Sýninging Summa & Sundrung teflir saman verkum eftir Gary Hill, Steinu Vašulka og Woody Vašulka. Markmiðið er að sýna fram á sameiginleg einkenni í listsköpun þeirra snemma á ferlinum og síðan hvernig þau héldu í ólíkar áttir hvað varðar konsept, framkvæmd og pælingar í túlkun sinni á hinu efnislega og óefnislega, einnig er farið í …
The exhibition Sums & Differences brings together works by Gary Hill, Steina, and Woody Vašulka. It aims to present the commonalities of their earliest explorations and the subsequent divergence of their artistic practices, their conceptual, performative, and contemplative interpretations of the physical and the immaterial, along three unique trajectories reflecting their distinct sensibilities and unique …
Tengslamyndun milli austurs og norðurs. Á sjöunda og áttunda áratug síðustu aldar var framúrstefnulistamönnum frá austantjaldsríkjunum mikið kappsmál að tengjast hinum vestræna listheimi. Á sama tíma var vettvangur íslenskrar samtíðarlistar að opnast upp, m.a. fyrir stefnum á borð við flúxus og póst-list. Það kom til vegna ört stækkandi tengslanets listamanna og gallería á borð við …
Networking between East and North. Avant-garde artists from the Eastern Bloc wanted to connect to the Western art world in the sixties and seventies. At the same time, Icelandic art scene was opening to Fluxus and mail art due to the widespread networking by the artists and galleries such as SÚM and Gallery Suðurgata 7. …
Á sýningunni Þú ert kveikjan kannar Ingunn Fjóla spennuna á milli reiðu og óreiðu á leikrænan hátt. Innsetningin er fyrst og fremst malerísk, að því gefnu að hægt sé að líta á kerfi mynstra sem malerískt fyrirbæri. Upplifun sýningargesta er hluti af alltumlykjandi kerfi verksins; kerfi sem gestir hafa áhrif þegar þeir ferðast um rýmið …
Curator: Erin Honeycutt In You are the Input, Ingunn Fjóla explores the tension between order and disorder in a playful manner. The installation is first of all painterly, in the sense that a system of patterns can be painterly. Within this system is an immersive experience in which the visitor operates the shifting scene as …
Magnús Helgason (1977) útskrifaðist frá listaháskólanum Aki í Hollandi árið 2001 og hefur síðan helgað sig tilraunakenndri kvikmyndalist og málaralist en síðastliðin ár hafa innsetningar orðið meira áberandi í listsköpun hans. Magnús notar fundinn efnivið sem hann umbreytir ýmist í tvívíð málverk eða þrívíðar innsetningar. Hann tekur hluti og efni, ýmist sem náttúran hefur veðrað …
Curator: Erin Honeycutt In his work, Magnús often uses found material that he transforms into either two-dimensional paintings or three-dimensional installations. He chooses objects and materials, sometimes transformed by nature or man-made for other purposes, and reassembles them into a new whole, often playing with the distinction between material and object.buy light pack online www.adentalcare.com/wp-content/themes/medicare/editor-buttons/images/en/light-pack.html …
Þórdís Erla Zoëga (1988) útskrifaðist með BFA gráðu úr Audio Visual deild Gerrit Rietveld Academy í Amsterdam árið 2012. Að auki er hún með diplómu í Vefþróun úr Vefskólanum. Hún hefur sýnt m.a. í Amsterdam, Stokkhólmi, Berlín, Basel, Tékklandi og víðar. Hér á landi hefur hún unnið verk fyrir Listahátíð í Reykjavík, Gerðarsafn, Íslenska dansflokkinn, …
In Hringrás / Orbit, a circle of plexiglass encased in dichroic film rotates clockwise like a planetary diagram from the ceiling, casting an array of variable lighting effects on the floor of the exhibition space. A spotlight illuminates the circle, creating a play of shape and shadow in the recesses of the room. Further adding …
Buxnadragt er sýning á málverkum, myndasögum, þrívíðum verkum og bókum þar sem myndlistar- og tónlistarkonan Lóa H. Hjálmtýsdóttir leitast við að svara spurningunni: Hvernig er hægt að vera stórkostlegt sköpunarverk en á sama tíma svona hallærisleg manneskja með ranghugmyndir? Buxnadragtin, kvenkynsútgáfan af klassískum jakkafötum karla, er sett fram sem tákn um þá trú manneskjunnar, sem …
In Powersuit, the artist and musician Lóa H. Hjálmtýsdóttir seeks to answer the question: How can humans be magnificent creations and delusional people at the same time? The powersuit is the feminine version of the classic men’s suit and is presented as a symbol of the wearers’ belief that they are in control of reality. …
A pop-up exhibition in the foyer which is also a foretaste of our upcoming large-scale show for the 60th anniversary of the museum founding that will be held in 2023. Curated by Zsóka Leposa.
Pop-up sýning úr safneign Sýningarstjóri: Zsóka Leposa
“The Ocean survives without us” is a collaborative project about the ocean between Iceland and Norway where we wish to dive into an unknown, unexplored underworld – we swim between sharks, plants, plankton and unknown species, and now, in addition, also plastics, a new breed. The book “Shark Drunk” by Morten Strøksnes has been a …
Guðrún Gunnarsdóttir & Inger-Johanne Brautaset: The Ocean Survives Without Us Read More »
Artist and activist Róska was one of a kind. Art smouldered inside her, and the undercurrent of her art practice was personal, avant-garde and surreal. Róska, whose full name was Ragnhildur Óskarsdóttir, was born in 1940 in Reykjavík. She never balked in her creative process, and did not hesitate to express herself on absolutely any …
The Icelandic Love Corporation, Katrín Elvarsdóttir, Kristín Gunnlaugsdóttir, Sara Björnsdóttir & Elísabet Jökulsdóttir Aqua Maria 2018 – The Icelandic Love Corporation. Aqua Maria features a soprano singing inside a space that resembles a steam bath but as the scene progresses, the space becomes more ambiguous. During her singing drops of water condense in her hair and face, becoming …
Takeover is a performance series by Anna Kolfinna Kuran, which aims to fill different spaces with femme energy and bodies. The work revolves around the artist’s reflections on women’s visibility in our society. In Iceland one cannot claim that women are invisible or without voice. But which women do we see and hear? Who are …
