasdóttir Guðrún Hadda Bjarnadóttir Ólafur Sveinsson Thora Karlsdóttir Mireya Samper K J Baysa Marsibil Kristjánsdóttir Guðbjörg Lind Jónsdóttir Nina Ivanova Steinunn Matthíasdóttir Alviðrusystkinin \n\n\n\nThe works are ephemeral\, and will be exhibited until they are erased by the weather and passing of time.
URL:https://old.icelandicartcenter.is/exhibition/milli-fjalls-og-fjoru/
LOCATION:Alviðra in Dýrafjörður\, Alviðra in Dýrafjörður\, Dýrafjörður\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/07/alvidra.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210701
DTEND;VALUE=DATE:20210901
DTSTAMP:20260404T181625
CREATED:20210716T213026Z
LAST-MODIFIED:20210831T102030Z
UID:17947-1625097600-1630454399@old.icelandicartcenter.is
SUMMARY:Erling T.V. Klingenberg: POST POWER
DESCRIPTION:POST POWER by Erling T.V. Klingenberg at Eldheimar\, Vestmannaeyjar Opening 1st of July – end of summer \n\n\n\nThe exhibition “Post Power” by Erling T.V. Klingenberg opens at 5 pm at Eldheimar in Vestmannaeyjar\, Thursday 1st of July at 5 pm. The exhibition “Post Power” at Eldheimar consists of paintings\, sculptures\, video and photographs. The process of making the works in this exhibition is no less important than the final outcome\, where horsepower and welding torch transform and imitate the natural forces. Nothing is as it seems. \n\n\n\nErling T.V. Klingenberg studied at the Icelandic College of Art & Craft and graduated from there in 1994. He also studied at the Hochschule fur Bildende Kunst in Frankfurt am Main and in Kiel in Germany. From there he went to Halifax\, Canada and graduated 1997 with MFA degree from Nova Scotia College of Art & Design. Erling T.V. Klingenberg has both exhibited in his native Iceland and abroad\, f.ex. in Austria\, Bulgaria\, Germany\, Switzerland\, Czech Republic\, Denmark\, Sweden\, Netherland\, Ireland\, Poland\, USA\, Canada and China. Beside his own practice\, Erling is one of the founder of Kling & Bang gallery (2003) that also ran the artist base KlinK and BanK 2004 and 2005). \n\n\n\nHe has\, with his colleagues at Kling & Bang\, organized and collaborated on various project with many other artists\, such as Sheep Plug with Jason Rhoades and Paul McCarthy\, the film Skipholt with John Bock\, Two Hanks with David Askevold\, Hugris with Gelitin and the Sirkus Bar at Frieze Project (Frieze Art Fair 2008) and A Kassen (2012 and 2019).
URL:https://old.icelandicartcenter.is/exhibition/erling-t-v-klingenberg-post-power/
LOCATION:Eldheimar\, Suðurvegur / Gerðisbraut 10\, Vestmannaeyjar\, 900\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/07/kraftur.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210626
DTEND;VALUE=DATE:20210726
DTSTAMP:20260404T181625
CREATED:20210801T101102Z
LAST-MODIFIED:20220825T133620Z
UID:18004-1624665600-1627257599@old.icelandicartcenter.is
SUMMARY:Powerhouse
DESCRIPTION:SATURDAY JUNE 26TH\, OPENING 2:00 TO 6:00 PM\n\n \n\nThe exhibition is open Tues to Sun. 2pm- 5pm until 25.07\n\n \n\nThe exhibition Powerhouse opens in the factory in Hjalteyri in June 2021 and brings together the works of Boris Labbé\, Francois Morelli\, Gústav Geir Bollason\, Páll Haukur and Sigurður Ámundason.\n\n \n\nHere\, works by varying artists come together for the first time: Video works\, drawings and sculptures that rekindle the engine power of the surrounding environment: Tighten strings\, build tension\, transform\, move and power through.\n\n \n\nThe meaning of the word powerhouse varies according to context\, whether it refers to a living person or a man-made structure.buy plavix online https://blackmenheal.org/wp-content/languages/new/plavix.html no prescription\n Both are at work in the world\, wear down and change and are therefore unstable: Fields of radiation or energy that are renewed and change from one image to another. Something happens and does not disappear unless the resistance is more than the generator. Mover\, great feat\, power\, dynamo\, champion\, power plant. Something that triggers something to happen. Incentive\, a guess\, tension\, maybe discrepancy?\n\n \n\nAnyways\, with our feet firm to the ground we move forward\, adrift — unstable surfaces push us and stir.
URL:https://old.icelandicartcenter.is/exhibition/powerhouse/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210626
DTEND;VALUE=DATE:20210712
DTSTAMP:20260404T181625
CREATED:20210718T134109Z
LAST-MODIFIED:20220825T134136Z
UID:17961-1624665600-1626047999@old.icelandicartcenter.is
SUMMARY:Þula: One Year Anniversary Exhibition
DESCRIPTION:A celebration exhibition showing works of 10 artists who have exhibited at Þula since it first opened its doors a year ago. \n\n\n\nARTISTS: Hugleikur Dagsson Þórdís Erla Zoega Aðalheiður Daly Þórhallsdóttir Dýrfinna Benita Tolli Sunneva Ása Weisshappel Kristín Morthens Helga Páley Anna Maggý Sigurður Ámundason
URL:https://old.icelandicartcenter.is/exhibition/thula-one-year-anniversary-exhibition/
LOCATION:Þula\, Hjartartorg\, Laugavegur 21\, Reykjavík\, 101\, Iceland
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210626
DTEND;VALUE=DATE:20210721
DTSTAMP:20260404T181625
CREATED:20210718T133852Z
LAST-MODIFIED:20220825T133332Z
UID:17959-1624665600-1626825599@old.icelandicartcenter.is
SUMMARY:Pabbi í Veggnum
DESCRIPTION:A group exhibition at Gletta in Borgarfjörður Eystri.\n\n \n\nArtists:\n\n \n\nRúnar Örn Jóhönnu Marinósson\nGeirþrúður Einarsdóttir\nAuður Ómarsdóttir\nGylfi Freeland Sigurðsson
URL:https://old.icelandicartcenter.is/exhibition/pabbi-i-veggnum/
LOCATION:Gletta\, Hafnarhús\, Borgarfirði Eystri\, Borgarfirði Eystri\, Iceland
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210626
DTEND;VALUE=DATE:20210712
DTSTAMP:20260404T181625
CREATED:20210718T133624Z
LAST-MODIFIED:20210718T133624Z
UID:17957-1624665600-1626047999@old.icelandicartcenter.is
SUMMARY:Halldór Ragnarsson - Tungumálið sem ég græt við
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/halldor-ragnarsson-tungumalid-sem-eg-graet-vid/
LOCATION:Listamenn Gallerí\, Skúlagata 32-34\, Reykjavík\, 101\, Iceland
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210620
DTEND;VALUE=DATE:20210719
DTSTAMP:20260404T181625
CREATED:20210801T100736Z
LAST-MODIFIED:20210801T100736Z
UID:18002-1624147200-1626652799@old.icelandicartcenter.is
SUMMARY:Jón Thor Gíslason: Sjónmál
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/jon-thor-gislason-sjonmal/
LOCATION:Gallery Göng\, Háteigsvegi 27-29\, Reykjavík\, Iceland
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210619
DTEND;VALUE=DATE:20211101
DTSTAMP:20260404T181625
CREATED:20210927T105313Z
LAST-MODIFIED:20211101T101856Z
UID:19368-1624060800-1635724799@old.icelandicartcenter.is
SUMMARY:Sjórinn er fullur af góðum verum. Sjórinn er fullur af rusli!
DESCRIPTION:Þessi sýning er heimur. Þessi sýning er hafið. Þar búa fiskar og rusl saman. Fyrir þessa sýningu hugsuðu börnin um hafið og uppáhaldspersónurnar sínar úr bókum norræna höfunda. Nú bjóða þau okkur á stað þar sem hægt er að láta sig dreyma um öðruvísi náttúru. Við ættum öll að taka boð þeirra alvarlega. Við erum beðin um að taka eftir\, muna eftir sögunum sem við lesum en líka að halda áfram að teikna – eins og börnin gerður fyrir þessa sýningu – og segja sögur. „Sjórinn er fullur af góðum verum. Sjórinn er fullur af rusli!“ er fyrsta sýning Vatnsdropans\, alþjóðlegs verkefnis þar sem verið er að skapa menningardagskrá með börnum og fyrir börn. Sýningarstjórar eru þrettán börn frá samstarfslöndunum Íslandi\, Danmörku\, Finnlandi og Eistlandi. Börnin hafa valið verk frá samstarfssöfnunum sem tengjast fjórtánda heimsmarkmiði Sameinuðu þjóðanna\, Lífi í vatni. Þau hafa bætt við sínum eigin teikningum og textum þar sem sögð er saga hafsins. \nÍ Vatnsdropanum er lögð áhersla á að skapa menningardagskrá með börnum fyrir börn. Vatnsdropinn er umfangsmesta menningarverkefni síðustu ára sem Kópavogsbær á frumkvæðið að og er unnin í samvinnu við H. C. Andersen safnið í Danmörku\, Múmínsafnið í Finnlandi og Ilon´s Wonderland safnið í Eistlandi. Vatnsdropinn er þriggja ára alþjóðlegt verkefni þar sem fléttast saman myndlist\, menningararfur\, bókmenntir\, náttúruvísindi\, margmiðlun og menntunargildi. \nVerkefnið er stutt af Erasmus+\, Barnamenningarsjóði Íslands\, Norræna menningarsjóðnum\, Nordplus og lista- og menningarráði Kópavogsbæjar. \nUngir sýningarstjórar: \nElsa Johanna Talvistu\, Fjóla Kristín Sveinbjörnsdóttir\, Freyja Lóa Sigríðardóttir\, Ines Väänänen\, Kristine Hjarsbæk Sörensen\, Lóa Arias\, Maisa Kiviniity\, Mathilde Aagaard Andersen\, Minea Engmann\, Moona Ojasoo\, Olivia Rosenfeldt Lacy\, Vigdís Una Tómasóttir\, Íva Jovisic.
URL:https://old.icelandicartcenter.is/exhibition/sjorinn-er-fullur-af-godum-verum-sjorinn-er-fullur-af-rusli/
LOCATION:Gerðarsafn Kópavogur Art Museum\, Hamraborg 4\, Kópavogur\, 200\, Iceland
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210619
DTEND;VALUE=DATE:20211101
DTSTAMP:20260404T181625
CREATED:20210801T153823Z
LAST-MODIFIED:20211101T101925Z
UID:18021-1624060800-1635724799@old.icelandicartcenter.is
SUMMARY:The Sea is full of Kind Creatures. The Sea is full of Trash!
DESCRIPTION:This exhibition is a world. This world is the ocean. There\, fish and trash coexist. For this exhibition\, children thought about the ocean and their favourite characters from Nordic children´s books. Now\, they invite us to a place to dream about a different nature. We all should take this invitation seriously. It asks us to observe\, to remember the stories we read\, but also to continue to draw – as the children did for this exhibition – and to tell stories. “The sea is full of kind creatures. The sea is full of trash!” is the first exhibition of The Water Drop\, an international project creating cultural programming with and for children. This exhibition is curated by 13 children from the four partner countries of Iceland\, Denmark\, Finland and Estonia. The children have selected works from the collections of the partner museums that connect to the 14th Sustainable Development Goal of the UN: Life Below Water. They have also added their own drawings and texts\, telling stories of the oceans. \nThe project puts a focus on creating cultural programming with and for children. The Water Drop is conceived by Culture Houses of Kópavogur in Iceland\, H. C. Andersen Museum in Denmark\, Moomin Museum in Finland and Ilon’s Wonderland in Estonia. The project is realised over a three-year period with an international array of collaborators including cultural institutions\, museums\, libraries\, schools and independent cultural practitioners. \nThe project is made possible by the generous support of: Erasmus+\, Children’s Culture Fund of Iceland\, Kópavogur Art & Culture Fund\, Nordic Culture Fund and Nordplus. \nYoung Curators: \nElsa Johanna Talvistu\, Fjóla Kristín Sveinbjörnsdóttir\, Freyja Lóa Sigríðardóttir\, Ines Väänänen\, Kristine Hjarsbæk Sörensen\, Lóa Arias\, Maisa Kiviniity\, Mathilde Aagaard Andersen\, Minea Engmann\, Moona Ojasoo\, Olivia Rosenfeldt Lacy\, Vigdís Una Tómasóttir\, Íva Jovisic. \n\n\n\nPhoto: Drawing by the young curators.
URL:https://old.icelandicartcenter.is/exhibition/the-sea-is-full-of-kind-creatures-the-sea-is-full-of-trash/
LOCATION:Gerðarsafn Kópavogur Art Museum\, Hamraborg 4\, Kópavogur\, 200\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/06/sjórinn.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210619
DTEND;VALUE=DATE:20210808
DTSTAMP:20260404T181625
CREATED:20210801T153655Z
LAST-MODIFIED:20211021T112757Z
UID:18019-1624060800-1628380799@old.icelandicartcenter.is
SUMMARY:Hildur Bjarnadóttir: Abyss
DESCRIPTION:Abyss\n\n \n\nRhythm\, mimetic art\, and the cadence of the world in the weaving of Hildur Bjarnadóttir.\n\n \n\nWhen Hildur Bjarnadóttir began homesteading at Þúfugarður in the uncultivated marshlands of the Flói district\, some five years ago\, the surrounding native plants and level expanse of land and sea were the fuel of her art. That metabolic exchange of light\, soil\, and water is vividly apparent in her work\, or “woven paintings” as she calls them: wool and linen weaving in which earth’s juices are the wellspring of the colour while the form arises from the rigid network of the loom\, through a craft based on age-old tradition. Tradition is not\, however\, the only thing that Hildur means to show us through these rigid specifications; here tradition brings about an encounter with the present\, as nature and culture meet in a surprising dialogue with contemporary digital\, networked visual culture\, a dialogue concerning\, among other things\, what it means to show and to be. Hildur’s works are “paintings” in which the canvas is not a hidden platform for paint but a densely-woven web of linen or wool threads drenched in colour; the colour has been purged of all reference to anything other than the materiality of the weave itself\, a network that echoes the contemporary screen image’s pixel meshwork in a provocative way. Thus Hildur’s work has opened up a new understanding of painting as a medium of mind and hand\, culture and nature.\n\n \n\nThough the impetus for pioneering in Flói was for Hildur to commune with the local environment\, the prospect changed abruptly when she and her partner Ólafur S. Gíslason had the good fortune of welcoming twin daughters\, Urður and Salka: Life in Flóinn no longer revolved around communing with earth colours but around constant\, demanding care for these new Þúfugarðar settlers\, who relentlessly demanded breastmilk\, bodily contact\, company\, and conversation. What’s more\, the newborns’ staggered shifts of sleep and waking disrupted the whole cadence of time\, in what had otherwise seemed a timeless coexistence of day and night in the rural peace of Flói. The newborns’ onerous task of mastering the world upended life in Þúfugarðar and called for a new rhythm of existence. New work shifts and job rotations were inevitable\, and to simplify matters Hildur drafted a new pattern in her journals: Urður and Salka’s sleeping hours became an Excel sheet\, and as Hildur slowly began to find hours to sit at her loom\, earth colours no longer occupied her mind as before; now it was time\, Urður and Salka’s common or staggered nap times\, that engrossed her. In short\, the Excel sheet of the twins’ naps became a new framework\, not just for family work shifts but also for the loom\, as a new rhythm emerged in the weave: While the ground of the weave remains\, as before\, vertical yellow woollen threads drawing their colour from local flora\, now it contends with a dark-blue horizontal linen weft thread\, painted with acrylic paint; the sisters’ nap times determine whether this shuttle thread hides the background or vanishes into the tight wool-and-linen weave.\n\n \n\nThis new programme for the loom\, based on a fixed\, quantifiable rule\, revealed new patterns inscribed in the weave\, patterns that also acquired a rhythmic quality. Each day has its rhythm\, its pattern\, and the weave as a whole becomes a sort of calendar of time-based variations on a musical theme. When we view this rhythm\, the sisters’ sleep is far off; we neither see nor hear it. Rather\, we perceive it through this rhythm\, which is rooted in nature no less than the natural dyes are. What is it that we see? We see the rhythm as extent\, not sleep.\n\n \n\nWhat is rhythm? Rhythm is a time-based phenomenon having to do with repetition. First something happens; then it is repeated: 1+1+1… Therefore rhythm has to do with memory: Repetition entails recognizing that which is repeated\, such as sunrise and sunset. Thus rhythm also has to do with knowledge: We can never know the beginning buried in the origins of space and time; lacking any perceivable precedent\, it is both invisible and inexpressible. Repetition is the prerequisite of all knowledge. The black hole of the “Big Bang” is also a paradoxical metaphor\, within the established figurative language of science\, for something that existed before everything existed. There is no established model\, within time\, for the Big Bang; therefore it is a metaphysical\, mythic metaphor.\n\n \n\nRhythm is innate to humankind\, just as it is to so many natural phenomena: People are made with two feet and walk in rhythm; they are made with two hands and move them in tandem. They have two eyes and blink them in tandem\, and moreover have a heartbeat and rhythmic breathing. Humans have all this in common with most vertebrates\, with the tail-strokes of salmon as well as the wingbeats of birds. Yet there is one difference: Hens may cluck rhythmically\, but they don’t know Beethoven’s Ninth Symphony. What is the difference?\n\n \n\nA honeybee’s rhythm is entirely within itself and the flower. The rhythm of art\, by contrast\, points beyond itself. It has to do with memory and meaning: a repetition of that which is gone forever. It is our image of time\, the past that is forever gone and the future that is always yet to come. A fabricated rhythm conveys both mourning and anticipation; it is an occurrence that makes us aware of the past\, allowing us to grasp it in its intangible absence. The rhythm of art happens on the boundary between what has been and what will be. It is an endless variation on the beginning. It ultimately contains the consciousness of death.\n\n \n\nThe rhythm in Hildur’s weaving is not confined to the variations of sleep and waking in her pattern. It is also inherent in the physical exertion at the loom itself: In a way the loom’s treadle and shuttle recall a pipe organ\, in coordinating hand and foot to create a weave that\, like the pattern itself\, indicates the cadence of the world that envelops our lives and existence. All peoples’ languages are rooted in the world’s rhythmicity\, which goes back to the beginning that lies beyond human understanding. Just as written language is rooted in song\, song is rooted in the primal cry that is beyond human understanding and which we can trace not only to our ancestors in the animal kingdom but all the way to the above-mentioned Big Bang that science tells us\, in its metaphor\, marks the beginning of the world. Mime and dance are rooted not only in the ritual invocations\, of weather gods or gods of the hunt\, of humankind’s effort to gain power over nature; they are rooted in the beginning that can only be grasped through repetition\, in the mythic image of the origin of the world.\n\n \n\nWe cannot look toward myths of the world’s origins otherwise than through the rhythm of nature; likewise\, we cannot look toward our own origins otherwise than through the miracle that happens in the womb when consciousness of rhythm arrives through the foetus’s perception of the mother’s heartbeat. The first beat is in darkness\, then it happens again; with that\, the world’s rhythm becomes part of our lives through the knowledge of what has come before and what is imminent. Human civilization arises when humanity learns to cultivate the imitation of rhythm to imbue human life with meaning\, a meaning not restricted to conceptual definitions but inextricably bound up in our intertwined bodily sensations – of the world’s cadence as reflected in\, for example\, our breath and heartbeat – and in our various intertwined modes of bodily expression\, sound and word\, image and gesture\, somnolence and wakefulness. We see not with our eyes or brain but with our whole body. Our perception of the world’s cadence is inextricably entwined with our bodies and our life\, apart from all the analytical sciences’ worthy attempts to reduce the world to its subatomic particles.\n\n \n\nIt was Urður\, Hildur and Ólafur’s daughter\, who gave the sleep pieces their name: The word ‘abyss’ was among her first attempts to connect sounds and language with objects through imitation. She heard her father use the word appelsína when handling oranges\, that desirable fruit known in many languages as a China apple\, or appel-Sina with the pertinent tonal variations. Urður knew nothing of these associations; rather\, she learned through her own insight that this strange sound had a mysterious connection to this sun-yellow fruit\, not just once but every time it came into view. Her control of her vocal cords was imperfect\, to be sure\, as she was not yet 12 months old\, but she perceived that these sounds pertained not only to one particular object but to all the fruits that bore this desirable scent and texture\, this clear yellow sun-colour\, and these sour-sweet delectations of the gustatory sense. She said\, “Abyss!” and her parents unhesitatingly knew it was the moment to break open the juicy flesh of the fruit. Urður\, for her part\, had yet to master the English tongue and thus had no idea of the profundity this sound would have conveyed\, had she been situated in an English-speaking society. Yet the abyss in question here confronts us all: namely\, the abyss between words and objects\, the abyss that separates language from objective reality\, not just in imitative sounds but in all bodily mimicry\, signals\, and imagery. This is also the abyss between sleep and waking\, the abyss between the world´s cadence and our image of that cadence. It is this abyss that gives Hildur Bjarnadóttir’s woven works the noble quality of humanity’s doomed striving toward the universal\, a striving that makes our imitative arts tragic and\, at the same time\, delightful.\n\n \n\nÓlafur Gíslason
URL:https://old.icelandicartcenter.is/exhibition/hildur-bjarnadottir-abyss/
LOCATION:Hverfisgallerí\, Hverfisgata 4\, Reykjavík\, 101\, Iceland
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210619
DTEND;VALUE=DATE:20210702
DTSTAMP:20260404T181625
CREATED:20210801T152839Z
LAST-MODIFIED:20210801T152839Z
UID:18013-1624060800-1625183999@old.icelandicartcenter.is
SUMMARY:Hallgerður Hallgrímsdóttir: Muse
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/hallgerdur-hallgrimsdottir-muse/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210619
DTEND;VALUE=DATE:20210705
DTSTAMP:20260404T181625
CREATED:20210801T152738Z
LAST-MODIFIED:20220825T135050Z
UID:18011-1624060800-1625443199@old.icelandicartcenter.is
SUMMARY:I am thinking about sitting down on the ground -Tales of/on/with MotherLands
DESCRIPTION:You are warmly invited to join us at “I am thinking about sitting down on the ground – tales of/on/with MotherLands”\, the current show at Midpunkt featuring works by salt collective\, Elín Margot and Patricia Carolina. The show navigates around inter-species collaborations\, femininity\, and migration; investigating our personal and cultural relationship with land\, its carnality\, fecundity and permeability. \nOPENING Saturday 19th of June\, 14:00 – 17:00 \ni like the sound of the word home pronounced by british people.it feels like all of the air in one’s lungs gets pushed out\, quickly into the throat\, and leaves one’s body through rounded lips\, without touching them. hhhhome. it feels like a breathing exercise\, a breath out. a sigh of relief\, like when one gets hhhhome\, after a long shift at work. a sigh of exhaustion\, like when one misses hhhhome or when one doesn’t know where hhhhome is. \n“I am thinking about sitting down on the ground” is an invitation to reflect on the spaces we inhabit\, on the ground\, on bodies\, on cohabiting with other human and non-human companions. \nelín margot asks the visitors to consider the other beings living within us – they are our companions. she looks at the history of alewives. \npatricia carolina investigates the intertwining of cultural histories and lands – the significance of home across different countries\, thinking about feminine roles in the house\, in the society. \nsalt collective looks at shared moments and spaces – a picnic in the park\, a communal experience of togetherness\, a blanket in the form of postcards which visitors are invited to take with them and to share with those who are not physically close. \nthe ground is a host\, it gathers us and other humans and non-humans. it is origin and final destination. it extends beyond humans’ borders and brings us all together\, as a collaborative assemblage of humans and non-humans\, it is constituted of past lives\, decomposed in the soil\, all of our histories are brought together in a fertile humus under our feet\, food for everything and everyone else to grow. the ground is not a background in our life but an active subject of our history. herstory. theirstory. \n“I’m thinking about sitting down on the ground” looks at exchanges.between you and me.between me and you.between me and the air that leaves my body in a long\, rounded hhhhome. \nana victoria bruno \n\n\n\nArtist and designer Elín Margot (FR/IS) investigates the possibilities of food\, rethinking the act of eating in connection with sexuality\, cultures and gender. For this work she collaborated with Kjartan Óli Guðmundsson\, a chef and designer focusing on the uses and possibilities of microorganisms in food. \nPatricia Carolina`s (MX) practice engages with water relations\, notions of domesticity\, porosity\, and leaks as ways to observe migration flows. She graduated from the Iceland University of Arts in 2019\, and is currently pursuing a MFA in fine arts at the Oslo National Academy of the Arts. \nBased in the UK\, salt collective is the collaborative practice of Juliane Foronda (CA/PHL) and Ieva Grigelionyte (LT) \, which is rooted in food and hospitality.buy levaquin online pavg.net/wp-content/themes/twentytwentyone/inc/en/levaquin.html no prescription\n Founded in summer 2020\, the collective practices food-sharing as an ongoing means of contributing to the wider discourse of food politics through research\, as well as fostering community. \nCurator and writer Ana Victoria Bruno (ARG/IT) is interested in human and non-human migrations\, globalism\, post-colonialism\, personal and historical relationship with plants and nature as well as their agency.
URL:https://old.icelandicartcenter.is/exhibition/i-am-thinking-about-sitting-down-on-the-ground-tales-of-on-with-motherlands-2/
LOCATION:Midpunkt\, Hamraborg 22\, Kópavogur\, 220
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END:VCALENDAR