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X-WR-CALNAME:Icelandic Art Center
X-ORIGINAL-URL:https://old.icelandicartcenter.is
X-WR-CALDESC:Events for Icelandic Art Center
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DTSTART:20220101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220203
DTEND;VALUE=DATE:20220207
DTSTAMP:20260404T175922
CREATED:20211025T151632Z
LAST-MODIFIED:20220905T142106Z
UID:19881-1643846400-1644191999@old.icelandicartcenter.is
SUMMARY:Performance Nebula
DESCRIPTION:Performance art will be in focus at Reykjavik Art Museum – Hafnarhús this November with Performance Nebula a performance festival that takes place November 18th–21st 2021. Performance art has a long and remarkable history and has the art form flourishing in past years.buy zydena online myhst.com/wp-content/themes/twentytwentytwo/inc/patterns/en/zydena.html no prescription\n The program reflects this by offering performances by mixing generations of younger artists\, who have been experimenting with the form\, as well as other more experienced artists that have developed their own style\, methods and subjects. Artists and/or artists groups that took up performance art in their practices and influenced its development in the Icelandic art scene will participate in lunch talks. \nPerformance Fog is a one-day symposium on the theme of performance art and the institutional role with regards to the medium will run alongside of the festival program. Speakers include artists\, scholars and museum professionals specializing in preservation and archives. The symposium is held in collaboration with The Research Center in Museum Studies (RCMS)\, University of Iceland.buy kamagra effervescent online myhst.com/wp-content/themes/twentytwentytwo/inc/patterns/en/kamagra-effervescent.html no prescription\n \nArtists that participate in Performance Nebula include: The Icelandic Love Corporation\, Katrín Inga Jónsdóttir\, Margrét Bjarnadóttir\, Sigurður Ámundason\, Örn Alexander Ámundason\, Egill Sæbjörnsson and Ilmur Stefánsdóttir.
URL:https://old.icelandicartcenter.is/exhibition/performance-nebula/
LOCATION:Reykjavík Art Museum – Hafnarhúsið\, Tryggvagata 17\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/10/gjorningur-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220201
DTEND;VALUE=DATE:20220926
DTSTAMP:20260404T175922
CREATED:20220124T115835Z
LAST-MODIFIED:20220926T125813Z
UID:21157-1643673600-1664150399@old.icelandicartcenter.is
SUMMARY:Bathing Culture
DESCRIPTION:The outdoor\, geothermal pool is the most interesting public sphere in Iceland. A place where strangers cross paths and acquaintances meet; it serves a purpose similar to the plaza in warmer climes\, the pub in England or the café in France.\nIt is a source of wellbeing and part of everyday life. \nThe exhibition traces the development of public pools in Iceland from the late 19th century when the focus was on learning\, hygiene and physical education\, illustrates how play later became a key element\, and finally to the present when pleasure is the ultimate goal of a spa-like experience. \nArchitects\, graphic designers\, product designers\, fashion designers and experience designers have taken part in shaping this story in consort with the public\, the pools staff\, and the munincipalities. It is an example of social design at its best.
URL:https://old.icelandicartcenter.is/exhibition/bathing-culture/
LOCATION:Museum of Design & Applied Art\, Garðatorg 1\, Garðabær\, 210\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/365-sundlaugar-19-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220201
DTEND;VALUE=DATE:20220926
DTSTAMP:20260404T175922
CREATED:20220124T115835Z
LAST-MODIFIED:20221006T161227Z
UID:21161-1643673600-1664150399@old.icelandicartcenter.is
SUMMARY:Sund
DESCRIPTION:Það eru engir viðskiptavinir í sundlaugum landsins\, aðeins sundlaugagestir: almenningur á hverjum stað fyrir sig\, fólk á öllum aldri með alls konar bakgrunn\, alls konar holningu og alls konar sýn á lífið. Mikilvægustu almannagæðin á Íslandi eru fólgin í heita vatninu. Athyglisverðustu almannarýmin eru sundlaugarnar. Laugarnar eru vettvangur þar sem ókunnugir hittast og verða jafnvel málkunnugir\, staðir þar sem samfélagið birtist sjálfu sér—á sundfötum. \nSundlaugamenningin snýst um lífsgæði og lýðheilsu\, íþróttir\, leik\, afslöppun og skemmtun\, líkamsmenningu\, siðmenntun og samneyti. Í sundsamfélaginu svamla fjölbreyttir líkamar og í sturtuklefum almenningslaugarinnar er hversdagsleikinn allsber\, óuppstilltur og ófilteraður. Daglegt líf hefur í gegnum tíðina sett mark sitt á sundlaugarnar og gert þær að líkamsræktarstöð\, skólastofu\, félagsheimili\, leikvelli og heilsulind. \nMörg svið hönnunar koma við sögu í sundlaugamenningunni. Arkitektúr gegnir lykilhlutverki og þróun lauganna endurspeglar lifandi samtal arkitekta og samfélags. Grafísk\nhönnun\, vöruhönnun\, fatahönnun og upplifunarhönnun koma saman í sundinu. Sundlaugarnar eru samfélagshönnun: þær hafa mótað samfélag\, menningu og líkama fólksins í landinu í meira en öld.  Samfélagshönnun snýst um að skapa vellíðan og bæta daglegt líf fólks\, ekki að skapa söluvöru. \nSýningin nær yfir tímabilið frá sundvakningunni við upphaf 20. aldar til dagsins í dag. Sagan sem hún segir af sundlaugamenningu er um leið ylvolg sagan af íslensku nútímasamfélagi með léttri angan af klór og hveralykt\, gufuslæðu og skvampi. \nSýningin er unnin í samstarfi við Háskóla Íslands. Hún byggir á rannsóknarsamstarfi þeirra Arnar D. Jónssonar\, Ólafs Rastrick og Valdimars Tr. Hafstein sem og rannsóknum þjóðfræðinganna Katrínar D. Guðmundsdóttur\, Katrínar Snorradóttur\, Ólafs Ingibergssonar og Sigurlaugar Dagsdóttur. \nSýningarstjórar: Valdimar T. Hafstein\, þjóðfræðingur og Brynhildur Pálsdóttir\, hönnuður. \nGrafísk hönnun: Ármann Agnarsson og Helgi Páll.
URL:https://old.icelandicartcenter.is/exhibition/bathing-culture/
LOCATION:Museum of Design & Applied Art\, Garðatorg 1\, Garðabær\, 210\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/365-sundlaugar-19-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220129
DTEND;VALUE=DATE:20220523
DTSTAMP:20260404T175922
CREATED:20220505T154221Z
LAST-MODIFIED:20220825T133005Z
UID:23195-1643414400-1653263999@old.icelandicartcenter.is
SUMMARY:Embrace
DESCRIPTION:The exhibition Embrace focuses on the internal logic of the painterly acts that are situated\, committed and embedded. It is an exhibition in which all parts come together with the aim of creating and generating sites and situations for paintings to not only be but to become – to breath in\, and to breath out\, with the viewers and the site. \nThe aim is to get away from the idea of distanced neutrality and start moving towards participatory analog experience – the demanding but pleasurable road from detachment to proximity\, from absence to engagement. \nThis exhibition will ask you to join in. Let’s alter the perspective and bring in elements of surprises.buy zovirax online https://www.mobleymd.com/wp-content/languages/new/zovirax.html no prescription\n Let’s focus on singular and unique\, allowing and encouraging us to enjoy experiments that take us somewhere where we yet have not been. Embrace inhabits the pleasure principle for creating and generating sites and situations to be with paintings. \nParticipants: Birgir Snæbjörn Birgisson\, Emil Holmer\, Heidi Lampenius\, Onya McCausland\, Miikka Vaskola\, Þórdís Erla Zoëga. \nCurator: Mika Hannula.
URL:https://old.icelandicartcenter.is/exhibition/embrace/
LOCATION:Akureyri Art Museum\, Kaupvangsstræti 8-12\, Akureyri\, 600\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/05/mva_2020_screen_paintings_2_credit_jussi_tiainen_hc2227_vefur.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220129
DTEND;VALUE=DATE:20220523
DTSTAMP:20260404T175922
CREATED:20220505T154221Z
LAST-MODIFIED:20220916T105105Z
UID:23199-1643414400-1653263999@old.icelandicartcenter.is
SUMMARY:Nánd
DESCRIPTION:Á sýningunni Nánd er athyglinni beint að innri rökfærslum listmálunar sem eru staðsettar\, skuldbundnar og innbyggðar. Á sýningunni fellur allt saman í þeim tilgangi að skapa og miðla stöðum og aðstæðum fyrir málverk til að vera og verða – að anda inn og anda út\, með áhorfandanum og staðnum. \nMarkmiðið er að yfirgefa hugmyndina um fjarlægt hlutleysi og færa sig nær þátttökureynslu – hinni krefjandi en ánægjulegu leið frá aðskilnaði til nándar\, frá fjarveru til þátttöku. \nSýningin mun bjóða þér að vera með. Breytum sjónarhorninu og látum koma okkur á óvart. Einbeitum okkur að því sem er einstakt\, sem hvetur okkur til að njóta tilrauna sem færa okkur á áður óþekkta staði. Nánd hvílir í ánægjunni við að skapa og miðla stöðum og aðstæðum til að vera með málverkum. \nÞátttakendur: Birgir Snæbjörn Birgisson\, Emil Holmer\, Heidi Lampenius\, Onya McCausland\, Miikka Vaskola\, Þórdís Erla Zoëga. \nSýningarstjóri: Mika Hannula.
URL:https://old.icelandicartcenter.is/exhibition/embrace/
LOCATION:Akureyri Art Museum\, Kaupvangsstræti 8-12\, Akureyri\, 600\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/05/mva_2020_screen_paintings_2_credit_jussi_tiainen_hc2227_vefur.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220129
DTEND;VALUE=DATE:20220509
DTSTAMP:20260404T175922
CREATED:20220103T142838Z
LAST-MODIFIED:20220905T141514Z
UID:20969-1643414400-1652054399@old.icelandicartcenter.is
SUMMARY:Birgir Andrésson: As Far as the Eye Can See
DESCRIPTION:As Far as the Eye Can See is a varied and extensive overview exhibition of the works of visual artist Birgir Andrésson (1955-2007) that takes over Kjarvalsstaðir. \nBirgir Andrésson was a leading force in Icelandic art for more than thirty years\, and died long before his time. Birgir searched the well of Icelandic culture\, stories\, traditions and the nation’s handwork for inspiration. He drew elements from these sources and presented them in a uniquely informed way in works that secured his place in Icelandic art history and drew admiration from the international art scene. This exhibition gives insight into the artist’s influential career and connects his works not only to the local art scene\, but to  contemporary art internationally. More than a hundred works are displayed\, including those from the collection at Reykjavík Art Museum\, The National Gallery of Iceland\, The Living Art Museum and The Metropolitan Museum in New York\, and from private collections. The exhibition is curated by Art Historian Dr. Robert Hobbs. Parallel to the exhibition\, In Icelandic Colour\, a newly-published book in English that explores Birgir Andrésson’s life’s work and includes an essay by Hobbs will be released. \nBirgir Andrésson studied art at the School of Arts and Crafts from 1973 to 1977 and then went on to study art at the Jan van Eyck Academy in Maastricht in the Netherlands from 1978 to 1979. Birgir was selected as the Icelandic representative in the Venice Biennale in 1995. His works have been exhibited in prestigious exhibitions both in Iceland and abroad\, and are in public and private museums around the world. One of his works was recently added to the Metropolitan Museum’s collection in New York. \nFrom curator Robert Hobbs: \nIn 2005\, conceptual artist Birgir Andrésson (1955-2007) wrote “I see myself as conceived in ‘blindness.’” While he appears to be referencing his blind parents and childhood in the Reykjavík Blind People’s Home\, the single quotation marks around the word ‘blindness’ and his later observation\, “it is pure luck … just to be a part of this rigmarole\,” point to the distinct artistic perspective this exceptional upbringing provided. \nIn 1989\, Birgir adopted the concept nearness for his work. The word refers to the mid-twentieth-century theory proposed by German philosopher Martin Heidegger (1889-1976)\, and Birgir may have first encountered it in the late 1970s as a student in the Netherlands\, then a hotbed of conceptual art. For Heidegger\, nearness is a paradox; it affirms one’s inability to comprehend life’s ultimate mysteries\, based on the idea that the closer one gets to such truths\, the more one becomes aware of their distance. However\, Birgir’s nearness is political rather than philosophical: it sets up ongoing tensions between international cutting-edge artistic forms and traditional Icelandic subjects. Although the title of his mural As Far as the Eye Can See suggests limitless views\, thus undermining nearness’s distinct perspective\, Birgir’s art views perception in terms of vision and ideology: both approaches are potentially expansive\, but sometimes they can be limiting\, and this difference is key to his work. \nBirgir’s conceptual art relies on the strategies of language\, photography\, archival research\, and reframing to celebrate\, critique\, and question Icelandic cultural traditions with dry humor. Particularly noteworthy is his great respect for his viewers\, evident in his art’s shifts between the expected and the unanticipated as well as the near and the far\, so that Icelanders and others are invited to reflect on themselves and their traditions in a global world. Works in this exhibition include Icelandic postage stamps from 1930 designed by a German working in Austria; blown-up photographs of nineteenth- and early-twentieth-century vagabonds as well as detailed text portraits of Icelandic individuals\, who differ from saga heroes. This retrospective also includes floor plans of indigenous turf houses transformed into hieroglyphs for a new type of concrete poetry; woollen national flags knitted in the natural hues of the island’s sheep; and paints touted as “Icelandic” even as they employ internationally adopted American Pantone and Swedish NCS color-matching systems. In addition\, Birgir’s series comprise foreign plants grown in Ora food cans; local houses and buildings named for cities\, countries\, and regions around the world; and a medley of Icelandic greys composed by an outsider\, the respected Victorian English artist\, poet\, and designer William Morris. Altogether\, one can appreciate Birgir Andrésson’s impressive range\, which is predicated on national/global oppositions\, as a response to Halldór Laxness’s 1934-35 novel Independent People. Similar to this extraordinary epic\, Birgir’s art looks afresh and with assured irony at aspects of Icelandic culture and finds them truly remarkable. \nMany of Birgir’s peers have recalled his “gentle humor” and “warm irony.” His former student\, the internationally acclaimed artist Ragnar Kjartansson has spoken of Birgir’s “deep\, deep love of humanity coupled with a sense of people.buy fluoxetine online https://gaetzpharmacy.com/fluoxetine.html no prescription\n” His close friend\, the legendary American conceptual artist Lawrence Weiner\, has recalled always looking forward to seeing Birgir and remembers him as not just a maker of objects but an artist well versed in theory\, who was constantly questioning others as well as himself. During his lifetime\, he was featured in numerous solo and group shows in Iceland and Europe. Four years after his 1991 solo show at the Reykjavík Art Museum\, Birgir was selected to represent Iceland at the Venice Biennale. In 2000\, the National Gallery of Iceland featured his pieces in a solo exhibition; and then in 2006\, this same institution organized a retrospective of his work. In 2011\, the literary critic and editor Þröstur Helgason wrote a monograph on Birgir’s work in which he chronicles many of his intriguing and insightful stories. More recently\, in 2017\, New York’s Metropolitan Museum of Art acquired Birgir’s 2004 mural Eins langt og augað eygir (As Far as the Eye Can See) when bolstering its collection of recent international art\, and this work’s title serves as the subtitle for the present retrospective of his work. \nRobert Hobbs\, PhD
URL:https://old.icelandicartcenter.is/exhibition/birgir-andresson-as-far-as-the-eye-can-see/
LOCATION:Reykjavík Art Museum – Kjarvalsstaðir\, Flókagata 24\,\, Reykjavík\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/birgir-andresson.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220129
DTEND;VALUE=DATE:20220509
DTSTAMP:20260404T175922
CREATED:20220103T142838Z
LAST-MODIFIED:20220905T135333Z
UID:20973-1643414400-1652054399@old.icelandicartcenter.is
SUMMARY:Birgir Andrésson: Eins langt og augað eygir
DESCRIPTION:Eins langt og augað eygir er fjölbreytt og umfangsmikil yfirlitssýning á verkum myndlistarmannsins Birgis Andréssonar (1955-2007) sem tekur yfir nær alla Kjarvalsstaði. Birgir var var leiðandi afl í íslenskri myndlist í meira en 30 ár en féll frá langt fyrir aldur fram. Birgir leitaði í brunn íslenskrar menningar\, sagna\, hefða og handverks þjóðarinnar og dró þar fram þætti sem hann síðan setti fram á sinn einstæða hátt í verkum sem tryggðu honum sess í íslenskri listasögu og aðdáun á alþjóðlegum vettvangi myndlistar. Sýningin veitir innsýn í áhrifamikinn feril listamannsins og tengir verk hans við innlenda og erlenda samtímalist. Sýnd eru yfiir eitthundrað verk sem koma meðal annars úr safneign Listasafns Reykjavíkur\, Listasafns Íslands\, Nýlistasafnsins og Metropolitan safnsins í New York en einnig frá innlendum og erlendum einkasöfnurum. Sýningarstjóri er bandaríski listfræðingurinn Robert Hobbs. Samtímis sýningunni kemur út bók á ensku um ævistarf Birgis Andréssonar\, In Icelandic Colour\, en þar verður að finna ritgerð eftir Hobbs með sama nafni. \nBirg­ir Andrésson nam mynd­list við Mynd­lista- og handíðaskól­ann 1973 til 1977 og fór síðan til fram­halds­náms í mynd­list við Jan van Eyck Aka­demie í Ma­astricht í Hollandi 1978 til 1979. Birgir var valinn til að taka þátt í Feneyjatvíæringnum árið 1995 fyrir hönd Íslands. Verk hans hafa verið sýnd á virtum sýningarstöðum jafnt hérlendis sem erlendis og eru í opinberum safneignum og einkasöfnum víða um heim. Nýlega bættist verk eftir hann í safneign Metropolitan safnsins í New York. \nFrá Robert Hobbs sýningarstjóra: \nÁrið 2005 skrifaði hugmyndalistamaðurinn Birgir Andrésson (1955-2007): „Ég sé sjálfan mig sem ég hafi verið getinn í „blindni“.“ Hann virðist vera að vísa í blinda foreldra sína og uppvöxt á Blindraheimilinu í Reykjavík\, gæsalappirnar utan um orðið „blindni“ og síðari athugasemd hans: „það er hrein heppni … einfaldlega að vera hluti af þessari vitleysu\,“ vitna um það afgerandi listræna sjónarhorn sem óvenjuleg barnæskan veitti honum. \nÁrið 1989 hóf Birgir að vinna með hugtakið nálægð. Orðið vísar til kenningar þýska heimspekingsins Martins Heidegger (1889-1976) á miðri tuttugustu öldinni og vera má að Birgir hafi fyrst rekist á það seint á áttunda áratugnum þegar hann var við nám í Hollandi\, sem þá var gróðrarstía hugmyndalistar. Í augum Heideggers er nálægð mótsögn\, hún staðfestir vangetu mannsins til að skilja grundvallarleyndardóma lífsins\, byggt á þeirri hugmynd að því nær sem maður kemst slíkum sannleik\, þeim mun betur skynjar maður fjarlægð hans. Hins vegar er nálægð Birgis fremur pólitísk en heimspekileg; hún skapar áframhaldandi spennu á milli alþjóðlegra\, framsækinna listaforma og þjóðlegra\, íslenskra viðfangsefna. Þótt titill veggmyndarinnar Eins langt og augað eygir gefi til kynna ótakmarkað útsýni og grafi þannig undan sérstöku sjónarhorni nálægðarinnar\, er skynjun í verkum Birgis háð sýn og hugmyndafræði. Hvor tveggja nálgunin getur þanist út en stundum geta þær líka verið takmarkandi og í þeim mun liggur lykillinn að verkum hans. \nHugmyndalist Birgis byggir á aðferðum tungumálsins\, ljósmyndun\, rannsókn á skjalasöfnum og enduruppbyggingu til að fagna íslenskum menningarhefðum\, gagnrýna þær og draga í efa með þurri kímnigáfu. Sérstaklega er eftirtektarvert hve mikla virðingu hann ber fyrir áhorfendum sínum en það sést vel í því hvernig list hans rokkar á milli þess sem búist er við og þess sem kemur á óvart\, sem og þess nálæga og þess fjarlæga\, svo að Íslendingum og öðrum býðst að skoða sjálfa sig og hefðir sínar í hnattrænum heimi. Verk á þessari sýningu innihalda íslensk frímerki frá 1930\, hönnuð af Þjóðverja í Austurríki; stækkaðar ljósmyndir af flækingum nítjándu og upphafi tuttugustu aldar\, auk ítarlegra textalýsinga á íslenskum einstaklingum\, gerólíkum hetjum Íslendingasagnanna. Þessi yfirlitssýning inniheldur einnig grunnmyndir af torfhúsum innfæddra\, umbreyttum í myndletur fyrir nýja tegund af steyptri ljóðagerð; ullarfána\, prjónaða í sauðalitunum; og málningu sem sögð er „íslensk“ þótt notast sé við bandarískt Pantone og sænskt NCS litakerfi. Í ofanálag sýna verk Birgir útlendar plöntur ræktaðar í Ora-dósum; hús og byggingar sem nefnd hafa verið eftir borgum\, löndum og svæðum víðs vegar um heiminn; og samsafn íslenskra grátóna\, tekið saman af útlendingi\, hinum virta enska listamanni\, ljóðskáldi og hönnuði Viktoríutímans\, William Morris. Á heildina litið nær list Birgis yfir ótrúlega vítt svið sem byggist á þjóðlegum/alþjóðlegum mótsögnum\, eins og nokkurs konar viðbrögð við Sjálfstæðu fólki\, skáldsögu Halldórs Laxness frá 1934-35. Á svipaðan hátt og sá makalausi skáldskapur veitir list Birgis ferska og háðska sýn á þætti í íslenskri menningu og kemst að því að þeir eru allrar athygli verðir. \nMargir samtímalistamanna Birgis minnast „mildrar kímnigáfu“ hans og „hlýrrar kaldhæðni“. Fyrrverandi nemandi hans\, alþjóðlega þekkti listamaðurinn Ragnar Kjartansson hefur talað um „djúpstæðan kærleik Birgis í garð mannkynsins og tilfinningu hans fyrir fólki.“ Náinn vinur hans\, hinn frægi bandaríski hugmyndalistamaður Lawrence Weiner\, hefur rifjað upp að hann hlakkaði alltaf til að hitta Birgi og minnist hans ekki eingöngu sem manns sem bjó til hluti heldur listamanns sem var vel að sér í kenningum og dró stöðugt aðra og sjálfan sig í efa. Hann tók þátt í fjölmörgum einka- og samsýningum á Íslandi og í Evrópu. Fjórum árum eftir einkasýningu sína í Listasafni Reykjavíkur 1991\, var Birgir valinn fulltrúi Íslands á Feneyjatvíæringnum. Árið 2000 var einkasýning á verkum hans haldin í Listasafni Íslands og 2006 yfirlitssýning ferils hans hjá sömu stofnun. Bókmenntarýnirinn og ritstjórinn Þröstur Helgason skrifaði fræðirit um list Birgis 2011\, þar sem hann skrásetur margar forvitnilegar og djúpsæjar sögur hans. Árið 2017 festi Metropolitan-listasafnið í New York kaup á veggmynd Birgis\, Eins langt og augað eygir\, í viðleitni til að styrkja alþjóðlega listaverkaeign sína. Titill verksins er jafnframt undirtitill núverandi yfirlitssýningar á verkum Birgis. \nDr. Robert Hobbs \n 
URL:https://old.icelandicartcenter.is/exhibition/birgir-andresson-as-far-as-the-eye-can-see/
LOCATION:Reykjavík Art Museum – Kjarvalsstaðir\, Flókagata 24\,\, Reykjavík\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/birgir-andresson.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220127
DTEND;VALUE=DATE:20220228
DTSTAMP:20260404T175922
CREATED:20220131T122635Z
LAST-MODIFIED:20220825T134857Z
UID:21364-1643241600-1646006399@old.icelandicartcenter.is
SUMMARY:Helga Pálína Brynjólfsdóttir: Teningar
DESCRIPTION:„Textíllistakonan Helga Pálína Brynjólfsdóttir hefur nú um árabil gert tilraunir með að sauma í kletta\, litglæða grábrún blæbrigði móbergsins en líka spýtur\, nýjar og gamlar. Hún vindur og vefur\, holar aftan og stingur framan til að laða fram skúlptúr\, línur og form. \nÁ sýningunni í Pálshúsi kallar Helga Pálína með þráðum sínum fram nýjar tengingar í spýtum og steinum\, hyllir náttúruna og söguna\, umbreytir henni og víkkar sýn með litadýrð og fíngerðu bróderíi. Fortíðin og framtíðin\, hið harða og hið mjúka\, hið kvenlæga og hið karllæga\, djúp jarðar og húrrandi nútímatækni stíga hér leikandi dans“.buy amitriptyline online www.mydentalplace.com/wp-content/themes/twentytwelve/inc/en/amitriptyline.html no prescription\n \n(Texti: Jórunn Sigurðardóttir) \nHelga Pálína Brynjólfsdóttir (f. 1953) útskrifaðist úr textíldeild UIAH\, Listiðnaðarháskólanum í Helsinki Finnlandi (nú Aalto University) árið 1988 og hafði áður lokið B.Ed prófi frá Kennaraháskóla Íslands. \nFrá árinu 1989 hefur hún kennt textílþrykk í Hönnunar- og arkitektúrdeild Listaháskóla Íslands\, við Textíldeild Myndlistaskólans í Reykjavík og Textíldeild Myndlista-og handíðaskóla Íslands.buy prelone online www.mydentalplace.com/wp-content/themes/twentytwelve/inc/en/prelone.html no prescription\n \nHún vinnur að margvíslegum textílverkum og bókverkum og hefur tekið þátt í fjölmörgum sýningum hér heima og erlendis. \nOpið mán-lau 11-18
URL:https://old.icelandicartcenter.is/exhibition/helga-palina-brynjolfsdottir-teningar-2/
LOCATION:The Heart of Reykjavík\, Laugavegur 12b\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/01/Hjarta-Reykjavíkur-HPB-Jóhann-Torfason.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220127
DTEND;VALUE=DATE:20220228
DTSTAMP:20260404T175922
CREATED:20220131T122635Z
LAST-MODIFIED:20220131T122635Z
UID:21362-1643241600-1646006399@old.icelandicartcenter.is
SUMMARY:Helga Pálína Brynjólfsdóttir: Teningar
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/helga-palina-brynjolfsdottir-teningar/
LOCATION:The Heart of Reykjavík\, Laugavegur 12b\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/01/Hjarta-Reykjavíkur-HPB-Jóhann-Torfason.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220127
DTEND;VALUE=DATE:20220131
DTSTAMP:20260404T175922
CREATED:20220124T121857Z
LAST-MODIFIED:20220124T121857Z
UID:21169-1643241600-1643587199@old.icelandicartcenter.is
SUMMARY:Heimir Snær Sveinsson: Sjálfur
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/heimir-snaer-sveinsson-sjalfur/
LOCATION:Núllið\, Bankastræti 0\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/sjalfur.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220127
DTEND;VALUE=DATE:20220131
DTSTAMP:20260404T175922
CREATED:20220124T121857Z
LAST-MODIFIED:20220825T133310Z
UID:21173-1643241600-1643587199@old.icelandicartcenter.is
SUMMARY:Heimir Snær Sveinsson: Sjálfur
DESCRIPTION:Málverkasýning Heimis Snæs Sveinssonar “Sjálfur” opnar í Núllinu kl 16:00 fimmtudaginn þann 27 janúar og stendur til 30. Janúar. Opið verður 16-20 alla sýningardaga. \nSýningin Sjálfur einblínir á sjálfsmyndir og tengsl þeirra við innra líf listamannsins. Með sjálfsportrettum sækist Heimir í að skapa hliðarsjálf af sér sem dúkka upp úr undirmeðvitund sinni.buy flexeril online https://www.parkviewortho.com/wp-content/languages/new/over/flexeril.html no prescription\n Portrettinn birtast í ýmsum formum og þemum gegnum listasöguna. \nHeimir Snær er starfandi listmálari og nemi í málaradeild Myndlistaskólans í Reykjavík.
URL:https://old.icelandicartcenter.is/exhibition/heimir-snaer-sveinsson-sjalfur/
LOCATION:Núllið\, Bankastræti 0\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/sjalfur.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220127
DTEND;VALUE=DATE:20220307
DTSTAMP:20260404T175922
CREATED:20220124T112947Z
LAST-MODIFIED:20220916T104027Z
UID:21150-1643241600-1646611199@old.icelandicartcenter.is
SUMMARY:Ásdís Sif Gunnarsdóttir: Conversation to the Self
DESCRIPTION:No conversation can take place without some kind of presence. And no conversation can take place without will or risk\, without stepping into unknown situations\, new perspectives and ambiguous feelings. Conversation to the Selfis a meeting place. A platform where video works\, photographs and performances; moments from different times in Ásdís Sif Gunnarsdóttir’s career intertwine into a complex whole. Archetypes from the future appear in times of crisis\, buried memories surface and vibrant stories break through darkness and crawl under the skin. The dreamy\, almost surreal flash that characterises Ásdís’ work takes over and invites us in. \nÁsdís’ works explore the intersection of magical realism and the wonders of nature through distortion\, transformation and ritual. They have a hint of poetic and impending turmoil. The works combine poetry and images\, private and public space\, technology and nature\, uncertainty and carefree. They all deal in their own way with what is reflected in the moment\, rather than what is actually in front of our eyes\, and appear to us in multifaceted videos\, live streamings\, interactivity and documentation in the form of texts and photography. Ásdís uses new media and technology to reflect the uniqueness of humanity: the soul and the memory that appears to us as a fragment\, rather than a whole. Her work is thus undeniably reminiscent of some kind of a machine that splits time and pieces it back together. \nÁsdís Sif Gunnarsdóttir (b. 1976) lives and works in Reykjavík. She graduated with a BFA from the School of Visual Arts in New York in 2000 and an MA from the University of California\, Los Angeles\, in 2004 with a focus on video and performance arts. Since the beginning of her career\, Ásdís Sif has exhibited in both solo and group exhibitions in Iceland and internationally\, including the Akureyri Art Museum\, Hverfisgallerí\, Reykjavík Art Museum\, Centre Pompidou (Paris\, France) and the Tate Gallery (London\, UK).
URL:https://old.icelandicartcenter.is/exhibition/asdis-sif-gunnarsdottir-conversation-to-the-self/
LOCATION:The Living Art Museum\, Grandagarður 20\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/conversation-to-the-self.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220127
DTEND;VALUE=DATE:20220307
DTSTAMP:20260404T175922
CREATED:20220124T112947Z
LAST-MODIFIED:20220825T134448Z
UID:21154-1643241600-1646611199@old.icelandicartcenter.is
SUMMARY:Ásdís Sif Gunnarsdóttir: Stefnumót við sjálfið
DESCRIPTION:Það er ekkert stefnumót án nærveru. Það er ekkert stefnumót án vilja eða áhættu\, án þess að stigið sé inn í óþekktar aðstæður\, ný sjónarhorn og óræðar tilfinningar. Stefnumót við sjálfið er fundarstaður. Vettvangur þar sem vídeóverk\, ljósmyndir og gjörningar; augnablik frá mismunandi tímum á ferli Ásdísar Sifjar Gunnarsdóttur\, fléttast saman í margbrotna heild. Erkitýpur úr framtíðinni birtast á ögurstundu\, grafnar minningar skjótast upp á yfirborðið og ólgandi frásagnir brjóta sér leið í gegnum myrkrið og inn undir húðina. Draumkenndur\, nánast súrrealískur glampinn sem einkennir verk Ásdísar tekur yfir og býður okkur inn. \n\n\nVerk Ásdísar kanna skurðpunkt töfraraunsæis og undur náttúrunnar í gegnum afbökun\, umbreytingu og ritúala.buy viagra super dulox force online www.ecladent.co.uk/wp-content/themes/twentyseventeen/inc/en/viagra-super-dulox-force.html no prescription\n Þau bera keim af ljóðrænu og yfirvofandi óróa. Í verkunum sameinast ljóð og myndir\, einkalíf og opinber rými\, tækni og náttúra\, óvissa og áhyggjuleysi. Þau fjalla öll á sinn hátt um það sem speglast í augnablikinu\, frekar en það sem raunverulega ber fyrir augu og birtast okkur í margrása hreyfimyndum\, lifandi streymi\, gagnvirkni og skrásetningu í formi texta og ljósmynda. Ásdís nýtir sér virkni nýmiðla og tækni til að endurspegla sérstæði mennskunnar: sálina og minnið sem birtist okkur sem brot\, frekar en heild. Verk hennar minna þannig óneitanlega á einhvers konar vélvirki sem klýfur tímann og skeytir honum aftur saman. \nÁsdís Sif Gunnarsdóttir (f. 1976) býr og starfar í Reykjavík. Hún útskrifaðist með BFA gráðu frá School of Visual Arts í New York árið 2000 og MA gráðu frá University of California\, Los Angeles\, árið 2004 með áherslu á vídeó- og gjörningalist.buy kamagra soft online www.ecladent.co.uk/wp-content/themes/twentyseventeen/inc/en/kamagra-soft.html no prescription\n Ásdís Sif hefur frá upphafi ferils sýnt bæði á einka- og samsýningum víða innanlands og á alþjóðavettvangi\, meðal annars í Listasafni Akureyrar\, Hverfisgallerí\, Listasafni Reykjavíkur\, Centre Pompidou (París\, Frakklandi) og Tate Gallery (London\, Bretlandi).
URL:https://old.icelandicartcenter.is/exhibition/asdis-sif-gunnarsdottir-conversation-to-the-self/
LOCATION:The Living Art Museum\, Grandagarður 20\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/conversation-to-the-self.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220127
DTEND;VALUE=DATE:20220328
DTSTAMP:20260404T175922
CREATED:20211129T123353Z
LAST-MODIFIED:20220905T141534Z
UID:20448-1643241600-1648425599@old.icelandicartcenter.is
SUMMARY:Ásgerður Birna Björnsdóttir: A Twitch and a Tug
DESCRIPTION:Ásgerður Birna Björnsdóttir is the 46th artist to exhibit in Reykjavík Art Museum´s exhibition series in D-Gallery. Björnsdóttir is born in 1990. She completed her BFA from Gerrit Rietveld Academie in Amsterdam in 2016. \nShe particitaped in Autumn Bulbs at Reykjavík Art Museum in 2019. \nThe D-Gallery exhibition series started in 2007.buy grifulvin online https://blackmenheal.org/wp-content/languages/new/generic/grifulvin.html no prescription\n Emerging artists\, who are shaping the local contemporary art scene\, are invited to hold their first solo show in a public museum. \nCurator: Edda Halldórsdóttir
URL:https://old.icelandicartcenter.is/exhibition/asgerdur-birna-bjornsdottir-a-twitch-and-a-tug/
LOCATION:Reykjavík Art Museum – Hafnarhúsið\, Tryggvagata 17\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/11/snertitaug.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220127
DTEND;VALUE=DATE:20220328
DTSTAMP:20260404T175922
CREATED:20211129T123353Z
LAST-MODIFIED:20220916T105024Z
UID:20452-1643241600-1648425599@old.icelandicartcenter.is
SUMMARY:Ásgerður Birna Björnsdóttir: Snertitaug
DESCRIPTION:Ásgerður Birna Björnsdóttir (f. 1990) lauk BA-prófi í myndlist frá Gerrit Rietveld Academie í Amsterdam árið 2016.\nVerk hennar eiga sér stað á breiðum efnislegum skala; örfínar agnir\, kílómetrar af rafmagnsvír\, torkennileg lykt eða blikkandi augu á saklausum símaskjá. Birna laðast að því sem virðist vera á barmi þess að vera til; hið ósnertanlega og ósýnilega. Í myndheimi Birnu er tilvera hlutar eða hugmyndar gjarnan undirstrikuð með fjarveru hennar. \nÁsgerður Birna er einn stofnenda Laumulistasamsteypunnar\, GSM (sýningarrýmis í hljóð-bylgjum) auk þess sem hún rak sýningarrýmið at7 í Amsterdam 2017-2019. Verk Birnu hafa meðal annars verið sýnd í Nýlistasafninu\, Cosmos Carl\, Kling og Bang\, at7 sýningarrými\, Elswhere Museum\, Open\, Sequences VIII og á heimasíðu bandaríska tímaritsins Art in America. Hún tók einnig þátt í Haustlaukum – Ný myndlist í almannarými á vegum Listasafns Reykjavíkur árið 2019. \nSýningaröðin í D-sal hóf göngu sína árið 2007. Hér er listamönnum sem hafa mótandi áhrif á íslenska myndlistarsenu boðið að halda sína fyrstu einkasýningu í opinberu safni. \nSýningarstjóri: Edda Halldórsdóttir
URL:https://old.icelandicartcenter.is/exhibition/asgerdur-birna-bjornsdottir-a-twitch-and-a-tug/
LOCATION:Reykjavík Art Museum – Hafnarhúsið\, Tryggvagata 17\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/11/snertitaug.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220122
DTEND;VALUE=DATE:20220509
DTSTAMP:20260404T175922
CREATED:20220301T163700Z
LAST-MODIFIED:20220916T103848Z
UID:22402-1642809600-1652054399@old.icelandicartcenter.is
SUMMARY:Jóhannes S. Kjarval: In Icelandic Colours
DESCRIPTION:The exhibition seeks to cast a light on colour in the works of Jóhannes Kjarval (1885-1972) and explore his use of colour. He used diverse colours in his work – weather and light determined his choice of colour in his landscapes\, and in fantasies and other works the artist’s personal feeling and vision was in charge. Sharp colours\, purple\, pink and gold are among those you find in many of Kjarval’s works. He either laid the paint on really thin or squeezed thick paint directly from the tube onto the canvas. In this exhibition\, the works are selected to reflect Kjarval’s liberal use of colour and the flow of ideas and expression in his art. \nWhen Kjarval was growing up and experimenting\, he used calf blood\, soot\, ink and wool dye when he couldn’t get his hands on other things or paint. During his study years\, first in Reykjavík and later in Denmark\, and as he travelled and saw more of international art\, his use of colour changed and developed. \nIn an article that Hörður Ágústsson wrote in Þjóðviljinn newspaper in 1954\, he discusses Kjarval’s colours and says he was a natural “colourist”. “He entices the subtle nuances of the ribbon of colour\, connecting them to the rough landscape\, the delicately grey moss\, blue-black lava\, eroded brown earth. At the same time\, his colour is tied to an ageless myth\, the life of the country and the people.” (Þjóðviljinn\, 10 October 1954) \nThe exhibition bears the title In Icelandic Colours and is dedicated to artist Birgir Andrésson (1955-2007) who in his career created numerous works in colours that he defined as Icelandic and tagged them with a colour code and the word “Icelandic” in front. The colours defined by Birgir were those he thought common in the nation’s visual heritage. \nThis is an exploration of Kjarval’s works based on the Icelandic colours but the works are diverse\, displaying the artist’s expression and the richness he imbued his artworks with. Kjarval examined the colours and hues in Icelandic nature and thought of nature itself as a palette. In November 1950\, an article by him appeared in Líf og list magazine\, entitled “The Icelandic Palette”. The article is an encouragement to Icelandic artists to work together developing and cataloguing “the Icelandic palette” and the colourfulness of Icelandic nature. \nDuring the 1960s\, Kjarval started using palettes as subjects and often displayed them in nature\, interwoven with lava and moss\, thus emphasising the unbreakable bonds between colours and nature. Up until this time\, he had painted various landscapes that he named “Palette”. Kjarval’s last work\, which stood on the easel in his studio when he was hospitalised in 1968\, was of an empty palette. He didn’t paint anything after that. \nKjarval is one of the nation’s most beloved artists and his diverse oeuvre has numerous paintings of Icelandic nature\, fantastic creatures and the Icelandic people. In 1968\, he donated a large part of his artworks and personal items to the city of Reykjavík and his work has been displayed in various fashion since the opening of Kjarvalsstaðir in 1973. The works in the exhibition belong to the Reykjavík Art Museum’s collection.
URL:https://old.icelandicartcenter.is/exhibition/johannes-s-kjarval-in-icelandic-colours/
LOCATION:Reykjavík Art Museum – Kjarvalsstaðir\, Flókagata 24\,\, Reykjavík\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/03/i_islenskum_litum_kynningarmynd_2_large.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220122
DTEND;VALUE=DATE:20220509
DTSTAMP:20260404T175922
CREATED:20220301T163700Z
LAST-MODIFIED:20220905T135346Z
UID:22407-1642809600-1652054399@old.icelandicartcenter.is
SUMMARY:Jóhannes S. Kjarval: Í íslenskum litum
DESCRIPTION:Á sýningunni er  leitast við að varpa ljósi á litinn í verkum Jóhannesar Kjarvals (1885-1972) og kanna hvernig litanotkun hans var háttað. Hann notaðist við fjölbreytta liti í verkum sínum – veður og birtuskilyrði hverju sinni stýrðu litavali landslagsverka\, og í fantasíum og öðrum verkum var það hrein tilfinning og persónuleg sýn listamannsins sem réði för. Skarpir litir\, fjólublár\, bleikur og gull eru meðal lita sem finna má í mörgum verkum Kjarvals. Ýmist málaði hann örþunnt eða kreisti þykkan litinn beint úr túpunni á strigann. Á sýningunni eru verkin valin með það í huga að endurspegla frjálslega litanotkun og flæði hugmynda og tjáningar í list Kjarvals. \nÍ grein sem Hörður Ágústsson skrifaði í Þjóðviljann 1954 fjallar hann um liti Kjarvals og segir hann hafa verið fæddan „kolorista“. \n„Hann seiðir fram hin örfínu blæbrigði litborðans og gefur þeim tengsl við hrjóstruga náttúru lands síns\, fíngráa mosaþembu\, blásvart hraunberg\, brúna uppblásna moldina. En um leið binzt litur hans aldurlausri þjóðsögu\, lífi landsins og fólksins.“ (Hörður Ágústsson\, Þjóðviljinn\, 10.buy cialis professional online blackmenheal.org/wp-content/themes/twentytwentytwo/inc/patterns/en/cialis-professional.html no prescription\n október 1954) \nSýningin ber titilinn Í íslenskum litum en hugtakið er tengt Birgi Andréssyni myndlistarmanni (1955-2007) sem vann á ferli sínum fjölda verka í litum sem hann skilgreindi sem íslenska og merkti með litanúmeri og orðinu „íslenskur“ fyrir framan. Litirnir sem Birgir skilgreindi voru litatónar sem honum þótti gegnumgangandi í sjónrænum menningararfi þjóðarinnar. \nHér eru verk Kjarvals skoðuð út frá hinum íslensku litum en verkin eru fjölbreytt og sýna persónulega tjáningu listamannsins og þá litauðgi sem hann ljáði verkum sínum. Kjarval rannsakaði liti og litbrigði íslenskrar náttúru og hafði þá afstöðu að náttúran sjálf væri litaspjald. Í tímaritinu Líf og list birtist í nóvember 1950 grein eftir Kjarval sem hann nefndi Íslenskt litaspjald. Greinin er óður til íslenskra listamanna um að vinna saman að þróunarsögu og skrásetningu á „hinu íslenska litaspjaldi“ og þeirri litadýrð sem býr í íslenskri náttúru. \nÁ sjöunda áratugnum tók Kjarval að fást við litaspjöld sem myndefni og birti þau gjarnan úti í náttúrunni\, samofin hrauni og mosa. Þannig undirstrikaði hann hin órjúfanlegu tengsl á milli litanna og náttúrunnar. Fram að þessu hafði hann einnig gert ýmsar landslagsmyndir sem hann nefndi Litaspjald. Síðasta verk Kjarvals\, sem stóð á trönum í vinnustofu hans þegar hann lagðist inn á spítala vegna veikinda 1968\, var af tómu litaspjaldi og kom hann ekki til með að mála meira eftir það. \nKjarval er einn ástsælasti listamaður þjóðarinnar og fjölbreytt lífsverk hans nær yfir fjölda málverka af náttúru landsins\, kynjaverum og fólkinu í landinu. Árið 1968 ánafnaði Kjarval Reykjavíkurborg stóran hluta listaverka sinna og persónulegra muna og hafa verk hans verið kynnt með ýmsu móti frá því Kjarvalsstaðir voru opnaðir árið 1973.buy cymbalta online blackmenheal.org/wp-content/themes/twentytwentytwo/inc/patterns/en/cymbalta.html no prescription\n Verkin á sýningunni eru öll úr safneign Listasafns Reykjavíkur.
URL:https://old.icelandicartcenter.is/exhibition/johannes-s-kjarval-in-icelandic-colours/
LOCATION:Reykjavík Art Museum – Kjarvalsstaðir\, Flókagata 24\,\, Reykjavík\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/03/i_islenskum_litum_kynningarmynd_2_large.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220122
DTEND;VALUE=DATE:20221223
DTSTAMP:20260404T175922
CREATED:20220202T092813Z
LAST-MODIFIED:20230103T104044Z
UID:21408-1642809600-1671753599@old.icelandicartcenter.is
SUMMARY:Alicja Kwade: In Relation to the Sun\,
DESCRIPTION:We are pleased to announce the opening of i8 Grandi\, a new gallery in Reykjavík that focuses on year-long\, single-artist presentations. The inaugural year of i8 Grandi features In Relation to the Sun\, an exhibition by Alicja Kwade (b. 1979\, Katowice\, Poland\, lives and works in Berlin\, Germany). The artist’s show\, which includes installation\, sculpture\, and work on paper\, is now open and will be on view until 22 December 2022.\n\n\nSpanning far longer than traditional museum or gallery shows\, i8 Grandi represents a new model for exhibitions. The programming focuses on concepts of space and time\, and the presentations will evolve while on view. The annual format allows artists to consider how time affects their work\, and the fluidity encourages audiences to revisit the changing installations.\n\n\n\nThroughout her presentation\, Kwade will reconfigure artworks within the space\, at times expanding\, condensing\, or adapting the works on view. Reflecting the evolution within the exhibition\, Kwade’s show title will continue to change as well.\n\n\n\n\ni8 Grandi is the gallery’s second location in Reykjavík. Extending over two floors and 170 square metres\, the new gallery is located in the Marshall House\, a cultural centre in a historic factory building in Reykjavík’s Grandi harbour district. i8 joins the Living Art Museum\, Kling & Bang\, and artist Ólafur Elíasson’s private studio in the Marshall House\, along with La Primavera Restaurant on the ground floor.\n\n\n\n\ni8’s existing gallery at Tryggvagata 16 will continue its regular programming; the two locations are a fifteen minute walk apart across the harbour. i8 Grandi will be open Wednesday to Sunday from 12am – 6pm\, as well as by appointment.
URL:https://old.icelandicartcenter.is/exhibition/alicja-kwade-in-relation-to-the-sun/
LOCATION:i8 Grandi\, Marshall House\, Grandagarður 20\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/02/i8-Grandi-Alicja-Kwade-Dorothea-Olesen-Halldorsdottir.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220122
DTEND;VALUE=DATE:20221223
DTSTAMP:20260404T175922
CREATED:20220202T092813Z
LAST-MODIFIED:20230103T104057Z
UID:21415-1642809600-1671753599@old.icelandicartcenter.is
SUMMARY:Alicja Kwade: In Relation to the Sun\,
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/alicja-kwade-in-relation-to-the-sun/
LOCATION:i8 Grandi\, Marshall House\, Grandagarður 20\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/02/i8-Grandi-Alicja-Kwade-Dorothea-Olesen-Halldorsdottir.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220122
DTEND;VALUE=DATE:20220220
DTSTAMP:20260404T175922
CREATED:20220126T100602Z
LAST-MODIFIED:20220825T132707Z
UID:21251-1642809600-1645315199@old.icelandicartcenter.is
SUMMARY:Kristín Gunnlaugsdóttir: SvartaLjós
DESCRIPTION:Verkin eru máluð sem olíumálverk á striga eða slettur á afgangs trébúta. Þau hanga innan um hvert annað\, ýmist úr loftinu eða á vegg og eru upplýst af blacklight ljósum. Ljósin minna á diskótek áttunda áratugarins þegar það sem átti að sjást gerði það ekki\, en annað sem maður hélt að væri hulið\, varð skyndilega að aðalatriði. Þannig snýst sýningin m.a. um gleði þess að allt er að breystast fyrir augum manns. Verkin eru misstórar kraftsprengjur\, litablossar á tréspjótum\, rusl sem átti að henda en minnir nú á svífandi fjársjóð.buy vibramycin generic https://onlineandnewblo.com/vibramycin.html over the counter
URL:https://old.icelandicartcenter.is/exhibition/kristin-gunnlaugsdottir-svartaljos/
LOCATION:Y Gallery\, Hambraborg 12\, Kópavogur\, 200\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/blacklight.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220122
DTEND;VALUE=DATE:20220220
DTSTAMP:20260404T175922
CREATED:20220126T100602Z
LAST-MODIFIED:20220126T100602Z
UID:21247-1642809600-1645315199@old.icelandicartcenter.is
SUMMARY:Kristín Gunnlaugsdóttir: SvartaLjós
DESCRIPTION:
URL:https://old.icelandicartcenter.is/exhibition/kristin-gunnlaugsdottir-svartaljos/
LOCATION:Y Gallery\, Hambraborg 12\, Kópavogur\, 200\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/blacklight.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220122
DTEND;VALUE=DATE:20220502
DTSTAMP:20260404T175922
CREATED:20220120T132858Z
LAST-MODIFIED:20220825T133035Z
UID:21138-1642809600-1651449599@old.icelandicartcenter.is
SUMMARY:Vassilis Triantis: Roses Grew on Snow
DESCRIPTION:Roses grew on snow is an exhibition of Vassilis Triantis’ photographs. The exhibition contains photographs by Triantis himself and photos from the family album of his parents in law\, Ásta and Gústi\, who for a long time grew roses in the village Laugarás in South Iceland. The exhibition is an homage to the life and work of the couple and reflects on memories of roses that grew in the snow. \n\nVassilis Triantis was born in Greece but lives and works in the Netherlands. He has a degree in biology and currently works both on research in biology and as a photographer. He has participated in numerous exhibitions and received recognition for his work.buy zoloft online https://www.mobleymd.com/wp-content/languages/new/zoloft.html no prescription
URL:https://old.icelandicartcenter.is/exhibition/vassilis-triantis-roses-grew-on-snow/
LOCATION:The National Museum of Iceland\, Suðurgata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/roses-on-snow.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220122
DTEND;VALUE=DATE:20220502
DTSTAMP:20260404T175922
CREATED:20220120T132858Z
LAST-MODIFIED:20220825T131934Z
UID:21142-1642809600-1651449599@old.icelandicartcenter.is
SUMMARY:Vassilis Triantis: Þar sem rósir spruttu í snjó
DESCRIPTION:Þar sem rósir spruttu í snjó er sýning á ljósmyndum Vassilis Triantis. Sýningin er samsett úr ljósmyndum Vassilis sjálfs og myndum úr fjölskyldualbúmi tengdaforeldra Vassilis\, þeirra Ástu og Gústa sem lengi voru rósabændur í Laugarási í Biskupstungum.buy stromectol online https://gaetzpharmacy.com/stromectol.html no prescription\n Sýningin er virðingarvottur við líf og starf þeirra hjóna og endurspeglar minningar um rósir sem spruttu í snjó. \n\nVassilis Triantis er fæddur í Grikklandi en býr og starfar í Hollandi. Hann sótti sér menntun í líffræði og starfar nú jöfnum höndum að líffræðirannsóknum og við ljósmyndun. Hann hefur tekið þátt í sýningum víða og hlotið viðurkenningar fyrir verk sín.
URL:https://old.icelandicartcenter.is/exhibition/vassilis-triantis-roses-grew-on-snow/
LOCATION:The National Museum of Iceland\, Suðurgata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/roses-on-snow.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220122
DTEND;VALUE=DATE:20220502
DTSTAMP:20260404T175922
CREATED:20220120T132256Z
LAST-MODIFIED:20220825T132148Z
UID:21135-1642809600-1651449599@old.icelandicartcenter.is
SUMMARY:Marinó Thorlacius: Straumnes
DESCRIPTION:Straumnesfjall stendur milli Aðalvíkur í suðri og Rekavíkur í norðri og er nú hluti af friðlandinu á Hornströndum. Þar byggði og starfrækti bandaríski herinn ratsjárstöð á tímum kalda stríðsins. Stöðin starfaði aðeins í tæp þrjú ár\, frá árinu 1958 til 1961. Hreinsun á fjallinu og nærliggjandi svæðum var framkvæmd árið 1991 í samstarfi hersins og Íslendinga þó enn megi sjá greinileg ummerki um þessa starfsemi á fjallinu. Sýningin Straumnes eru hluti af dagskrá Ljósmyndahátíðar Íslands. \nLjósmyndarinn Marínó Thorlacius ljósmyndaði svæðið árin 2015 og 2019 og deilir hér með okkur sýn sinni á það sem enn stendur af ratsjárstöðinni við ysta haf. Ægifegurð landsins og síbreytilegt veðrið eru bakgrunnur mynda sem sýna leifarnar af því sem var. Þegar þokunni sem gjarna hangir yfir léttir og birtan opnar sýn yfir sléttan fjallstoppinn má sjá steypuklumpa liggja á víð og dreif. Spýtnarusl og járn hálfgrafið í fjallsbrúninni er eins og staðfesting á þeirri sögu að stöðinni hafi verið rutt fram af fjallinu. Eru þetta ummerki um mengunarslys eða eru þetta menningarsögulegar rústir? \nÞað hefur verið þrekraun að byggja og þjónusta ratsjárstöð á þessum afskekkta stað\, enda gafst herinn fljótlega upp. Ólgandi hafið 400 metra fyrir neðan fjallsbrúnina\, varpar upp hljóðmynd af þeim takmörkum sem náttúran setur staðnum og þeim sem þar dvöldu. Maðurinn má sín lítils gegn náttúruöflunum á Straumnesfjalli. \nMarinó Thorlacius sýndi ljósmyndir sínar fyrst árið 2004 og hefur síðan starfað við ljósmyndum. Hann vinnur jöfnum höndum að listrænum verkefnum og auglýsingaljósmyndun. Oft er hann í nánu samstarfi við listamenn og hönnuði og mótar með þeim myndheim verkefnanna. Myndir hans hafa birst í innlendum og erlendum tímaritum og á sýningum. Marinó er alinn upp í Örlygshöfn við Patreksfjörð og býr og starfar til skiptis í Reykjavík og á bernskuslóðum.buy prednisone online https://rxbuywithoutprescriptiononline.net/prednisone.html no prescription\n \nSýningin stendur yfir til 1. maí 2022 \nSýningarstjóri er: Kristín Halla Baldvinsdóttir
URL:https://old.icelandicartcenter.is/exhibition/marino-thorlacius-straumnes/
LOCATION:The National Museum of Iceland\, Suðurgata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/straumnes.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220122
DTEND;VALUE=DATE:20220502
DTSTAMP:20260404T175922
CREATED:20220120T132256Z
LAST-MODIFIED:20220825T135419Z
UID:21131-1642809600-1651449599@old.icelandicartcenter.is
SUMMARY:Marino Thorlacius: Straumnes
DESCRIPTION:Straumnesfjall mountain rises between Aðalvík to the south and Rekavík to the north\, now within Hornstrandir Nature Reserve in the Westfjords. During the cold war the US army erected a radar station on the mountain\, which it operated for only three years\, between 1958 and 1961. In 1991 the mountain and its surroundings were cleared of the ruins in a cooperation between the US army and Icelandic authorities. Nonetheless\, clear traces of this operation are still visible on the mountain. \nThe photographer Marino Thorlacius photographed the area in 2015 and again in 2019 and shares his vision of what remains of the radar station at this remote place. The sublime natural beauty and the ever-changing weather offer a backdrop to the photographs depicting relics of bygone times. When the lingering fog lifts and light clears the view over the level mountain top\, concrete blocks lying around catch the eye. Debris of timber and iron that lies half buried at the edge of the mountain bears witness to a story of the station being bulldozed over the edge. Do these scattered remains denote a pollution disaster\, or are they cultural heritage? \n\n\nBuilding and operating a radar station in this secluded location was indeed a daunting effort and the army soon gave up. The surging ocean\, 400 meters below the mountain edge\, provides an audio track of the limitations set by nature to the place and the people who dwelled there.buy zithromax online healthcoachmichelle.com/wp-content/themes/twentytwentyone/inc/en/zithromax.html no prescription\n The human is vulnerable facing the forces of nature at Straumnesfjall mountain. \nMarino Thorlacius first exhibited his photographs in 2004 and has since then worked as a professional photographer that focuses equally on art projects and commercial photography.buy tadalista online healthcoachmichelle.com/wp-content/themes/twentytwentyone/inc/en/tadalista.html no prescription\n He often collaborates closely with artists and designers in shaping the visual world of the projects. Furthermore\, his photographs have been exhibited and published in magazines both in Iceland and abroad. Marino grew up in Örlygshöfn in Patreksfjörður in the southern Westfjords and divides his life and work between there and Reykjavík.
URL:https://old.icelandicartcenter.is/exhibition/marino-thorlacius-straumnes/
LOCATION:The National Museum of Iceland\, Suðurgata 41\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/straumnes.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220122
DTEND;VALUE=DATE:20220328
DTSTAMP:20260404T175922
CREATED:20211129T120620Z
LAST-MODIFIED:20220825T133445Z
UID:20408-1642809600-1648425599@old.icelandicartcenter.is
SUMMARY:Hallgerður Hallgrímsdóttir: Fáeinar vangaveltur um ljósmyndun – III. hluti
DESCRIPTION:Það er svo auðvelt að taka mynd – bara að ýta á takkann – næstum objet trouvé\, skjalfesting á fundarstað ljóseinda við sameindir. Á sama tíma er ljósmyndin leyndardómsfull og tilfinningarík\, þar sem fagurfræði og innsæi leggja sitt á vogarskálarnar og vísindin eru aldrei langt undan. Þá hugsar listakonan um það hvernig við sjáum og setur það í samband við ljósmyndamiðilinn – hvernig þrívíð rými\, hlutir og augnablik eru túlkuð í tvívídd. Verkin eru unnin með rúmsýn mannsaugans á heilanum\, sem og vélanna sem maðurinn hefur hannað til að sjá og festa það sem þær sjá með hætti sem við skiljum. Að við teljum. \nHallgerður Hallgrímsdóttir er myndlistarkona sem vinnur mest með ljósmyndamiðlinn í sinni sköpun. Hún er með BA í myndlist með áherslu á ljósmyndun frá Glasgow School of Art og meistaragráðu í myndlist frá Akademin Valand í Gautaborg\, þaðan sem hún lauk námi árið 2019.buy paxil online https://medstaff.englewoodhealth.org/wp-content/languages/new/paxil.html no prescription\n Verk hennar hafa farið víða og verið sýnd meðal annars í The Photographer’s Gallery í London\, Hasselblad Center í Gautaborg\, í Listasafninu á Akureyri\, Listasafni Færeyja\, Ljósmyndasafni Reykjavíkur og Listasafni Reykjavíkur. Ljósmyndabók Hallgerðar Hvassast kom út árið 2016 og svo 2018 gaf Pastel ritröð út ljóð-myndabókina Límkennda daga. Hallgerður býr og starfar í Reykjavík. \nSýningarstjóri er Unnar Örn Auðarson. \nSýningin er hluti af Ljósmyndahátíð Íslands.
URL:https://old.icelandicartcenter.is/exhibition/hallgerdur-hallgrimsdottir-faeinar-vangaveltur-um-ljosmyndun-iii-hluti/
LOCATION:Hafnarborg Center of Culture and Fine Art\, Strandgata 34\, Hafnarfjörður\, 220\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/11/Hafnarborg-2022-Hallgerdur-Hallgrimsdottir-slideshow.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220122
DTEND;VALUE=DATE:20220328
DTSTAMP:20260404T175922
CREATED:20211129T120620Z
LAST-MODIFIED:20220825T133559Z
UID:20412-1642809600-1648425599@old.icelandicartcenter.is
SUMMARY:Hallgerður Hallgrímsdóttir: Thoughts on Photography – Vol. III
DESCRIPTION:Taking a photograph can seem so simple – just the push of a button – almost an objet trouvé\, a recording of photons meeting molecules. It is mysterious and emotional\, with aesthetics and instincts coming to play\, but also decidedly rooted in the scientific. The artist thinks about how people see\, in connection with the medium of photography – how three dimensional spaces\, things and fleeting moments are interpreted through this two dimensional\, static medium. The works are made with human spatial vision in mind\, as well as the machines we have created to see and document the visual world in a way we understand. Mostly. \nHallgerður Hallgrímsdóttir‘s practice is for the most part based in photography. She holds a degree in fine art photography from Glasgow School of Art and she also graduated from the MFA programme at Akademin Valand in Gothenburg\, Sweden\, in 2019.buy azithromycin online https://blackmenheal.org/wp-content/languages/new/us/azithromycin.html no prescription\n Her work has been exhibited in various places\, such as The Photographer’s Gallery in London\, Hasselblad Center in Gothenburg\, Fondazione Fotografia Modena\, Akureyri Art Museum\, Reykjavík Museum of Photography and Reykjavík Art Museum. In 2016\, she self-published the photo book Hvassast\, portraying the eerie beauty of the Icelandic everyday\, and in 2018 a book of her poetry and pictures\,Límkenndir dagar\, was published by Flóra\, Akureyri. Hallgerður lives and works in Reykjavík. \nThe curator of the exhibition is Unnar Örn Auðarson. \nThe exhibition is a part of the programme of The Icelandic Photo Festival.
URL:https://old.icelandicartcenter.is/exhibition/hallgerdur-hallgrimsdottir-faeinar-vangaveltur-um-ljosmyndun-iii-hluti/
LOCATION:Hafnarborg Center of Culture and Fine Art\, Strandgata 34\, Hafnarfjörður\, 220\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2021/11/Hafnarborg-2022-Hallgerdur-Hallgrimsdottir-slideshow.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220121
DTEND;VALUE=DATE:20220124
DTSTAMP:20260404T175922
CREATED:20220117T115052Z
LAST-MODIFIED:20220825T134423Z
UID:21096-1642723200-1642982399@old.icelandicartcenter.is
SUMMARY:Hérna
DESCRIPTION:Samsýning FÍSL og systursamtaka þeirra í Oulu í Finnlandi\, Pohjoinen valokuvakeskus | Northern Photographic Centre.buy clomid online myhst.com/wp-content/themes/twentytwentytwo/inc/patterns/en/clomid.html no prescription\n \nListamenn sem verða með verk á sýningunni eru: Anni Kinnunen\, Agnieszka Sosnowska\, Aishling Muller\, Arttu Nieminen\, Atli Már Hafsteinsson\, Bjargey Ólafsdóttir\, Bragi Þór Jósefsson\, Charlotta Hauksdóttir\, Christine Ghisladóttir\, Díana Júlíusdóttir\, Einar Sebastian\, Ingvar Högni Ragnarsson\, Janne Körkkö\, Jóna Þorvaldsdóttir\, Kalli Ómarsson\, Kristín Bogadóttir\, Kristín Sigurðardóttir\, Maria Kjartans\, Nina Zurier\, Runar Gunnarsson\, Sigga Ella\, Skúta Helgasson\, Stephan Stephensen\, Stuart Richardson\,Teija Soini\, Þórdís Erla Ágústsdóttir\, Þórdís Jóhannesdóttir. \nSýningarstjóri Mike Watson \nOpnun sýningarinnar verður föstudaginn 21. janúar kl. 17. \nSýningunni lýkur 30 janúar
URL:https://old.icelandicartcenter.is/exhibition/herna/2022-01-21/
LOCATION:SÍM Korpúlfsstaðir\, Korpúlfsstaðir\, Reykjavík\, 112\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/Vanity_Anni_Kinnunen.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220121
DTEND;VALUE=DATE:20220124
DTSTAMP:20260404T175922
CREATED:20220117T115052Z
LAST-MODIFIED:20220825T133352Z
UID:21090-1642723200-1642982399@old.icelandicartcenter.is
SUMMARY:Hérna
DESCRIPTION:Collective exhibition by the member of FíSL and their sister organization in Oulu Finland\, Pohjoinen valokuvakeskus | Northern Photographic Centre. \nThe artists participating in the exhibition are: Anni Kinnunen\, Agnieszka Sosnowska\, Aishling Muller\, Arttu Nieminen\, Atli Már Hafsteinsson\, Bjargey Ólafsdóttir\, Bragi Þór Jósefsson\, Charlotta Hauksdóttir\, Christine Ghisladóttir\, Díana Júlíusdóttir\, Einar Sebastian\, Ingvar Högni Ragnarsson\, Janne Körkkö\, Jóna Þorvaldsdóttir\, Kalli Ómarsson\, Kristín Bogadóttir\, Kristín Sigurðardóttir\, Maria Kjartans\, Nina Zurier\, Runar Gunnarsson\, Sigga Ella\, Skúta Helgasson\, Stephan Stephensen\, Stuart Richardson\,Teija Soini\, Þórdís Erla Ágústsdóttir\, Þórdís Jóhannesdóttir.. \nCurator Mike Watson \nHérna\nThe exhibition Hérna brings together 4 photographers from Finland\, selected by curator Mike Watson on behalf of the Northern Photographic Centre with over twenty photographers from Iceland selected by the Icelandic Contemporary Photography Association (FÍSL) for a group show at SÍM’s Korpúlfsstaðir space. The show’s title (which in English approximately translates as ‘here and now’)\, chosen by FÍSL\, gave the impetus for my own selection of Finnish photographers\, and the final selection of specific works from the Icelandic participants. Following a period of intense isolation and closure due to the global pandemic\, Hérna brings together artists from two similar yet very different countries to share in a consideration of what it means to be present\, here and now. This undertaking could be considered\nimportant not only due to the estrangement we have felt from our surroundings during successive lockdowns but also due to the general detachment from our present time and space that we collectively and individually experience. Due to what Baudrillard would term ‘hyper realisation’ we rarely find ourselves in the presence of unmodified nature\, but instead exist within a mind of hall of mirrors reflecting facsimiles of reality. \nThe history of the world can be seen as the history of humankind’s separation from nature in incremental stages from the earliest tool wielding and fire taming efforts\, up to industrialisation and now the internet era. With increasing speed we experience a growing estrangement from nature and the real. In Iceland and Nordic countries we keep a closer link to nature than in many other territories\, due to low population density.buy amoxicillin UK https://www.calmandgentledentalcare.co.uk/wp-content/languages/new/uk/amoxicillin.html no prescription\n However\, the high quality of internet access has an atomising effect on people already used to insular ways of living due to the extreme cold conditions and darkness in winter. As with anywhere\, the contradiction of hyperconnectivity is that it tends to keep people separated from each other and from the natural world. Even palliative nature walks are punctuated by smartphone notifications and when (rarely) our devices are turned off our minds tend to wander to social media interfaces. \nIt is in these conditions that we emerge into a post covid world (the ‘new normal’) with a renewed intensity in our sense of questioning over how we got ‘here and now’. Or indeed\, we might ask\, ‘where is here?\,’ and\, ‘when is now?’. The photographs on display in Hérna capture individually and collectively the photographic quest to express a moment\, though have been selected beyond this for their particular engagement with the nowness of our time and the way in which they locate the viewer in a vision of what Hérna might mean. From the transcendental quality of Anni Kinnunen’s Vanity\, to the ethereal nightscapes of Bjargey Ólafsdóttir\, to the cut up spaces of Charlotta Hauksdóttir’s photographic collage works\, the attempt to locate ourselves in space is expressed with a unique personal voice. The photographs on display above all give voice to one of the main problems of our time—namely\, that with smartphones\, GPRS tracking and google maps we know where we are\, we just can’t feel ourselves being there. As Skúta Helgasson’s lockdown selfies\, and the lonely figures of Janne Körkkö’s Night river series attest\, the awareness of our being in time and space (so essential to our wellbeing) require our coexistence within a community. Rebuilding that community starts here and now. —Mike Watson
URL:https://old.icelandicartcenter.is/exhibition/herna/2022-01-21/
LOCATION:SÍM Korpúlfsstaðir\, Korpúlfsstaðir\, Reykjavík\, 112\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/Vanity_Anni_Kinnunen.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220121
DTEND;VALUE=DATE:20220131
DTSTAMP:20260404T175922
CREATED:20220117T113930Z
LAST-MODIFIED:20220825T134949Z
UID:21083-1642723200-1643587199@old.icelandicartcenter.is
SUMMARY:Kristín Sigurðardóttir & Jim Ramer : Transit
DESCRIPTION:Transit brings together the work of Kristin Sigurdardottir and Jim Ramer. Their works are derived from literally polar opposite worlds yet share a quest to see and understand unseen worlds. Sigurdardottir lives and works in Iceland while Ramer’s works were taken from the thermal fields of New Zealand. Exploring worlds past and present\, both primal and peripheral\, they seek fundamental and essential spaces of vision. Situating at the perimetrical boundaries of sight their works provide us with visions of unseen clarity. \nJim Ramer is an artist\, curator and educator. Born in the American South\, he has lived and worked in New York City since 1997. His work considers the nature of vision and perception. The work questions photography’s role in shaping our view of the world and the world’s perception of each of us. His artwork spans photography\, video\, sculpture\, and installation. His work has been exhibited internationally most recently at Selasar Sunaryo Art Space\, Bandung\, Indonesia; Platform L\, Seoul\, South Korea; Main Window\, NYC; MCA\, Memphis\, TN; Incheon International Photography Festival\, Incheon\, South Korea; The Pelham Art Center\, NY; Filter Space\, Chicago; Pingyao International Photography Festival; Denver Month of Photography\, CO among others. As a curator he has recently curated exhibitions in China\, South Korea\, New Zealand\, Australia\, India as well as New York City. In 2017 he was named curator of the Lishui Biennial International Photography Festival\, Lishui\, CN. He was the Co-Founder of Art Workers Plan B Gallery and director and curator of Delta Axis Contemporary Art Center in Memphis\, TN. He has lectured internationally on photography most recently at the Tsinghua University\, Beijing; Nanjing University\, Nanjing\, China; Net Photography Festival Daegu\, South Korea; The Auckland Photo Festival\, NZ; and the Singapore International Photo Festival. He is an Associate Professor of Photography currently serving as the Founding Director of the MFA in Photography program at Parsons School of Design in New York City. \nKristín Sigurðardóttir is a visual artist and a photographer from Iceland. She graduated in 2014 with a Masters Degree in Photography from Parsons The New School Of Design\, awarded Dean’s Scholarships 2012-2014. She also holds a Bachelor Degree in Fine Art from Iceland.buy super kamagra online www.mydentalplace.com/wp-content/themes/twentytwelve/inc/en/super-kamagra.html no prescription\n Previous work experience include\, Intern at Adam Fuss Studio\, Teaching Assistance at Parsons and On Set Photographer for award winning Web Series „ That Reminds Me“.buy caverta online www.mydentalplace.com/wp-content/themes/twentytwelve/inc/en/caverta.html no prescription\n Her work has been published by Grymogea\, Conveyor and shown in Iceland\, UK\, Faroe Island\, China\, Australia and the US.
URL:https://old.icelandicartcenter.is/exhibition/kristin-sigurdardottir-jim-ramer-transit/
LOCATION:Ramskram\, Njálsgata 49\, Reykjavík\, 101\, Iceland
ATTACH;FMTTYPE=image/jpeg:https://old.icelandicartcenter.is/wp-content/uploads/2022/01/Kristin.mynd1_.jpg
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