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METHOD:PUBLISH
X-WR-CALNAME:Icelandic Art Center
X-ORIGINAL-URL:https://old.icelandicartcenter.is
X-WR-CALDESC:Events for Icelandic Art Center
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BEGIN:VTIMEZONE
TZID:UTC
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TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20220101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220820
DTEND;VALUE=DATE:20220926
DTSTAMP:20260404T120539
CREATED:20220817T120839Z
LAST-MODIFIED:20221006T161234Z
UID:24671-1660953600-1664150399@old.icelandicartcenter.is
SUMMARY:Una Margrét Árnadóttir: Sleeping Bags
DESCRIPTION:Connected. Disconnected. Connected. Disconnected.\n\nPairing..\n\nConnected..\n\nConnected. Connected. Connected.\n\nDisconnected.\n\nPairing..\n\nUna Margrét Árnadóttir’s exhibition “Sleeping Bags” opens on Culture Night\, August 20 in Ásmundarsalur.\n\nUna Margrét Árnadóttir (1985) is an artist based in Reykjavik. She has participated in several exhibitions locally and internationally since graduating from Malmö Art Academy in 2013. Alongside her own practice\, Una is one of the founders of the artist-run space Open. Free admission and everyone welcome!
URL:https://old.icelandicartcenter.is/exhibition/una-margret-arnadottir-sleeping-bags/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/298720962_1765055370502371_734482871543659301_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220819
DTEND;VALUE=DATE:20220911
DTSTAMP:20260404T120539
CREATED:20220818T144929Z
LAST-MODIFIED:20220916T101608Z
UID:24719-1660867200-1662854399@old.icelandicartcenter.is
SUMMARY:R. Blair Sullivan: Wick
DESCRIPTION:Myndlistarmaðurinn R. Blair Sullivan opnar einkasýningu sína Wick í Harbinger sýningarýminu\nföstudaginn 19. ágúst frá 18-20. \nKl 19 fremur Ryan teikni-gjörning með kertaloga við undirleik hljómsveitarinnar Charlie Dwarf.\nSýningin stendur til 10. september og er opin föstudaga og laugardaga frá 14-17. \nMeð rannsóknartengdri og fjölfaglegri nálgun á teikningu tengir R. Blair Sullivan sögur sem virðast gjörólíkar til að vekja upp fjarstæðukenndan veruleikann sem fyrirfinnst innra með okkur og umhverfis. Með nýjum veggskúlptúrum og afturhvarfi til viðvarandi gjörningaraðar af staðbundnum teikningum\, sækir Wick sér innblástur í þróunarsöguna til að dvelja í samhenginu milli hins náttúrulega og manngerða umhverfis.
URL:https://old.icelandicartcenter.is/exhibition/r-blair-sullivan-wick/
LOCATION:Harbinger\, Freyjugata 1\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/R.-Blair-Sullivan.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220819
DTEND;VALUE=DATE:20220911
DTSTAMP:20260404T120539
CREATED:20220818T144749Z
LAST-MODIFIED:20220909T133120Z
UID:24717-1660867200-1662854399@old.icelandicartcenter.is
SUMMARY:R. Blair Sullivan: Wick
DESCRIPTION:With a research-based\, multidisciplinary approach to mark-making\, R. Blair Sullivan links seemingly disparate histories to conjure the surreal realities that exist within us and around us. \nWith new wall-based sculptures and a return to an ongoing series of site-specific\, performance-based drawings\, Wick draws from evolutionary history to relish in the interconnectedness between our biological and built environments.
URL:https://old.icelandicartcenter.is/exhibition/r-blair-sullivan-wick/
LOCATION:Harbinger\, Freyjugata 1\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/R.-Blair-Sullivan.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220819
DTEND;VALUE=DATE:20221002
DTSTAMP:20260404T120539
CREATED:20220817T114114Z
LAST-MODIFIED:20221005T123958Z
UID:24663-1660867200-1664668799@old.icelandicartcenter.is
SUMMARY:Jóna Hlíf Halldórsdóttir: Líking
DESCRIPTION:Half
URL:https://old.icelandicartcenter.is/exhibition/jona-hlif-halldorsdottir-liking/
LOCATION:BERG Contemporary\, Klapparstígur 16\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/bodskort_jona_berg-964x900-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220819
DTEND;VALUE=DATE:20221002
DTSTAMP:20260404T120539
CREATED:20220817T113742Z
LAST-MODIFIED:20221005T123939Z
UID:24659-1660867200-1664668799@old.icelandicartcenter.is
SUMMARY:Jóna Hlíf Halldórsdóttir: ANALOGY
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/jona-hlif-halldorsdottir-analogy/
LOCATION:BERG Contemporary\, Klapparstígur 16\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/bodskort_jona_berg-964x900-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220818
DTEND;VALUE=DATE:20221009
DTSTAMP:20260404T120539
CREATED:20220817T113027Z
LAST-MODIFIED:20221013T154551Z
UID:24665-1660780800-1665273599@old.icelandicartcenter.is
SUMMARY:Ryan Mrozowski: Eyes Like Pond
DESCRIPTION:Featuring paintings and sculptural wall works\, Eyes Like Ponds highlights Mrozowski’s signature systematic approach to painting. The artist’s immersive language\, which is rooted in visual and linguistic puzzles\, frequently uses botanical subjects to explore elements of presence\, absence\, and perception. \nFoliage\, fruit\, and letters become abstracted in Mrozowski’s compositions\, as the artist crops and repeats his motifs. The resulting lyrical patterning disrupts the traditional still-life and often reimagines nature with methodical order. \nThe repetition within the compositions is also reflected in the doubling of canvases\, as seen in Mrozowski’s pendants. By masking fauna with saturated areas of color\, Mrozowski provokes an optical oscillation for the viewer\, as one’s mind strives to connect the two paintings into a single image. Imbued with vibrancy\, the artist’s diptychs create a distorted mirroring effect that can be found throughout his practice. \nIn Mrozowski’s language paintings\, the text acts as a disruptor to his images\, similarly to the artist’s use of pattern play. The letters can be deciphered into words quickly – eyes\, yes\, on\, no\, noon – as linguistic associations become apparent. As with much of his practice\, Mrozowski’s word paintings possess a digital quality\, with his analog style paying subtle homage to the technology of typing\, cutting\, and pasting. \n\n\nRyan Mrozowski was born in 1981 in Pennsylvania\, and lives and works between Hudson and Brooklyn\, New York\, USA. He earned his MFA from the Pratt Institute\, New York\, in 2005\, and his BFA from the Indiana University of Pennsylvania in 2003. His work has been the subject of exhibitions at international venues including Galerie Nordenhake (Mexico City\, Stockholm\, Berlin)\, Ratio 3 (San Francisco)\, Hannah Hoffman Gallery (Los Angeles)\, Simon Lee (London) and Chapter (New York). This is his first exhibition with i8 Gallery. 
URL:https://old.icelandicartcenter.is/exhibition/ryan-mrozowski-eyes-like-pond/
LOCATION:i8 Gallery\, Tryggvagata 16\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/Screenshot-2022-08-17-at-11.29.35.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220818
DTEND;VALUE=DATE:20221009
DTSTAMP:20260404T120539
CREATED:20220817T113027Z
LAST-MODIFIED:20221013T154155Z
UID:24653-1660780800-1665273599@old.icelandicartcenter.is
SUMMARY:Ryan Mrozowski: Eyes Like Pond
DESCRIPTION:Featuring paintings and sculptural wall works\, Eyes Like Ponds highlights Mrozowski’s signature systematic approach to painting. The artist’s immersive language\, which is rooted in visual and linguistic puzzles\, frequently uses botanical subjects to explore elements of presence\, absence\, and perception. \nFoliage\, fruit\, and letters become abstracted in Mrozowski’s compositions\, as the artist crops and repeats his motifs. The resulting lyrical patterning disrupts the traditional still-life and often reimagines nature with methodical order. \nThe repetition within the compositions is also reflected in the doubling of canvases\, as seen in Mrozowski’s pendants. By masking fauna with saturated areas of color\, Mrozowski provokes an optical oscillation for the viewer\, as one’s mind strives to connect the two paintings into a single image. Imbued with vibrancy\, the artist’s diptychs create a distorted mirroring effect that can be found throughout his practice. \nIn Mrozowski’s language paintings\, the text acts as a disruptor to his images\, similarly to the artist’s use of pattern play. The letters can be deciphered into words quickly – eyes\, yes\, on\, no\, noon – as linguistic associations become apparent. As with much of his practice\, Mrozowski’s word paintings possess a digital quality\, with his analog style paying subtle homage to the technology of typing\, cutting\, and pasting. \n\n\nRyan Mrozowski was born in 1981 in Pennsylvania\, and lives and works between Hudson and Brooklyn\, New York\, USA. He earned his MFA from the Pratt Institute\, New York\, in 2005\, and his BFA from the Indiana University of Pennsylvania in 2003. His work has been the subject of exhibitions at international venues including Galerie Nordenhake (Mexico City\, Stockholm\, Berlin)\, Ratio 3 (San Francisco)\, Hannah Hoffman Gallery (Los Angeles)\, Simon Lee (London) and Chapter (New York). This is his first exhibition with i8 Gallery. 
URL:https://old.icelandicartcenter.is/exhibition/ryan-mrozowski-eyes-like-pond/
LOCATION:i8 Gallery\, Tryggvagata 16\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/Screenshot-2022-08-17-at-11.29.35.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220808
DTEND;VALUE=DATE:20221001
DTSTAMP:20260404T120539
CREATED:20220803T173223Z
LAST-MODIFIED:20220830T092132Z
UID:24485-1659916800-1664582399@old.icelandicartcenter.is
SUMMARY:1 h.v.: Kees Visser & Rúna Þorkelsdóttir
DESCRIPTION:Kees exhibits a handful of new works which have been made with oil-colour on Japanese paper.   \nRúna’s works are from 1986 – 2021 worked with various media\, folded and glued ceramic\, bread\, acrylic\, oil-paint and texts. The works have never been exhibited before. \nA publication was published recently alongside this exhibition.
URL:https://old.icelandicartcenter.is/exhibition/1-h-v-kees-visser-runa-thorkelsdottir/
LOCATION:1 h.v. Gallery\, Langahlíð 19\, Reykjavík\, 105\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/Screen-Shot-2022-08-03-at-17.35.58.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220808
DTEND;VALUE=DATE:20221001
DTSTAMP:20260404T120539
CREATED:20220803T173223Z
LAST-MODIFIED:20220830T092111Z
UID:24489-1659916800-1664582399@old.icelandicartcenter.is
SUMMARY:1 h.v.: Kees Visser & Rúna Þorkelsdóttir
DESCRIPTION:Kees sýnir nokkur ný handarstór verk sem eru unnin með olíulit á japanskan pappír. \nVerk Rúnu eru frá 1986 – 2021 þau eru unnin í ýmis efni\, brotið samlímt keramik\, brauð\, akrýl\, olíu og texta. Verkin hafa ekki verið sýnd áður. \nNýtt bókverk eftir listamennina var gefið út í tengslum við sýninguna. \nMyndlistarsjóður styrkti útgáfuna.
URL:https://old.icelandicartcenter.is/exhibition/1-h-v-kees-visser-runa-thorkelsdottir/
LOCATION:1 h.v. Gallery\, Langahlíð 19\, Reykjavík\, 105\, Iceland
ATTACH;FMTTYPE=image/png:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/Screen-Shot-2022-08-03-at-17.35.58.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220806
DTEND;VALUE=DATE:20220829
DTSTAMP:20260404T120539
CREATED:20220822T150242Z
LAST-MODIFIED:20220916T101431Z
UID:24742-1659744000-1661731199@old.icelandicartcenter.is
SUMMARY:Sævar Karl: Frá degi til dags
DESCRIPTION:FRÁ DEGI TIL DAGS \n“Ég mála abstrakt\, fæst við formin í náttúrunni\, í þetta skiptið í garðinum mínum. Ég notfæri mér liti\, rými og form\, sem ég sé þar. Sumarið á Íslandi er einstakt\, dagarnir eru langir\, náttúran sýnist önnur að morgni en að kvöldi. Eg mála úti þegar sólin skín þá eru litirnir bjartari. Málverk sem tekst vel\, er eins og gróðurinn\, breytist frá degi til dags”
URL:https://old.icelandicartcenter.is/exhibition/saevar-karl-fra-degi-til-dags/
LOCATION:SÍM Gallery\, Hafnarstræti 16\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/SK-b4dc0c_6ca853deb62d4ba9975b4d8eba03a0a1_mv2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220806
DTEND;VALUE=DATE:20220829
DTSTAMP:20260404T120539
CREATED:20220822T150125Z
LAST-MODIFIED:20220829T155840Z
UID:24738-1659744000-1661731199@old.icelandicartcenter.is
SUMMARY:Sævar Karl: Frá degi til dags
DESCRIPTION:FRÁ DEGI TIL DAGS \n“Ég mála abstrakt\, fæst við formin í náttúrunni\, í þetta skiptið í garðinum mínum. Ég notfæri mér liti\, rými og form\, sem ég sé þar. Sumarið á Íslandi er einstakt\, dagarnir eru langir\, náttúran sýnist önnur að morgni en að kvöldi.\nbuy caverta online myhst.com/wp-content/themes/twentytwentytwo/inc/patterns/en/caverta.html no prescription \nEg mála úti þegar sólin skín þá eru litirnir bjartari. Málverk sem tekst vel\, er eins og gróðurinn\, breytist frá degi til dags”
URL:https://old.icelandicartcenter.is/exhibition/saevar-karl-fra-degi-til-dags/
LOCATION:SÍM Gallery\, Hafnarstræti 16\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/SK-b4dc0c_6ca853deb62d4ba9975b4d8eba03a0a1_mv2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220804
DTEND;VALUE=DATE:20221101
DTSTAMP:20260404T120539
CREATED:20220803T123653Z
LAST-MODIFIED:20221118T151238Z
UID:24443-1659571200-1667260799@old.icelandicartcenter.is
SUMMARY:Edith Hammar: Well-being
DESCRIPTION:Edith Hammar: Well-being in Gallery Underpass.\n\n\nOn the forth of august Edith Hammar´s exhibition Well – being opens in Gallery Underpass on Hverfisgata 76 in Reykjavik. \n\n\nEdith Hammar (b. 1992 Helsinki) is a visual artist who is known for large and powerful ink drawings made either on paper or as wall pieces. Their drawings feature recurring motifs which are in many ways autobiographical\, focusing on the experiences and images of gender non-conforming characters\, socialising\, relaxing\, and getting dressed or undressed in various casual but utopian settings. \nThe often large-scale drawings invite the viewer into a sort of portal\, a window onto a safe and blissful dimension where both artist and onlooker can test out desires and needs. \n\n\nEveryday objects take centre-stage in these fantasies\, suddenly lighting a candle nestled between ass cheeks can make total sense\, or shaving someone’s head is the most romantic thing in the world.\n\nIn 2020 Hammar released their debut comic book Homo Line (Förlaget M) in Finland\, and as of 2022 their works are in the permanent collection of Modern Museum of Art in Stockholm. They hold a BA in fine art from the Royal Academy of Fine arts in Stockholm.\n\n\nFor their exhibition in Gallery Underpass Edith Hammar has created new work which is drawn directly on the walls of the gallery space. \nWell-being opens as a part of Reykjavík Pride 2022. \n\nThe exhitibition is ongoing until the end of October.
URL:https://old.icelandicartcenter.is/exhibition/edith-hammar-well-being/
LOCATION:Gallery Underpass\, Hverfisgata 76\, Reykjavík\, 101\, Iceland
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/vellídan-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220804
DTEND;VALUE=DATE:20221101
DTSTAMP:20260404T120539
CREATED:20220803T123653Z
LAST-MODIFIED:20221110T111342Z
UID:24448-1659571200-1667260799@old.icelandicartcenter.is
SUMMARY:Edith Hammar: Vellíðan
DESCRIPTION:Edith Hammar (f. 1992 í Helsinki) er ungt listkvár sem vakið hefur athygli fyrir stórar og kraftmiklar blekteikningar sem unnar eru ýmist á pappír eða sem veggverk.\n\nHán teiknar endurtekin myndefni sem eru á margan hátt sjálfsævisöguleg\, með áherslu á upplifun og ímynd kynhlutlausra einstaklinga\, í félagslífi\, í hvíldarstund og að klæða sig í og úr fatnaði í heimilislegu\, en þó útópísku\, umhverfi.\nStórar teikningarnar bjóða áhorfandanum inn í einskonar gátt\, glugga með útsýni yfir örugga og draumkennda vídd þar sem bæði listkvárið og áhorfandinn geta mátað við sig langanir og þarfir. Hversdagslegir hlutir verða að miðpunkti þessara draumóra\, skyndilega er ekkert sjálfssagðara en að kveikja á kerti sem kúrir ofan í rassaskoru og það að raka af einhverjum hárið verður að hámarki rómantíkurinnar.\n\nÁrið 2020 gaf Hammar út sína fyrstu teiknimyndabók Homo Line (Förlaget M) í Finlandi sem notið hefur mikilla vinsælda og frá og með árinu 2022 má finna verk háns í safneign Modern Museum of Art í Stokkhólmi.\n\nEdith Hammar er með BA gráðu í myndlist frá Royal Academy of Fine arts í Stokkhólmi. \n\nFyrir Gallerí Undirgöng vann Edith nýtt verk sem teiknað er beint á veggi sýningarrýmisins.\nSýningin opnar sem hluti af dagskrá Hinsegin daga í Reykjavík 2022.\n@elmhammar
URL:https://old.icelandicartcenter.is/exhibition/edith-hammar-well-being/
LOCATION:Gallery Underpass\, Hverfisgata 76\, Reykjavík\, 101\, Iceland
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/vellídan-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220730
DTEND;VALUE=DATE:20220901
DTSTAMP:20260404T120539
CREATED:20220803T154320Z
LAST-MODIFIED:20220905T094611Z
UID:24466-1659139200-1661990399@old.icelandicartcenter.is
SUMMARY:FROM THE SHORE TO THE MUDPOOL
DESCRIPTION:FROM THE SHORE TO THE MUDPOOL \n\nExhibition curated by SPIT Collective (Natasja Loutchko\, Marta Orlando\, Clémentine Roy) \n05.08.22:  CONCERT at 8:30 pm\n  GERTRUDE & THE FLOWERS. The Poetry Punk band\n06.08.22:  LIVE SESSION from 22:30 -0:00   \n\n  Hooops Garden on RADIO CASHMERE*\n\n\n\nLet´s start with the  act of walking\, let´s take as metaphor the desire path\, which is often referred to  the realm of  transportation planning\, and also known as a game trail\, social trail\, fishermen trail\, herd path\, cow path\, elephant path\, goat track\, pig trail\, use trail\, and bootleg trail and  is a path created as a consequence of erosion caused by human and non human traffic. The path usually represents the shortest or most easily navigated route between an origin and destination. Desire paths emerge as shortcuts where constructed paths take a circuitous route\, have gaps\, or are non-existent. Images of desire paths have been employed as a metaphor for anarchism\, intuitive design\,  individual creativity\, and the wisdom of the crowds.  Let´s walk around without going anywhere\, in a constant state of flow\, learning from the landscape\, making sounds and echoing the nature. \n  \nAnd once we start to trace these lines\, intuitively or pragmatically let´s look back at few decades ago\, when during the 70´s in New York\, artists and queer were walking the lines of the Waterfront Piers\, exploring the boundaries of experimentations and desire\, suspended between water and concrete\, living a breathing zone; these outsiders of the society were  all going to the Piers to break away  from the normativity and seeking for deviation.  Walking  on the edge of the city\, where things have broken down\, the ruins of capitalism represented by these abandoned warehouses are just a memory today\, sublimated into a naked phantom. We wanted to talk about this memory\, this ghost\, creating a link between two different places\, a displacement of intentions which gather together artists and writers and their practices  linked with Queer culture and Cruising\,  as aesthetic method and act of reclaiming spaces and territories through wandering. Here the function of Cruising\, well known in the Queer community will turn into a conceptual action\, setting a relation between the factory in Hjalteyri and the Waterfront Piers in NYC. \n  \nThe  artists will display through different mediums and different approaches pieces\, performance\, readings\, writings or walking in order to dialogue with the space. The factory (and the corpus of works) will be at the same time main actor and spectator of the show and the relation between the inside and outside of the building will flip conceptually as a Möbius strip. We investigate the space with several perspectives\, as artists\, curators\, wanderer\, set in motion a shift of roles which offers a heterogeneous point of view\, and a visionary reactivation of the Ghost . The objects of our gaze become the subjects that look back at the Piers\, and look ahead at Verksmiðjan. \n  \nStarting from this Heterotopia\, we will deal with the phantom of a place that doesn’t ́t exist anymore\, yet its traces and ruins can be displayed elsewhere in order to reactivate its Genius Loci\, and the urge to claim functional and ephemeral spaces dealing with topics from Queer Ecology\, drawing lines between the wilderness and domestication of the outside\, and building up a Lesbian Cosmology related with Cruising which never been a lesbian practice\, or in general as female identity practice. Moreover\, the ultimate intentions is to put in relation outcasts of the normalised society\,  in order to launch a round table of discussion and research\, formulate questions without expecting strict answers\, or answer blurry questions around perception of the public space\, wherever and whenever was negated to queer or women\, through paradoxes\, desires\, visions alongside the reference of the Waterfront Piers as archetype of human and artistic expression.
URL:https://old.icelandicartcenter.is/exhibition/from-the-shore-to-the-mudpool/
LOCATION:Verksmiðjan á Hjalteyri\, Verksmiðjan á Hjalteyri\, Hjalteyri\, Eyjafjörður\, 604\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/hjalteyri.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220730
DTEND;VALUE=DATE:20220901
DTSTAMP:20260404T120539
CREATED:20220803T154320Z
LAST-MODIFIED:20220829T160216Z
UID:24473-1659139200-1661990399@old.icelandicartcenter.is
SUMMARY:ÚR FJÖRU Í DRULLUPOLL
DESCRIPTION:ÚR FJÖRU Í DRULLUPOLL\n\n\n\n\nSýningarstjórn SPIT Collective (Natasja Loutchko\, Marta Orlando\, Clémentine Roy) \n  \n05.08.22:  TÓNLEIKAR at 20:30\n  GERTRUDE & THE FLOWERS\n06.08.22:  LIVE SESSJÓN frÁ 22:30 – 00:00   \n\n  Hooops Garden á RADIO CASHMERE\n\n\n  \nVið skulum byrja á að skoða athöfnina að ganga út frá metafórunni löngunarslóð e: desire path; hugtak sem er yfirleitt notað innan umferðarskipulags en á líka við um sjálfsprottna göngustíga\, veiðimannastíga\, slóða hjarðardýra\, kúastíga\, fílaslóð\, geitaslóð\, fjárstíga\, ómerktar gönguleiðir og slóð veiðidýrsins\, sú sem veiðimenn fylgja þegar þeir leita uppi bráðina\, slóðar sem myndast þar sem dýr og menn eru sífellt að troða jarðveginn niður frá einum stað til annars. Slóðin gefur yfirleitt til kynna auðveldustu eða stystu leiðina á milli staða. Löngunarslóðar myndast einnig þar sem fólk hefur tekið upp á að stytta sér leið vegna þess að skipulögðu vegirnir eru krókaleiðir\, ófærir eða einfaldlega ekki til staðar. Löngunarslóðar hafa gjarnan verið táknmynd fyrir anarkisma\, innsæis-hönnun\, sköpun einstaklingsins og visku fjöldans. Við skulum ganga í stöðugu flæði án þess að hafa tiltekinn áfangastað í huga\, læra af landslaginu\, mynda hljóð og bergmála náttúruna. \n  \nFyrst við erum byrjuð að fylgja þessum stígum\, hvort sem það er á innsæinu eða kerfisbundið\, þá skulum við fara nokkra áratugi aftur í tíma\, til New York á áttunda áratugnum. Þá var algengt að lista- og hinsegin fólk gengi meðfram The Waterfront Piers til þess að kanna mörkin milli reynslu og löngunar. Þarna mitt á milli hafsins og steypunnar fundu þessir útlagar samfélagsins andrými til þess að brjótast undan norminu og villast viljandi af “réttu brautinni”. Að ganga á jöðrum borgarinnar\, í niðurníðslunni þar sem rústir kapítalismans birtust áður í yfirgefnum vöruskemmum en eru aðeins minningar í dag\, göfgaðar sem nakin vofa. Okkur langaði að vinna með þetta minni\, þennan draug og búa til tengingu milli tveggja ólíkra staða og stefna saman listamönnum og rithöfundum sem vinna með hinsegin menningu og Rúntinn e: cruising sem fagurfræðilega aðferð og leið til þess að endurheimta rými og svæði með því að ferðast fótgangandi um þau. Rúnturinn sem er þekkt fyrirbæri í menningu hinsegin fólks gegnir hér því hlutverki að vera hugmyndaleg athöfn sem tengir saman Verksmiðjuna á Hjalteyri og The Waterfront Piers í New York. Listamennirnir nálgast viðfangefnið á fjölbreyttan hátt og vinna með ólíka miðla í samtali sínu við rýmið. Verksmiðjan (og listaverkin) eru í senn aðalleikari og áhorfandi að sýningunni. \n  \nSambandið milli ytra og innra rými byggingarinnar kollvarpast eins og möbíus-renningur. Við könnum rýmið út frá ólíkum sjónarhornum\, sem listamenn\, sýningarstjórar\, sem ferðalangar\, víxlum hlutverkum\, til þess að bjóða upp á fjölbreytt sjónarmið og endurvekja Drauginn. Viðfangið sem beint er sjónum að verður að virkum geranda sem horfir samtímis aftur til The Waterfront Piers og fram til Verksmiðjunnar. \n  \nMeð því að nota þessa Heterótópíu sem útgangspunkt getum við tekist á við vofu staðar sem ekki er lengur til\, en þar sem enn eru til leifar og rústir frá staðnum getum við endurvakið Genius Loci (verndarandi staða) og þannig gert tilkall til svæða sem tengjast hinsegin vistfræði\, skilið á milli óbyggðarinnar og þess tamda í náttúrunni og byggt upp lesbíska heimsmynd sem tengist Rúntinum sem þó var aldrei lesbísk venja eða iðja tengd sjálfsmynd kvenna. Markmið sýningarinnar er einnig að tengja saman útlaga hins staðlaða samfélags og búa til hringborð umræðna og rannsókna. Við viljum spyrja spurninga sem krefjast ekki endilega skýrra svara og reyna að svara þokukenndum spurningum um eðli félagslegra rýma\, sem haldið var frá hinsegin fólki og konum\, með því að skoða þversagnir\, langanir og hugsjónir og horfa á The Waterfront Piers sem erkitýpu mannlegrar og listrænnar tjáningar.
URL:https://old.icelandicartcenter.is/exhibition/from-the-shore-to-the-mudpool/
LOCATION:Verksmiðjan á Hjalteyri\, Verksmiðjan á Hjalteyri\, Hjalteyri\, Eyjafjörður\, 604\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/hjalteyri.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220716
DTEND;VALUE=DATE:20220815
DTSTAMP:20260404T120539
CREATED:20220808T142819Z
LAST-MODIFIED:20220825T134705Z
UID:24609-1657929600-1660521599@old.icelandicartcenter.is
SUMMARY:Claire Paugam: Essentially Untitled
DESCRIPTION:From one room to an elsewhere\nBlack and empty\nFull of separate matters\nWorlds within a space\nEmerging \n„Photographs are essentially the materiality of a past reality\, though when looking at them\, the realms they invite us into are incredibly present. I see them as doors for us to open\, so that narratives emerge\, creating inner travels within the mind. Photographs are illusions but still\, it is the most natural response to believe in their realness and dive into them. \nDisrupted photographs\, conceived as fluid matter\, escaping from settled expectations\, are on display. They are staged to be passed through\, moved\, observed while their potential meanings are shaping with you.“ \nClaire Paugam is a multidisciplinary French artist (b.1991)\, who lives and works in Reykjavik and a recipient of the Motivational Award 2020 delivered by the Icelandic Art Prize. After graduating from the Master of Fines Arts program of the Iceland University of the Arts in 2016\, Claire has exhibited in Iceland and abroad\, such as the Young Art Biennale in Moscow (2016)\, The Icelandic Photography Festival at Gerðarsafn Art Museum (2018) and had a solo exhibition part of the D-Hall series at the Reykjavik Art Museum (2021). Moreover\, Claire is a board member of the Living Art Museum since 2019.buy acyclovir online www.adentalcare.com/wp-content/themes/medicare/editor-buttons/images/en/acyclovir.html no prescription\n \nThe core of her artistic practice is to raise questions about the matter by confronting a sensitive experience with common systems of rules and representation. Shapelessness\, disorder\, entropy and the feeling of letting go are major themes she explores.buy wellbutrin online www.adentalcare.com/wp-content/themes/medicare/editor-buttons/images/en/wellbutrin.html no prescription\n Each project comes with its own materiality and structure\, which allows her practice to embrace a vast range of materials.
URL:https://old.icelandicartcenter.is/exhibition/claire-paugam-essentially-untitled/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/claire-paugam.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220716
DTEND;VALUE=DATE:20220815
DTSTAMP:20260404T120539
CREATED:20220808T142819Z
LAST-MODIFIED:20220916T101419Z
UID:24613-1657929600-1660521599@old.icelandicartcenter.is
SUMMARY:Claire Paugam: Essentially Untitled
DESCRIPTION:Sýningin „Essentially untitled“ er einkasýning eftir Claire Paugam sem samanstendur af innsetningum og skúlpúturm sem voru skapaðir sérstaklega fyrir rými Ásmundarsalar. Fyrst er gestum boðið að ganga físískt í gegnum mynd til þess að komast inn í salinn\, í salnum rísa svo fleiri myndir upp úr gólfinu\, loftinu og veggjunum og þær taka yfir. Á sýningunni hefur hver mynd sinn eigin efnisleika og sérstaka framsetningu og þannig brjótast þær undan fyrirframgefnum væntingum okkar. \nÚr einu herbergi til víðar\nSvart og tómt\nFullt af aðskildum efnum\nHeimar innan rýmis\nBrjótast fram \n„Ljósmyndir eru í raun efnisleiki liðins veruleika\, þó við nánari skoðun\, bjóða þær uppá nálægar víddir sem taka okkur nær stundinni. Ég sé þær sem dyr sem hægt er að opna\, fyrir nýjar frásagnir\, sem skapa rými fyrir ferðalög hugans. Ljósmyndir eru sjónhverfingar\, en þó eru hin eðlilegaustu viðbrögð að trúa á þær og dýfa sér inn í þær. \nTruflaðar ljósmyndir\, hugsaðar sem breytilegt efni\, sem brotist hafa undan fyrirfram gefnum væntingum\, eru til sýnis. Þeim er stillt upp til að fara í gegnum\, hreyfa\, og fylgja\, meðan mögulegar merkingar þeirra myndast með þér.“ \nClaire Paugam er frönsk listakona (f.1991) og viðtakandi hvatningarverðlauna myndlistasjóðs (2020) sem vinnur þverfaglega og býr í Reykjavík. Eftir útskrift úr MA-námi Listaháskóla Íslands 2016 hefur Claire haldið sýningar á ýmsum stöðum á Íslandi og erlendis svo sem á Moskvutvíæringnum fyrir unga listamenn (2016)\, á Ljósmyndahátíð Íslands í Gerðarsafni (2018) og D-sals einkasýningu í Listasafni Reykjavíkur – Hafnarhúsinu (2021). Árið 2019 settist Claire í stjórn Nýlistasafnsins. \nKjarninn í vinnu hennar er að varpa fram spurningum um efnið með því að stilla viðkvæmri reynslu upp gegn hefðbundnum kerfum reglna og túlkunar. Formleysi\, óreiða og sú tilfinning að sleppa tökunum eru aðal þemun sem hún kannar. Claire styðst við eðlisávísunina í rannsóknum sínum\, hverju verkefni fylgir sérstök efniskennd og uppbygging og þannig getur hún tekist á við afar fjölbreytt efni.
URL:https://old.icelandicartcenter.is/exhibition/claire-paugam-essentially-untitled/
LOCATION:Ásmundarsalur\, Freyjugata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/claire-paugam.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220709
DTEND;VALUE=DATE:20220808
DTSTAMP:20260404T120539
CREATED:20220803T161307Z
LAST-MODIFIED:20220822T112800Z
UID:24481-1657324800-1659916799@old.icelandicartcenter.is
SUMMARY:Arkíf horfinna verka
DESCRIPTION:Safneign Nýlistasafnsins er fyrir löngu orðin lifandi goðsögn\, en í henni leynast óleystar ráðgátur sem nú taka yfir sýningarrými safnsins í Marshallhúsinu. Arkíf horfinna verka miðar að því að ná yfirsýn yfir safneignina á meðan unnið er að því að leysa þessa leyndardóma og gestir eru beðnir um að leggja sitt að mörkum í rannsókninni. Niðurstaðan verður heimildasafn um verk sem að af einhverjum ástæðum eru ekki á þeim stað sem þeim er ætlaður. Verkefnið tekur yfir sýningarrýmið í Marshallhúsinu frá 9. júlí til 7. ágúst í sumar. Samhliða því hefjum við upptökur á efni fyrir Nýló rásina\, nýja hlaðvarpsveitu sem fer af stað með sumrinu. \n\n\nHvað gæti hafa komið fyrir horfnu verkin? Í hvaða hillu eru þau komin? Eru þau hreinlega ekki lengur í varðveisluhúsnæðinu? Var þeim skilað til fyrri eigenda? Komið fyrir í öðrum geymslum? Voru þau lánuð á sýningu og aldrei skilað? Urðu þau fyrir óafturkræfum skemmdum? Finnast einhverjar ljósmyndir af verkunum? Hefur eitthvað verið skrifað um þau? Hvenær voru þau sýnd síðast? Og hvað með verkin sem við vitum ekkert um? Hvaðan komu þau? Hver er listamaðurinn? Hefur þú einhverjar upplýsingar? Við bjóðum þér að taka þátt í því að skapa Arkíf horfinna verka. \n  \nFrá stofnun Nýlistasafnsins 1978 hefur safneignin vaxið ört og nálgast í dag 3000 listaverk. Söfnunin hófst út frá hugsjón myndlistarmanna í andófi gegn áhuga- og afskiptaleysi opinberra safna í garð samtímalistar og safneignin er þess vegna einstök á marga vegu. Hún endurspeglar þróun íslenskrar myndlistar frá og með sjötta áratug síðustu aldar en geymir einnig verk eftir marga alþjóðlega stóra listamenn. Safneignin samanstendur eingöngu af gjöfum\, að mestu leiti frá listamönnum sem gefa safninu eigin verk eða verk eftir aðra í þeirra eigu. \n  \nÍ gegnum tíðina hafa safneignarfulltrúar Nýló rekið sig á leyndardóma í geymslum safnsins\, verk sem ekki finnast\, verk sem talin eru munaðarlaus og jafnvel alls óþekkt verk. Arkíf horfinna verka miðar að því að yfirfara safneign Nýló og skrásetja þau verk sem telja má glötuð í dag\, safna um þau heimildum og skrásetja. Verkefnið felur í sér yfirferð á öllum hillum\, skúffum og öðrum varðveilsustöðum safnsins og samanburði við skráningu á Sarpi og í pappírsgögnum um hvert einasta verk sem hefur verið þegið að gjöf. \n  \nSafnið heldur utan um tvö heimildarsöfn: Arkíf um listamannarekin rými og Gjörningaarkífið\, auk heimildasafns um eigið starf\, en á næstu misserum er ætlunin að bæta við Arkífi horfinna verka. Ætlunin með þessu nýja heimildasafni er sú að ná heildstæðri mynd af þeim verkum sem af einhverjum ástæðum eru ekki á skráðum varðveislustað\, en aukaafurð rannsóknarstarfsins verður heildstæð mynd af ástandi safneignarinnar og aukin þekking á þeim verkum sem eru á einhvern hátt óþekkt eða óskilgetin. Með því að safna heimildum um horfnu verkin gefst tækifæri til þess að endurheimta þau í safneignina sem hluta af arkífinu\, á meðan þeirra er leitað í yfirferðinni. Með því að opna þessa hlið safneignarstarfsins fyrir gestum er verið að opinbera viðkvæma og vandasama hlið safnastarfsins um leið og almenningi er boðið að taka þátt í því starfi sem rannsakendur. \n  \nÍ sumar fer fyrsti fasi verkefnisins fram í sýningarsal Nýló í Marshallhúsinu þar sem framtíð verkefnisins verður mótuð og það keyrt af stað með aðstoð gesta. Í framhaldi verður síðan reglulega opnunartími í safneigninni í Völvufelli samhliða áframhaldandi yfirferð. Einnig er fyrirhuguð útgáfa í tengslum við verkefnið. Þetta er því þáttur í því að opna safneignina meira og gera hana sýnilegri í safnastarfinu.
URL:https://old.icelandicartcenter.is/exhibition/archive-of-missing-artworks/
LOCATION:The Living Art Museum\, Grandagarður 20\, Reykjavík\, 101\, Iceland
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/Nýlistasafnid_arkívhorfinnaverka-Sigthora-Odins.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220709
DTEND;VALUE=DATE:20220808
DTSTAMP:20260404T120539
CREATED:20220803T161307Z
LAST-MODIFIED:20220808T140922Z
UID:24476-1657324800-1659916799@old.icelandicartcenter.is
SUMMARY:Archive of Missing Artworks
DESCRIPTION:The Living Art Museum collection has become a living legend\, but it contains unsolved mysteries which will now become the focus of the museum’s exhibition space in the Mashall house. The aim of the Archive of Missing Artworks is to publicly perform a comprehensive collection assessment while searching for the solutions to these mysteries. Guests are invited to participate in the inquiry and search for answers. The project will take over the exhibition space in the Marshall House from 9 July to 7 August this summer. At the same time\, we will start recording material for the Nýló channel\, a new podcast service that will launch in the summer. The Archive of Missing Artworks works will continue in the museum’s collection space in Völvufell for the following year. \n\n\nWhat could have happened to the missing artworks? Where are they? Were they returned to previous owners? Transferred to another storage? Were they loaned for exhibition and never returned? Did they suffer irreversible damage? Are there any photographs of the works? Has anything been written about them? When was the last time they were shown? And what about the works we don’t know anything about? Where did they come from? Who is the artist? Do you have information for us? We invite you to join us in creating the Archive of Missing Artworks. \n  \nThe Living Art Museum’s Collection grew rapidly from the museum’s founding in 1978 and counts close to 3000 pieces today. At the inception the guiding principle was artists’ dissidence against a perceived indifference of public art institutions toward contemporary art. As a result\, the collection is unique in many ways. It represents a history of development in Icelandic art from the 1970s to today but also includes works by a multitude of international and renown artists. The collection consists exclusively of donations\, most often from artists donating their own work. \n  \nCollections managers in Nýló through the years have encountered mysteries in the storage\, artworks that cannot be found\, orphaned works or completely unknown ones. With the Archive of Missing Artworks\, the aim is to conduct a foundational collections assessment and document the lost artworks and record their contextual metadata. The project entails an inspection of every shelf\, drawer and storage area with regard to the documented storage location on the online database Sarpur as well as paper documents for every piece that has been donated to the collection. \n  \nThe museum holds two archive collections; the Archive of Artist Run Initiatives and the Performance Archive\, as well as an archive of internal affairs\, but the final phase of this projects will result in the addition of the Archive of Missing Artworks. This will contain comprehensive documentation of the artworks that are considered lost. The byproduct of the archives development will be the collections assessment and further information on mysterious or orphaned works in the collection. \n  \nBy collecting documentation and metadata on the missing artworks\, they will be reclaimed as elements of the archive\, while they are searched for physically in the assessment. By opening this side of the museum work to guests\, a delicate side of the institutional workflow is exposed and the public is asked to participate as researchers. \n  \nThe first phase of this project will take over the museum’s exhibition space in the Marshall House\, where it will be jump started with the assistance of museum guests and the future of the assessment will be formulated. For the following months\, the project will continue in the collecion storage in Völvufell\, with regular opening hours. This will be a part of opening the collection\, providing valuable access and enhancing the visibility of the Nýló collection.
URL:https://old.icelandicartcenter.is/exhibition/archive-of-missing-artworks/
LOCATION:The Living Art Museum\, Grandagarður 20\, Reykjavík\, 101\, Iceland
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/Nýlistasafnid_arkívhorfinnaverka-Sigthora-Odins.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220707
DTEND;VALUE=DATE:20220911
DTSTAMP:20260404T120539
CREATED:20220803T174044Z
LAST-MODIFIED:20220909T133221Z
UID:24495-1657152000-1662854399@old.icelandicartcenter.is
SUMMARY:Drawings: Edda Jónsdóttir
DESCRIPTION:Edda Jónsdóttir (b. 1942) was born in Reykjavík were she studied at the Reykjavík School of Visual Arts\, The Icelandic College of Arts and Crafts and later at Rijksakademie van Beelende Kunsted Amsterdam. She worked as an artist from 1975-1995\, then founded i8 Gallery and directed the gallery in the years 1995-2007 when she returned to making art. Her latest exhibitions were in Ásmundarsalur and Café Mokka in Reykjavik in 2021. It Is a special honour for Hverfisgallerí to organise Jónsdóttir’s exhibition as It was her vision that laid the foundations to the gallery a decade ago.
URL:https://old.icelandicartcenter.is/exhibition/drawings-edda-jonsdottir/
LOCATION:Hverfisgallerí\, Hverfisgata 4\, Reykjavík\, 101\, Iceland
CATEGORIES:Exhibitions,Galleries
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/edda.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220707
DTEND;VALUE=DATE:20220911
DTSTAMP:20260404T120539
CREATED:20220803T174044Z
LAST-MODIFIED:20220916T101408Z
UID:24499-1657152000-1662854399@old.icelandicartcenter.is
SUMMARY:Teikningar: Edda Jónsdóttir
DESCRIPTION:Edda Jónsdóttir (f. 1942) býr og starfar í Reykjavík. Edda stundaði nám í Myndlistarskóla Reykjavíkur\, Myndlistar- og handíðaskóla Íslands og Rijksakademie van Beeldende Kunsten Amsterdam. Edda starfaði við myndlist frá árunum 1975 -1995\, stofnaði i8 gallerí og vann sem framkvæmdastjóri þess frá árunum 1995-2007 en sneri sér aftur á þeim tíma að myndlist. Síðustu sýningar hennar voru í Ásmundarsal 2021 og á Mokka kaffi sama ár. \nÞað er Hverfisgalleríi sérstakur heiður að skipuleggja einkasýningu Eddu Jónsdóttur þar sem hún fóstraði stofnun gallerísins fyrir tæpum tíu árum. Samhliða sýningunni Teikningar er efnt til útgáfu bókverks sem gerð var möguleg fyrir tilstuðlan úthlutunar úr Myndlistarsjóði.
URL:https://old.icelandicartcenter.is/exhibition/drawings-edda-jonsdottir/
LOCATION:Hverfisgallerí\, Hverfisgata 4\, Reykjavík\, 101\, Iceland
CATEGORIES:Exhibitions,Galleries
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/08/edda.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220702
DTEND;VALUE=DATE:20221003
DTSTAMP:20260404T120539
CREATED:20220929T120838Z
LAST-MODIFIED:20220929T121020Z
UID:26687-1656720000-1664755199@old.icelandicartcenter.is
SUMMARY:Nokkur nýleg verk
DESCRIPTION:Listasafn Íslands er þjóðlistasafn okkar Íslendinga og eitt af hlutverkum þess er að safna myndlist með það að markmiði að endurspegla sem best strauma og stefnur í íslenskri og alþjóðlegri myndlist á hverjum tímaeins og segir í lögum um safnið. Safneignin er yfirgripsmikil og fjölbreytt. Elstu verkin eru frá 16. öld og þau yngstu innan við ársgömul en kjarni safneignarinnar er íslensk myndlist frá aldamótunum 1900 til dagsins í dag. \nÁ sýningunni Nokkur nýleg verk má sjá úrval verka sem keypt hafa verið af innkaupanefnd Listasafns Íslands eða safnið hefur fengið að gjöf á undanförnum fjórum árum. \nNokkur nýleg verk hafa verið valin saman þar sem finna má kerfi og endurtekningar sem leiðarstef í verkum ellefu listamanna og eru þau unnin í ýmsa miðla. \n  \nListamenn: Anna Júlía Friðbjörnsdóttir\,  Bjarni H. Þórarinsson\, Fritz Hendrik Berndsen\, Guðjón Ketilsson\, Gunnhildur Hauksdóttir\, Hildur Bjarnadóttir\, Sigurður Guðjónsson\, Sigurður Atli Sigurðsson\, Sölvi Sólon Íslandus Helgason\, Valgerður Guðlaugsdóttir\, Örn Alexander Ámundason. \nSýningarstjóri: Vigdís Rún Jónsdóttir
URL:https://old.icelandicartcenter.is/exhibition/nokkur-nyleg-verk/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/webp:https://old.icelandicartcenter.is/wp-content/uploads/2022/09/image3.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220702
DTEND;VALUE=DATE:20221003
DTSTAMP:20260404T120539
CREATED:20220929T115919Z
LAST-MODIFIED:20221006T161106Z
UID:26683-1656720000-1664755199@old.icelandicartcenter.is
SUMMARY:Some New Works
DESCRIPTION:One of the roles of the National Gallery of Iceland is to collect art\, with the objective of reflecting as well as possible trends and movements in Icelandic and international art at any time\, as stated in the National Gallery of Iceland Act. The museum’s collections are extensive and diverse. The oldest works in the collection date from the 16th century\, while the most recent are less than one year old; the nucleus of the collection consists of Icelandic art from around 1900 to the present day. Today the collection numbers over 15\,000 works\, and more are added each year. \nThe exhibition Some New Works displays a selection of works which have been purchased by the gallery’s Acquisitions Board or presented to the gallery in recent years. The Exhibition have been curated to highlight systems and repetitions in the work of eleven artists\, which have been made in a range of different media. \nArtists: Anna Júlía Friðbjörnsdóttir\,  Bjarni H. Þórarinsson\, Fritz Hendrik Berndsen\, Guðjón Ketilsson\, Gunnhildur Hauksdóttir\, Hildur Bjarnadóttir\, Sigurður Guðjónsson\, Sigurður Atli Sigurðsson\, Sölvi Sólon Íslandus Helgason\, Valgerður Guðlaugsdóttir\, Örn Alexander Ámundason. \nCurator: Vigdís Rún Jónsdóttir
URL:https://old.icelandicartcenter.is/exhibition/some-new-works/
LOCATION:The National Gallery of Iceland\, Fríkirkjuvegur 7\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/webp:https://old.icelandicartcenter.is/wp-content/uploads/2022/09/image3.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220626
DTEND;VALUE=DATE:20220714
DTSTAMP:20260404T120539
CREATED:20220627T143623Z
LAST-MODIFIED:20220916T103212Z
UID:24160-1656201600-1657756799@old.icelandicartcenter.is
SUMMARY:Filling the Void
DESCRIPTION:Filling the Void is a duo exhibition in Gletta with works by Agata Mickiewicz and Styrmir Örn Guðmundsson.  \nThe artists present an installation of oil paintings\, ink drawings and wool tapestries that are made from their fascination of crystals. \nThis fascination is crystallised in a statement by the quantum physicist Nassim Haramein: \n“Unified physics suggests that spacetime itself is a type of holofractal crystal-like superfluid medium.” \nQuantum physics is currently identifying the presence of energy in a vacuum. From observations it appears that this energy takes on the geometry of a crystal and is the elementary source of all mass\, form and structure. \nGletta is located next to the harbour in Borgarfjörður Eystri.  \nOpening hours are 16-20 every day.
URL:https://old.icelandicartcenter.is/exhibition/filling-the-void/
LOCATION:Gletta\, Hafnarhús\, Borgarfirði Eystri\, Borgarfirði Eystri\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/06/void.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220626
DTEND;VALUE=DATE:20220714
DTSTAMP:20260404T120539
CREATED:20220627T143623Z
LAST-MODIFIED:20220916T101400Z
UID:24164-1656201600-1657756799@old.icelandicartcenter.is
SUMMARY:Tómið uppmálað
DESCRIPTION:Tómið uppmálað er samsýning í Glettu með verkum eftir Agötu Mickiewicz og Styrmi Örn Guðmundsson. \nSýningin samanstendur af olíumálverkum\, blek teikningum og veggteppum innblásin af hrifningu þeirra á kristöllum.\nÞessi hrifning kristallast í staðhæfingu skammtafræðingsins Nassim Haramein: “Unified physics suggests that spacetime itself is a type of holofractal crystal-like superfluid medium.” \nSkammtaeðlisfræði er nú að bera kennsl á tilvist orku í lofttæmi. Af athugunum virðist sem þessi orka tekur á sig rúmfræði kristals og er frumuppspretta alls massa\, forms og byggingar. \nGletta er staðsett í Hafnarhúsi við höfnina á Borgarfirði Eystri.  \nOpið 12- 16 alla daga.
URL:https://old.icelandicartcenter.is/exhibition/filling-the-void/
LOCATION:Gletta\, Hafnarhús\, Borgarfirði Eystri\, Borgarfirði Eystri\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/06/void.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220625
DTEND;VALUE=DATE:20220822
DTSTAMP:20260404T120539
CREATED:20220627T122956Z
LAST-MODIFIED:20220825T134324Z
UID:24132-1656115200-1661126399@old.icelandicartcenter.is
SUMMARY:Mateusz Hajman: Sirens of Poland
DESCRIPTION:Polish summer. Somewhere between blocks of flats. By the river’s shore. In the forest. By the coast. Those lazy days hard to tell apart from one another.buy viagra sublingual online myhst.com/wp-content/themes/twentytwentytwo/inc/patterns/en/viagra-sublingual.html no prescription\n Time blissfully slipping through fingers. When it is just enough to unveil a piece of skin and let the wind caress it unashamedly.buy silvitra online myhst.com/wp-content/themes/twentytwentytwo/inc/patterns/en/silvitra.html no prescription\n That tiny bit of pleasure you yearn for throughout the year. The summer moments caught in Mateusz Hajman’s analogue photography remind us that there indeed is something to wait for. There will eventually be summer again. Hajman\, in his shots\, unobtrusively captures those girls and boys full of ease and artlessness\, reminding us that it is the observer’s eye that sees the eroticism…\n\nText: Paulina Klepacz / Translation: Agata Pawlik
URL:https://old.icelandicartcenter.is/exhibition/mateusz-hajman-sirens-of-poland/
LOCATION:Cafe Pysja\, Hverafold 1-3\, Reykjavík\, 112\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/06/sirensofpoland.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220625
DTEND;VALUE=DATE:20220822
DTSTAMP:20260404T120539
CREATED:20220627T122956Z
LAST-MODIFIED:20220916T101349Z
UID:24138-1656115200-1661126399@old.icelandicartcenter.is
SUMMARY:Mateusz Hajman: Sirens of Poland
DESCRIPTION:Pólska sumrið; einhversstaðar milli íbúðarblokkanna\, við árfarveginn\, inni í skóginum\, úti við strandlengjuna. Þessa letilegu daga er erfitt að greina hvorn frá öðrum. Sæluríkur tíminn smígur milli fingranna. Þegar rétt sér bregða fyrir húðlit og vindurinn stríkur óblygðunarfullur. Smávegis nautn sem okkur eygir árið umkring. Þessi andartök yfir sumar tímann fönguð á analog filmu Hajman – minnir okkur á að það er vitaskuld til einhvers að hlakka. Það kemur ávallt sumar á ný. Hajman\, nærgætinn fangar hann\, stelpur og stráka í makindum sínum\, og minnir okkur á að áhorfandinn sjálfur mun nema erótíkina…\n\nText: Paulina Klepacz / Translation: Brynjar Helgason
URL:https://old.icelandicartcenter.is/exhibition/mateusz-hajman-sirens-of-poland/
LOCATION:Cafe Pysja\, Hverafold 1-3\, Reykjavík\, 112\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/06/sirensofpoland.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220624
DTEND;VALUE=DATE:20220926
DTSTAMP:20260404T120539
CREATED:20220623T141910Z
LAST-MODIFIED:20220623T141910Z
UID:23848-1656028800-1664150399@old.icelandicartcenter.is
SUMMARY:Rósa Gísladóttir
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/rosa-gisladottir/
LOCATION:The Einar Jonsson Museum\, Hallgrímstorgi 3\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/06/0.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220624
DTEND;VALUE=DATE:20220926
DTSTAMP:20260404T120539
CREATED:20220623T141910Z
LAST-MODIFIED:20220916T095914Z
UID:23854-1656028800-1664150399@old.icelandicartcenter.is
SUMMARY:Safn í safni
DESCRIPTION:Föstudaginn 24. júní kl. 17 opnar sýningin Safn Rósu Gísladóttur í Listasafni Einars Jónssonar (LEJ) sem jafnframt er 99 ára afmælisdagur safnsins. \nLEJ er fyrsta listasafn landsins sem opnað var almenningi í eigin húsnæði. Það byggir á gjöf Einars Jónssonar (1874-1954)\, fyrsta myndhöggvara Íslands\, en gjöfinni fylgdi kvöð um að reisa einkasafn yfir verk hans. \nÁ sýningunni tekst Rósa Gísladóttir (1957) á við hugmyndina um hið karllæga einkasafn og býr til sitt eigið safn með tilvísun í arkitektúr og tilurð LEJ. \nBoðið verður upp á léttar veitingar. Listamannaspjall verður tvisvar á sýningartímanum og kynnt nánar síðar. Sýningin stendur til 25. september og er styrkt af Myndlistarsjóði\, Myndstefi\, launasjóði myndlistarmanna og safnasjóði.
URL:https://old.icelandicartcenter.is/exhibition/rosa-gisladottir/
LOCATION:The Einar Jonsson Museum\, Hallgrímstorgi 3\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/06/0.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220618
DTEND;VALUE=DATE:20220701
DTSTAMP:20260404T120539
CREATED:20220627T143220Z
LAST-MODIFIED:20220627T143220Z
UID:24154-1655510400-1656633599@old.icelandicartcenter.is
SUMMARY:Einar Lúðvík Ólafsson: Real Recognize Real
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/einar-ludvik-olafsson-real-recognize-real/
LOCATION:Gallery Port\, Laugavegur 32\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/06/realrecognisereal.jpg
END:VEVENT
END:VCALENDAR