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Mateusz Hajman: Sirens of Poland
25 June, 2022–21 August, 2022

Polish summer. Somewhere between blocks of flats. By the river’s shore. In the forest. By the coast. Those lazy days hard to tell apart from one another.
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Time blissfully slipping through fingers. When it is just enough to unveil a piece of skin and let the wind caress it unashamedly.
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That tiny bit of pleasure you yearn for throughout the year. The summer moments caught in Mateusz Hajman’s analogue photography remind us that there indeed is something to wait for. There will eventually be summer again. Hajman, in his shots, unobtrusively captures those girls and boys full of ease and artlessness, reminding us that it is the observer’s eye that sees the eroticism…
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Time blissfully slipping through fingers. When it is just enough to unveil a piece of skin and let the wind caress it unashamedly.
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That tiny bit of pleasure you yearn for throughout the year. The summer moments caught in Mateusz Hajman’s analogue photography remind us that there indeed is something to wait for. There will eventually be summer again. Hajman, in his shots, unobtrusively captures those girls and boys full of ease and artlessness, reminding us that it is the observer’s eye that sees the eroticism…
Text: Paulina Klepacz / Translation: Agata Pawlik

Pólska sumrið; einhversstaðar milli íbúðarblokkanna, við árfarveginn, inni í skóginum, úti við strandlengjuna. Þessa letilegu daga er erfitt að greina hvorn frá öðrum. Sæluríkur tíminn smígur milli fingranna. Þegar rétt sér bregða fyrir húðlit og vindurinn stríkur óblygðunarfullur. Smávegis nautn sem okkur eygir árið umkring. Þessi andartök yfir sumar tímann fönguð á analog filmu Hajman – minnir okkur á að það er vitaskuld til einhvers að hlakka. Það kemur ávallt sumar á ný. Hajman, nærgætinn fangar hann, stelpur og stráka í makindum sínum, og minnir okkur á að áhorfandinn sjálfur mun nema erótíkina…
Text: Paulina Klepacz / Translation: Brynjar Helgason